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Posted

Joëlle Léandre & India Cooke - Journey [2010, NoBusiness, vinyl]

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Mikołaj Trzaska, Davin Hoff, Michael Zerang - Sleepless in Chicago [2013, Nobusiness, vinyl]

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Lotte Anker, Craig Taborn, Gerald Cleaver - Live at the Loft [2009, Ilk Music]

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Switchback (Waclaw Zimpel, Klaus Kugel, Hilliard Greene, Mars Williams) - s/t [2015, Multikulti]

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Bobby Bradford & John Carter - No U Turn [2015, Dark Tree Roots serries]

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Posted

Unfortunately the Leandre/Cooke was not in stock anymore, so replaced it for another NoBusiness vinyl:

The Group (Ahmed Abdullah, Marion Brown, Billy Bang, Sirone, Fred Hopkins, Andrew Cyrille) - Live [2012, NoBusiness, vinyl]

the_group_live.jpg

Posted (edited)

Today's Birthday gift order:

Brotzmann - Edwards - Noble: Soul Food

John Carter/Bobby Bradford Quartet: Self Determination Music

Takase/Schlippenbach: So Long Eric

Pino Minafra: Sudori (to replace my long lost CD - desert island recording

Amon Duul II: Yeti

Whammies volume 1& 2

Italian Instabile Orchestra: London Hymns

Dunmall - Rogers - Norton: Go Forth Duck

Louis Moholo-Moholo Unit: For the Blue Notes

Edited by Steve Reynolds
Posted (edited)

John Carter/Bobby Bradford Quartet: Self Determination Music

Lots of purchases of that (very fine) title from members of this site alone..

Picked up Tubby Hayes 'Without A Song' (Acrobat 3CD) yesterday. A revelatory - and essential - Tubby Hayes issue that will be a great accompaniment to Simon Spillet's biography, when it arrives in my mailbox.

Edited by sidewinder
Posted

Pino Minafra: Sudori (to replace my long lost CD - desert island recording

Superb record.

I think you recommended it to me back in Medieval Times.

Likewise I think. I've neglected the Italian Jazz scene in recent years by the excellence of Roberto Ottaviano's "Forgotten Matches" with Alex Hawkins has me intrigued again. Lots of new names that don't mean much to me.

Posted (edited)

Pino Minafra: Sudori (to replace my long lost CD - desert island recording

Superb record.

I think you recommended it to me back in Medieval Times.

Likewise I think. I've neglected the Italian Jazz scene in recent years by the excellence of Roberto Ottaviano's "Forgotten Matches" with Alex Hawkins has me intrigued again. Lots of new names that don't mean much to me.

Yes, ten or so years back it seemed to have a higher profile in the UK - I recall seeing La Banda, Trovesi, Italian Instabile; and then a whole host at the last Appleby (the cost of bringing those across probably helped sink the festival). I enjoyed going through some of the Tiziano Tononi records a few weeks back. Real fire there.

Edited by A Lark Ascending
Posted

Today's Birthday gift order:

Brotzmann - Edwards - Noble: Soul Food

Phenomenal one. The sound is "festival quality", which on paper does not favor Noble or Edwards, yet they adapt and make it work to their advantage.

Posted

Modern Jazz Quartet-Dedicated To Connie

Milt Jackson-Ain't But A Few Of Us Left

Kenny Burrell-Ellington Is Forever Volumes 1&2

Mary Lou Williams-Keyboard History; Zoning

The Happy Horns of Clark Terry/It's What's Happenin'

Louis Armstrong Plays W.C. Handy

Gov't Mule Sco-Mule

Posted

Pino Minafra: Sudori (to replace my long lost CD - desert island recording

Superb record.

I think you recommended it to me back in Medieval Times.

Superb...and completely bonkers :)

Bonkers always works for me.

Posted

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Fred Anderson - Birthday Live 2000

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Louis Armstrong - Satchmo, A Musical Autobiography + Stachmo Plays King Oliver (this will be the third version I have of this album) and The Good Book

picked up these directly from Avid. Even with shipping to the US it was dirt cheap. $16 dollars i believe.

Posted

Four_Brothers_350x350_A.jpgFour_Brothers_350x350_B.jpg

Recorded November 25, 1960 at Funkhaus Hamburg, produced by Hans Gertberg
“Four Brothers”: Lucky Thompson (soprano & tenor saxophone), Barney Wilen (soprano & tenor saxophone),
Helmut Brandt (baritone saxophone), Bent Jaedig (tenor saxophone),
with Roland Kovac (piano), Larry Atwell (guitar), Jürgen Ehlers (bass), Rudy Pronk (drums)

Solos/ Featuring: Lucky Thompson (2/ 8/ 11/ 16), Barney Wilen (1/ 4/ 5/ 10/ 11), Helmut Brandt (3/ 6/ 11/ 12 /13),
Bent Jaedig (1/ 6/ 13), rhythm section only led by Roland Kovac on 7 (quartet) and 15 (trio)

Release Date: 27.03.2015

ROLF_KUEHN_Stop_Time_350x350_A.jpg

Rolf Kühn (clarinet), Klaus Doldinger (tenor saxophone), Ingfried Hoffmann (organ/ piano),
Cees See (drums), Herman Schoonderwalt (bass)

All tracks previously unreleased, recorded June 25-27, 1962 in Hamburg, from the personal collection of Rolf Kühn


Release Date: 24.10.2014

http://www.sonorama.de/index.php?section=Sonorama-News

Posted (edited)

preorders in on

Kamasi Washington - The Epic

Curious about your thoughts when you get a chance to hear it to see if they match mine

Shall do. Not released here for a few weeks.

To be honest I ordered it as I'm intrigued by someone releasing a 3CD debut (surely hubris awaits) and the prerelease tracks sound good in a "lets throw lots of 'spiritual' jazz influences in the pot and stir hard with a few contemporary sounds". Whilst I'm not expecting anything groundbreaking the Brainfeeder/Flying Lotus connection might bring a different perspective. That it's a Ninja Tune is also a canny positioning - taking it out of the obvious Jazz circles and it may do well over here as 'Jazz for non-Jazz fans'

What's his story?

Edited by mjazzg
Posted (edited)

preorders in on

Kamasi Washington - The Epic

Curious about your thoughts when you get a chance to hear it to see if they match mine

Shall do. Not released here for a few weeks.

To be honest I ordered it as I'm intrigued by someone releasing a 3CD debut (surely hubris awaits) and the prerelease tracks sound good in a "lets throw lots of 'spiritual' jazz influences in the pot and stir hard with a few contemporary sounds". Whilst I'm not expecting anything groundbreaking the Brainfeeder/Flying Lotus connection might bring a different perspective. That it's a Ninja Tune is also a canny positioning - taking it out of the obvious Jazz circles and it may do well over here as 'Jazz for non-Jazz fans'

What's his story?

I agree about the ambitious nature made it intriguing for me also. I lucked into an advance of it. I think your expectations are grounded and will serve you well. Your final point really hits it on the head in my opinion. I feel with the push to non-Jazz fans will provide some hype that Jazz fans would not share. I think the praise Flying Lotus gives it is an extension of that thought process.

“He just plays the craziest shit, man. I mean, everything — the past, present, the future,” Flying Lotus says, whose family lineage includes one of Washington’s direct musical forebears, John Coltrane. “It's hard to find unique voices in this music. Especially in jazz, more so lately, everybody is trying to do the same shit. I don't want to hear ‘My Favorite Things’ anymore… What I am hearing is a leader among artists.”
Edited by jcam_44
Posted

preorders in on

Kamasi Washington - The Epic

Curious about your thoughts when you get a chance to hear it to see if they match mine

Shall do. Not released here for a few weeks.

To be honest I ordered it as I'm intrigued by someone releasing a 3CD debut (surely hubris awaits) and the prerelease tracks sound good in a "lets throw lots of 'spiritual' jazz influences in the pot and stir hard with a few contemporary sounds". Whilst I'm not expecting anything groundbreaking the Brainfeeder/Flying Lotus connection might bring a different perspective. That it's a Ninja Tune is also a canny positioning - taking it out of the obvious Jazz circles and it may do well over here as 'Jazz for non-Jazz fans'

What's his story?

I agree about the ambitious nature made it intriguing for me also. I lucked into an advance of it. I think your expectations are grounded and will serve you well. Your final point really hits it on the head in my opinion. I feel with the push to non-Jazz fans will provide some hype that Jazz fans would not share. I think the praise Flying Lotus gives it is an extension of that thought process.

“He just plays the craziest shit, man. I mean, everything — the past, present, the future,” Flying Lotus says, whose family lineage includes one of Washington’s direct musical forebears, John Coltrane. “It's hard to find unique voices in this music. Especially in jazz, more so lately, everybody is trying to do the same shit. I don't want to hear ‘My Favorite Things’ anymore… What I am hearing is a leader among artists.”

Yes, that push to non-Jazz fans will almost inevitably result in a backlash from the keepers of the Jazz flame.

Flying Lotus should listen a bit wider methinks :)

Still, looking forward to hearing a new voice

Posted

preorders in on

Kamasi Washington - The Epic

Curious about your thoughts when you get a chance to hear it to see if they match mine

Shall do. Not released here for a few weeks.

To be honest I ordered it as I'm intrigued by someone releasing a 3CD debut (surely hubris awaits) and the prerelease tracks sound good in a "lets throw lots of 'spiritual' jazz influences in the pot and stir hard with a few contemporary sounds". Whilst I'm not expecting anything groundbreaking the Brainfeeder/Flying Lotus connection might bring a different perspective. That it's a Ninja Tune is also a canny positioning - taking it out of the obvious Jazz circles and it may do well over here as 'Jazz for non-Jazz fans'

What's his story?

I agree about the ambitious nature made it intriguing for me also. I lucked into an advance of it. I think your expectations are grounded and will serve you well. Your final point really hits it on the head in my opinion. I feel with the push to non-Jazz fans will provide some hype that Jazz fans would not share. I think the praise Flying Lotus gives it is an extension of that thought process.

“He just plays the craziest shit, man. I mean, everything — the past, present, the future,” Flying Lotus says, whose family lineage includes one of Washington’s direct musical forebears, John Coltrane. “It's hard to find unique voices in this music. Especially in jazz, more so lately, everybody is trying to do the same shit. I don't want to hear ‘My Favorite Things’ anymore… What I am hearing is a leader among artists.”

Yes, that push to non-Jazz fans will almost inevitably result in a backlash from the keepers of the Jazz flame.

Flying Lotus should listen a bit wider methinks :)

Still, looking forward to hearing a new voice

The sample give a good indication of the overall album experience

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