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Posted
10 minutes ago, Dub Modal said:

On point about Marsalis. Also good comment on the Leo Gooden record - read & subsequently listened to that album after a write up about it on Jazz Wax. 

Marsalis is a very eloquent speaker, so I can understand the appeal of getting him as a talking head.   Wish his recorded work of the last 35 years was less self-consicously "eloquent".

Posted
29 minutes ago, felser said:

Marsalis is a very eloquent speaker, so I can understand the appeal of getting him as a talking head.   Wish his recorded work of the last 35 years was less self-consicously "eloquent".

Guy must have the best publicist in the history of the genre. 

Posted

I don´t care so much for all that stuff Lou Donaldson said on stage, and dissing Free Jazz and so, but as a player, he is  really a teacher. You listen to his phrasings, and very much of the stuff is really right so you don´t have to let him say all his stuff, you better listen or listened when learning, and find the answer in his playing. He got it all, the sound, the rhythmic approach, the phrasings, the knowledge of harmony and all. 

Posted

Revisiting the article, he's essentially saying Mulligan played without feeling and perhaps had a compromised sound. Is that a common, at least among musicians, sentiment toward Mulligan? I've never heard anything like that aimed at GM before. 

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