Rabshakeh Posted October 21, 2023 Report Posted October 21, 2023 An artist who is very rarely mentioned on this forum. I have in recent months increasingly seen him, or at least his solo saxophone and electronic pieces, referenced as a major inspiration for many up and coming players. What's the forum view? Quote
mjazzg Posted October 21, 2023 Report Posted October 21, 2023 (edited) Saw him live, bought an album, largely memorable for his undoubted stamina but not a lot else. I'm interested to know who's quoting him as an influence, are they Jazz players? I hear his music as being more Rock adjacent Edited October 21, 2023 by mjazzg Quote
clifford_thornton Posted October 21, 2023 Report Posted October 21, 2023 Yeah, definitely seems to have more appeal in the "avant-rock" world, and he has also done a fair amount of soundtrack work I believe. I don't know that I would sit with an album but he's out there doing his thing, and it is appreciated. Quote
JSngry Posted October 21, 2023 Report Posted October 21, 2023 6 hours ago, Rabshakeh said: An artist who is very rarely mentioned on this forum. I have in recent months increasingly seen him, or at least his solo saxophone and electronic pieces, referenced as a major inspiration for many up and coming players. What's the forum view? Quote
danasgoodstuff Posted October 21, 2023 Report Posted October 21, 2023 Colin's his own distinct flavor, but it's not really my thing. but more power to him for doing it and finding an audience. Quote
Rabshakeh Posted October 21, 2023 Author Report Posted October 21, 2023 It's not my thing much either. People seem very impressed by the solo records. More to do with the fact that they are solo and the way that they are recorded (including the clicks of fingers on keys) rather than what is actually being played. He does seem to be being used as a model. I was listening to Surrender by Bendik Giske, and that is clear Stetson worship. Quote
jlhoots Posted October 22, 2023 Report Posted October 22, 2023 1 hour ago, Rabshakeh said: It's not my thing much either. People seem very impressed by the solo records. More to do with the fact that they are solo and the way that they are recorded (including the clicks of fingers on keys) rather than what is actually being played. He does seem to be being used as a model. I was listening to Surrender by Bendik Giske, and that is clear Stetson worship. I don't know who either of those people are. Shame on me, maybe. Quote
mjazzg Posted October 22, 2023 Report Posted October 22, 2023 13 hours ago, jlhoots said: I don't know who either of those people are. Shame on me, maybe. Shame might be a bit harsh Quote
T.D. Posted October 22, 2023 Report Posted October 22, 2023 10 minutes ago, mjazzg said: Shame might be a bit harsh There's not enough time to keep up with everything, I don't feel bad about being unaware. Not inclined to investigate after reading the foregoing discussion. Quote
clifford_thornton Posted October 24, 2023 Report Posted October 24, 2023 Understood. But he's not bad! I think it's worth checking out several minutes of his solo music and deciding for yourself. There's also a duo with Mats G (maybe more than one?) that's decent, if flutter-tonguing, harmonics, and key clicks are your thing. There is an ambient-ness to Stetson's music that works well in certain contexts... and I don't mean "new age ambient," but the kind of agitated sound environments that are neither foreground nor background. Quote
T.D. Posted October 24, 2023 Report Posted October 24, 2023 (edited) I'm listening to some solo music from his Youtube page. Sounds like it (generally and likely not as score-based/composed) fits into what Kyle Gann used to (and probably still does) call "Postminimalism", though that admittedly covers vast amounts of ground. Very strong pulse / rhythm, definite ambientness. Agreed that it's by no means bad. Pass for now on the duo you just mentioned. I used to listen to a lot of avant-garde classical that relied heavily on extended techniques. Got my fill of key-clicks from Salvatore Sciarrino 🧐; still have not-so-pleasant memories of Ferneyhough. Not to badmouth the compositions, but I don't have big appetite for that sound world these days. Perhaps my listening will swing back in that direction some time. Edited October 24, 2023 by T.D. Quote
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