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Great Dave Liebman line

felser

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felser Veteran

felser

Posted
Posted

Read this on an Amazon review (of Liebman's Wayne Shorter tribute album) by someone with the handle Roochak:

"Liebman seems to have a confrontational relationship with the soprano sax; the instrument does exactly what he wants it to do, except when it doesn't. "

Gheorghe Mentor

Gheorghe

Posted
Posted
40 minutes ago, GA Russell said:

When Shorter left the Lost Quintet, wasn't he replaced by Liebman?  If so, how long did the other three remain with Miles?  Did that quintet have any CDs issued?

Well I saw Davis with Liebman. Liebman was after Steve Grossman, so about 2 years, 1973 + 1974 and IMHO he was the best of Miles post-Wayne saxophonists. 

Ken Dryden Experienced

Ken Dryden

Posted
Posted (edited)

Liebman always has numerous diverse projects in the planning stages, limited only by finding funding, never by finding the right musicians or composing the music for them. The man is fascinating to hear in person and a captivating interview guest, both of which I have experienced.

Edited by Ken Dryden
GA Russell Mentor

GA Russell

Posted
Posted

OK, let me rephrase the question.  Are there CDs of the Miles quintet between Shorter's leaving and his septet of the autumn of '71?

13 hours ago, Gheorghe said:

Well I saw Davis with Liebman. Liebman was after Steve Grossman, so about 2 years, 1973 + 1974 and IMHO he was the best of Miles post-Wayne saxophonists. 

 

2 hours ago, JSngry said:

Sonny Fortune.

 

HutchFan Grand Master

HutchFan

Posted
Posted
5 minutes ago, GA Russell said:

Are there CDs of the Miles quintet between Shorter's leaving and his septet of the autumn of '71?

These aren't "quintets" -- but they date between Shorter's departure and Autumn '71:

- Miles at the Fillmore – Miles Davis 1970: The Bootleg Series, Vol. 3 (April & June 1970) -- with Grossman, Corea & Jarrett
- The Cellar Door Sessions 1970 (December 1970) -- with Bartz & Jarrett 

There may be others.  I'm not certain.

 

GA Russell Mentor

GA Russell

Posted
Posted
1 hour ago, HutchFan said:

These aren't "quintets" -- but they date between Shorter's departure and Autumn '71:

- Miles at the Fillmore – Miles Davis 1970: The Bootleg Series, Vol. 3 (April & June 1970) -- with Grossman, Corea & Jarrett
- The Cellar Door Sessions 1970 (December 1970) -- with Bartz & Jarrett 

There may be others.  I'm not certain.

 

Thanks HFan!  I had forgotten about both of them!

danasgoodstuff Community Regular

danasgoodstuff

Posted
Posted

Black Beauty with just Corea but not Jarrett and Grossman is in that timeframe too.

I don't know that I prefer Leibman to any of the other post-Shorter sax players with Miles - Grossman, Bartz, Garnett, Sonny Fortune, they are all fine players.  As is Leibman, they each brought their own thing.

Guy Berger Enthusiast

Guy Berger

Posted
Posted
9 hours ago, GA Russell said:

OK, let me rephrase the question.  Are there CDs of the Miles quintet between Shorter's leaving and his septet of the autumn of '71?

 

Yes, a lot, though none of these are quintets. If we’re talking just officially released recordings:

Black Beauty (April 1970)

at Fillmore (June 1970)

Isle of Wight Festival (August 1970)

cellar door (December 1970)

and a recording from Europe (fall 1971, on the Newport box)

 

obviously there are tons of unofficial recordings too.

 

between Shorter’s departure in March 1970 and Liebman’s arrival in early 1973, we have live recordings with Steve Grossman (spring/early summer 1970), Gary Bartz (late summer 1970 - fall 1971), Carlos Garnett (summer/fall 1972)

11 hours ago, clifford_thornton said:

yep. Took me a while to get/get into him, but when I did I really did.

His playing is intense, cerebral and uncompromising - more so than other “straight ahead” Coltrane acolytes.  (Though I am not sure you can really call him SA.)  It took me a while to get into it, too.

mhatta Collaborator

mhatta

Posted
Posted

Dave Liebman is a great musician who deserves A LOT respect, and he is Miles Davis' possibly second-to-best saxophonist, but I personally have never been into his music. His partner, Richie Beirach, is similar I feel.  I don't really know why.

I think this is their best performance.

 

Gheorghe Mentor

Gheorghe

Posted
Posted
13 hours ago, JSngry said:

Sonny Fortune.

Yeah but Sonny Fortune I think was AFTER I saw the band, and I think it was only for a relativly short time (Agatha and Pangeea), but he is fine and plays alto. And I like his alto sound, while strange to say I am not so wild about Cannonball when he was with the Miles Davis Sextet. There is a certain sound of the alto that I love most: Vibratoless, "sugar-free" ...... well anyone who has at least some of the strength of McLean is my man. Gary Bartz is wonderful....And Sonny Fortune sounds very very good on those Miles albums, but as I said, I saw Miles only with saxophonists like Liebman, and then it was Bill Evans, and I lost the trace of the others later. I think that Bob Berg, who might be a helluva player, was not ideal for the band, or better said, the band not for Bob.....
I was to young to see the Band with Bartz or Grossman. 

Like many of my generation I got my impressions more from the live performances we attended than from LPs, since they were expensive and scarce, while live shows were much more events for not too much money. Since the only dead ones where some of the founders of bop (Bird, But, Fats), there was a lot of music from bop veterans to electric jazz, so I don´t think I got much knowledge from records.....

sidewinder Mentor

sidewinder

Posted
Posted

I saw Berg with Miles - and with Cedar Walton. He was a better fit with Cedar but adapted well to the requirements of Miles.

Sonny Fortune joined not too long before the Japan tour and was replaced shortly afterwards in 1975 by Sam Morrison I think. The only times I saw Sonny was on 2 or 3 occasions with Elvin Jones Jazz Machine.

Gheorghe Mentor

Gheorghe

Posted
Posted
11 minutes ago, sidewinder said:

I saw Berg with Miles - and with Cedar Walton. He was a better fit with Cedar but adapted well to the requirements of Miles.

Sonny Fortune joined not too long before the Japan tour and was replaced shortly afterwards in 1975 by Sam Morrison I think. The only times I saw Sonny was on 2 or 3 occasions with Elvin Jones Jazz Machine.

Yes with Elvin Jones, this was quite late in Elvin´s life. I remember it. He also played flute ! Like Dave Liebman too (best on Ife). 

clifford_thornton Mentor

clifford_thornton

Posted
Posted
10 hours ago, mhatta said:

Dave Liebman is a great musician who deserves A LOT respect, and he is Miles Davis' possibly second-to-best saxophonist, but I personally have never been into his music. His partner, Richie Beirach, is similar I feel.  I don't really know why.

I think this is their best performance.

 

I love Beirach. Shipp got me really listening to him. There's a duo CD with George Coleman that is just stupendous in my opinion.

HutchFan Grand Master

HutchFan

Posted
Posted
9 minutes ago, clifford_thornton said:

I love Beirach.

Me too!  :) 

 

10 minutes ago, clifford_thornton said:

There's a duo CD with George Coleman that is just stupendous in my opinion.

Yeah, it's a good one. 

But I think Beirach's many duo collaborations with Liebman are even better.  For example, Forgotten Fantasies (A&M-Horizon, 1976) is one of my desert-island discs.  Nobody ever seems to talk about it -- but I think it's stinkin' brilliant.

 

soulpope Grand Master

soulpope

Posted
Posted
1 hour ago, clifford_thornton said:

I love Beirach. Shipp got me really listening to him. There's a duo CD with George Coleman that is just stupendous in my opinion.

Richie Beirach is rather underappreciated ....

Kevin Bresnahan Mentor

Kevin Bresnahan

Posted
Posted
52 minutes ago, soulpope said:

Richie Beirach is rather underappreciated ....

People seem to be showing him how much they appreciate him right now. https://www.gofundme.com/f/coming-together-for-the-great-jazz-pianist-richie-beirach

I'm glad to see he's getting some help with his medical expenses but at the same time, pretty steamed that he needs to ask for it.

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