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Great Post-War big band swing records (No Basie / Ellington)


Rabshakeh

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On 9/1/2023 at 10:13 PM, Rabshakeh said:

Who bought these?

Surely some duck-tailed teenager hoodlum isn't going to suddenly buy a Claude Thornhill record just because it has "rock" in the title? And we're not yet at the post-Beatles stage where parents are buying nicely arranged instrumental versions of those loud rock and pops.

Were these solely aimed at well-meaning uncles and grandparents buying mistaken Christmas presents, or something?

I've had a listen and it's clearly still big band music, even if it now has a prominent guitar or baritone saxophone playing bass parts.

It's actually alright. I weirdly quite like it. Boyd's shaken off Stravinsky, and it's a fairly gentle but danceable arranger's record.

Good questions. The "Teen Rock" is really danceable indeed, but rather for those (whoever they were) who prefer to take it fairly easy. Certainly not a platter to "cut loose". 
I cannot quite make out the target group either.

But as for the rock'n'roll phenomenon in the 50s, from all the information I've examined through the years (including many period documents), the US teenagers in the USA weren't all "duck-tailed teenager hoodlums" 😁 but there remained a fairly sizable proportion of young ones who kept their music consumption comparatively "clean" and "wholesome" (and whatever other tags the industry hung on the artists in question - even well before Fabian, Bobby Rydell and the rest). If you've seen the "Cry Baby" movie (regardless of how caricaturesque it overall is) I'd venture a guess the portrayal of the "clean-cut" upper class teens doing the Bunny Hop in that movie wasn't that far off the mark. This sort of teens WERE there as well.

I find this kind of records fairly entertaining as one sign of the times and of R'n'R as seen by the jazz and pop industry (but I would not usually invest huge sums in them). This entire subject is a long tell-tale story of how the majors as well as established pro musicians of the pre-R'n'R pop market (who suddenly found themselves out in the cold) tried to cash in on the newly-emerged teen market of the 50s anyway but very often failed to really grasp its essence ...
OTOH ... acccording to Wikipedia the early 60s Twist LP by Ronn Metcalfe that I listed was a monster hit in Canada.

 

21 hours ago, dprfish said:

Coincidence ... I scored an original of this a couple of weeks ago but had hesitated to list it here.
It's quite nice, somewhat modernized straight-ahead swing (FWIW Down Beat actually enthused about it and gave it 4 stars), but honestly, lumping in the four George Williams tunes written for this LP along with the "Classics" (as per the album title) is quite a stretch. And among these, cheekily listing "Empty Jug" and "Endville Chorus" (actually very thinly disguised reworkings "Little Brown Jug" and "Anvil Chorus") as his own compositions ... ho hum ...  :D
Prior to this LP, George Wiliams had done a Jimmie Lunceford tribute LP for RCA (4 1/2 stars by Down Beat). And there were more, but they are a different story again ....

Edited by Big Beat Steve
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On 10/9/2023 at 7:22 PM, Rabshakeh said:

Roy Eldridge – 1945-1947

R-9638813-1484032597-9438.jpg.4d12144f47622598493958e3131b8aca.jpg

This is obviously a comp, not an LP, but it is pretty incredible music, so I thought worthwhile flagging.

In case you INSIST on an LP ;), the Decca big band sessions from that Classics CD can most conveniently be found here:

https://www.discogs.com/master/1092962-Roy-Eldridge-And-His-Orchestra-Swing-Along-With-Little-Jazz

And the WNEW Saturday Night tracks habe been recycled on many 70s budget labels, e.g.:

https://www.discogs.com/release/4123929-Various-Saturday-Night-Jazz-Session
https://www.discogs.com/release/2268120-Roy-Eldridge-1947-WNEW-Saturday-Night-Swing-Session
https://www.discogs.com/release/9797581-Roy-Eldridge-Flip-Phillips-Mike-Colicchio-Al-Casey-Eddie-Safranski-Specs-Powell-Mel-Tormé-Fats-Nava
https://www.discogs.com/release/3470450-Fats-Navarro-And-Allen-Eager-Saturday-Night-Swing-Session

;)

 

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I can't recall whether it was this thread, but to pick up on what someone said about liking big band music not being the same as liking jazz, this record is probably a good example:

Billy May And His Orchestra – A Band Is Born

R-12439440-1540251881-9104.jpg.8d8111e6266b3655f8742f57f14b6b54.jpg

Decent record, but clearly a certain crowd.

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