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Posted

Sorry, it is probably behind a pay wall.

Interesting to me.  I grew up playing altogether and tenor in the sixties, seventies, eighties...  The article captures the sentiments of my days around these horns.   My cousin owned the largest musical instrument store West of much-of-America.  I could have had innumerable Mark VIs at wholesale or less.  Still these were more expensive than other horns (at same discount), so I went with the product I could more readily afford.  Regrets?  I would go with the milder "occasional twinges".  And yes, I still play.  Yamaha, mainly.

https://www.newyorker.com/culture/the-weekend-essay/the-legend-of-the-selmer-mark-vi?utm_source=nl&utm_brand=tny&utm_mailing=TNY_Daily_010624&utm_campaign=aud-dev&utm_medium=email&utm_term=tny_daily_digest&bxid=5bea04523f92a404693e5cf0&cndid=8049298&hasha=249c6f3ba6da9f452aaf57df6b7689e6&hashb=0672c70953f2ad5edeb32477a04ceaecfa9574a2&hashc=6050ecdeb31a7e169e20bc9c2aef4a17a508003dbc0f35d165412ddfed82949c&esrc=OIDC_SELECT_ACCOUNT_&mbid=CRMNYR012019

 

 

Posted

Jim, thanks for the SOTW link.  I slept through that one.  Amazing to me that Selmer would make just a handful of anything.  One or two, for a marquee player.  A million for tout le monde. 

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