Jump to content

Recommended Posts

Posted

Listening to her OJC Limited Edition Series cd, backed by two all-star bands, lead by George Russell and Gil Evan’s. She was pitch-perfect.  She could’ve made it big. Anything known of her after this 1957 recording? Did she just fall out of the scene, like so many others, or did she continue to sing locally? I think she was Chicago-based. 

Posted (edited)

I've long enjoyed her two Fantasy recordings, bought the first originally for the Bill Evans participation. She was quite a singer!

Another that I think is similar in the scope of her recordings and her craft was Barbara Lea (though Lea I think had a longer career).

Edited by jazzbo
Posted

she's very good; I have long had a debate in my head about what makes a jazz singer, but certain ones fall into the cracks. She's one of them. One of the criteria is phrasing the other is emotional; she does do the phrasing thing, but sparely, as though to drop in a "jazzy" variation, but it's extremely subtle. Emotionally she is very direct, lacks the artistic detachment of singers like Holiday; which isn't a deal killer but which always sends me back to rethink the whole question. She is a little emotive for my tastes and I sometimes wish she would back off. But this is not an exact science.

Posted (edited)
39 minutes ago, JSngry said:

Is she dead?

Well yes she is:

https://en.wikipedia.org/wiki/Lucy_Reed

But there's a later album it seems, there might be more details there?

https://www.discogs.com/release/15201375-Lucy-Reed-Basic-Reeding?srsltid=AfmBOoqtUB8ozLdGu-y1GRcwWligTSnXlrk-D73V960PkIUJudjCv32x

Liner notes by Studs Terkel!

she sounds good on that later album, her voice is lighter. The only thing is that the mix sounds terrible on the Youtube versions, and there is way too much reverb, which might have been to compensate for an aging voice.

Edited by AllenLowe
Posted
47 minutes ago, AllenLowe said:

she's very good; I have long had a debate in my head about what makes a jazz singer, but certain ones fall into the cracks. She's one of them. One of the criteria is phrasing the other is emotional; she does do the phrasing thing, but sparely, as though to drop in a "jazzy" variation, but it's extremely subtle. Emotionally she is very direct, lacks the artistic detachment of singers like Holiday; which isn't a deal killer but which always sends me back to rethink the whole question. She is a little emotive for my tastes and I sometimes wish she would back off. But this is not an exact science.

My unbalanced take on the OJC cd is that some songs just weren’t right for her, like the St.Louis Woman or the hapless Trout song. Sounds like She was at her best in a more personal, despondent setting. I think she was excellent in a torch song genre, perhaps Broadway. Alternatively, That she was with the major swing to bop orchestras, Woody Herman’s and Charlie Ventura’s (any recordings extant?) indicates that she was more multi-faceted than I am giving her credit for. 

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...