Late Posted February 1, 2023 Report Posted February 1, 2023 What do you all think of tenor saxophonist Dave van Kriedt? I only know his work from Brubeck's Re-Union. Quote
Late Posted February 1, 2023 Author Report Posted February 1, 2023 You can listen to Mr. van Kriedt play the A# tenor saxophone here: Quote
JSngry Posted February 1, 2023 Report Posted February 1, 2023 Isn't he also on the Octet sides? Quote
Late Posted February 1, 2023 Author Report Posted February 1, 2023 3 minutes ago, JSngry said: Isn't he also on the Octet sides? Yesh. Quote
Big Beat Steve Posted February 1, 2023 Report Posted February 1, 2023 (edited) 5 minutes ago, JSngry said: Isn't he also on the Octet sides? Yes. I even think this is where the made the biggest splash in the Brubeck context. See OJC-101 (reissue of Fantasy F-3-239). Edited February 1, 2023 by Big Beat Steve Quote
Late Posted February 1, 2023 Author Report Posted February 1, 2023 (edited) I like the octet sides, but sometimes I think they should've been titled Birth of The Uncool. Nobody can play a 90 degree angle like Brubeck. In fairness, these recordings precede Birth of The Cool, and, as such, have historical significance. More than just Brubeck were students of Milhaud. The Octet: Dick Collins: trumpet Bill Smith: clarinet Paul Desmond: alto saxophone Dave van Kriedt: tenor saxophone Bob Collins/Robert Cummings: baritone saxophone Dave Brubeck: piano Jack Weeks: bass Cal Tjader: drums Edited February 2, 2023 by Late drums Quote
HutchFan Posted February 1, 2023 Report Posted February 1, 2023 25 minutes ago, Late said: I like the octet sides, but sometimes I think they should've been titled Birth of the Uncool. Quote
Late Posted February 9, 2023 Author Report Posted February 9, 2023 Listening to this again. It's just as good as the Columbia sides. van Kriedt is solid. Quote
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