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Posted (edited)

I am very proud of this one - it is from one of our recording sessions last spring - featuring the incredible Ken Peplowski on clarinet playing free, yes free. The only parameters are the feeling of the tune - Ken floats through the head, then plays a wonderful solo, though of course he is not the only one - this has Aaron Johnson alto sax; Lewis Porter piano; Brian Simontacchi on trombone; Kellin Hannas trumpet; Alex Tremblay bass; Rob Landis drums, and me on tenor sax. I was making an Ellington reference, of course, but the idea was to expand upon the idea of passing themes, and the master's ability to write melodies which seem, as I once wrote, like one long sentence. We call it Innuendo in Blue.

 

 

Edited by AllenLowe
Posted (edited)
On 10/22/2022 at 9:05 AM, CJ Shearn said:

Interesting. None of the Concord stuff hints at that!

Years ago when I firsr met Ken he said "you know, everybody thinks all I can do is Benny Goodman and Arties Shaw tributes. I have a lot more I can play - call me when you want to record."

So I did. I even have some things he did with Matt Shipp.

Edited by AllenLowe
Posted
4 hours ago, Rabshakeh said:

Is this going to get a release? (Hard copy, bandcamp or whatever?)

This will be out by spring as part of a 3 cd set on ESP. I will let you know as we approach release.

Since it's ESP it will also be available as download, but I'll have to find out the platform.

Posted
On 10/22/2022 at 4:09 PM, jlhoots said:

Randy Sandke: Inside Out has some pretty "advanced" playing by Peplowski among others. Not exactly "free", but pretty adventurous.

Based on your recommendation, I bought this.  It is delightful!

Posted
1 hour ago, Eric said:

Based on your recommendation, I bought this.  It is delightful!

Hey -- I wrote the liner notes  to "Inside Out" and had a good time doing so.

I particularly like my notion that the huge sound that Scott Robinson's contrabass sax gets on Sandke's "Plumbing the Depths" suggests "what Cleopatra might be like if she weighed 500 pounds." 

Posted

You'd have to hear the track to get the joke, if that's what it is. Robinson's solo is sinuous and seductive more or less, but he's playing a contrabass sax. Put those things together and you have a 500 pound Cleopatra.

 

Posted
10 hours ago, Larry Kart said:

You'd have to hear the track to get the joke, if that's what it is. Robinson's solo is sinuous and seductive more or less, but he's playing a contrabass sax. Put those things together and you have a 500 pound Cleopatra.

 

Or Cleopatra with bad gas.

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