kh1958 Posted September 10, 2022 Report Posted September 10, 2022 A Modern Jazz Symposium On Music & Poetry Charles Mingus NEWLAND003 October 28, 2022 Vinyl 2×LP Pre-order $53.99 Add to Cart Mastered from the original tape transfers by Kevin Gray Expanded Double LP edition featuring four rare bonus tracks Printed & Pressed at Pallas on 180 gram vinyl and housed in a deluxe gatefold reverse-board jacket Featuring rare photographs and words from original pianist Bob Hammer Officially licensed from Bethlehem / BMG and approved by the Charles Mingus estate Estimated release date: October 28, 2022 Play Share Email 1957, a mammoth year for Mingus. He was on fire, recording several seminal titles including The Clown, Mingus Three, Tijuana Moods, East Coasting and A Modern Jazz Symposium Of Music And Poetry. Now, with the support of the Charles Mingus Estate, we are proud to present for the first time, the most expansive LP edition of A Modern Jazz Symposium Of Music And Poetry to date. A wonderful set featuring an all star band alternating throughout of Jimmy Knepper (trombone), Shafi Hadi (tenor and alto sax), Bill Hardman and Clarence Shaw (trumpet), Dannie Richmond (drums), Horace Parlan and Bob Hammer (piano), with narration by the fabulous Mel Stewart. This is the ultimate edition, including all available outtakes and material related to the session, the recordings have been remastered from the original tape transfers and lacquers cut by Kevin Gray, housed in a gatefold sleeve on reverse-board finish and printed by Pallas. A stunning album which is sometimes overlooked from the vast Mingus catalogue, however it emanates from one of his most creative periods and today stands out as a sublime conceptual recording. Quote
felser Posted September 10, 2022 Report Posted September 10, 2022 Any thoughts on what the four bonus tracks would be? Quote
kh1958 Posted September 10, 2022 Author Report Posted September 10, 2022 That's what I was wondering too. Quote
jazzbo Posted September 10, 2022 Report Posted September 10, 2022 (edited) Here are three that have been issued so far: 6 Wouldn't You Written-By – Dizzy Gillespie Written-By – Dizzy Gillespie 8:42 7 Billie's Bounce Written-By – Charlie Parker Written-By – Charlie Parker 9:20 8 Slippers (Alternate Take) 3:49 Edited September 10, 2022 by jazzbo Quote
felser Posted September 10, 2022 Report Posted September 10, 2022 Thanks. Those aren't going to draw me in to a repurchase. Quote
colinmce Posted September 10, 2022 Report Posted September 10, 2022 The least interesting Mingus date by far imo. I guess that's a choice. Quote
AllenLowe Posted September 10, 2022 Report Posted September 10, 2022 if it's from the original tapes and mastered in highest resolution, that is significant. The prior Bethlehem reissues are not bad, but this would be indispensable. Quote
jazzbo Posted September 10, 2022 Report Posted September 10, 2022 (edited) I have the Solid Records Japan cd version (have almost the entire Bethlehem catalog in their releases) and those sound quite good to me. I'm not in the market for an LP reissue of this material but if it came out on cd. . .. Edited September 10, 2022 by jazzbo Quote
Guy Berger Posted September 10, 2022 Report Posted September 10, 2022 1 hour ago, colinmce said: The least interesting Mingus date by far imo. I guess that's a choice. Disagree… everything I’ve heard by this 1957 band is at least very good and often excellent. Better than either the 1965 or early 1970s bands. Quote
felser Posted September 10, 2022 Report Posted September 10, 2022 2 hours ago, colinmce said: The least interesting Mingus date by far imo. I guess that's a choice. Have you listened to the trio one with Hampton Hawes recently? Mingus never released a "bad" album, but that one is so "plain". Compare it with "Money Jungle" and two different worlds. As an example by contrast to the completely "fine" Hawes trio, the 1962 Town Hall recordings are a train wreck, but a fascinating one. Quote
mikeweil Posted September 10, 2022 Report Posted September 10, 2022 1 hour ago, jazzbo said: I'm not in the market for an LP reissue of this material but if it came out on cd. . .. Same here. Quote
JSngry Posted September 11, 2022 Report Posted September 11, 2022 Yes to the record, no to the pricey-ass LP. Quote
Gheorghe Posted September 11, 2022 Report Posted September 11, 2022 I must have this, thanks for announcing. Quote
miles65 Posted September 11, 2022 Report Posted September 11, 2022 (edited) 20 hours ago, jazzbo said: Here are three that have been issued so far: 6 Wouldn't You Written-By – Dizzy Gillespie Written-By – Dizzy Gillespie 8:42 7 Billie's Bounce Written-By – Charlie Parker Written-By – Charlie Parker 9:20 8 Slippers (Alternate Take) 3:49 Looking on the website the forth extra title is: Scenes in the city Single edit 3:20. Not enough to tempt me. Lookin at the timing this LP reissue uses the mono edits for Scenes in the city, N.Y. Sketckbook and Nourog. The differ from the stereo edits. From the Onttonen Mingus website: Additional information by Uwe Weiler (September 4, 1997): Mingus re Bethlehem/Modern Jazz Symposium: I was working on the topic in July '97, at the time when I was happy to purchase the original mono release Bethlehem BCP-6026, maroon label, deep groove, BCP-12-6026-A-R1 (side 1) BCP-12-6026-B-R1 (side 2) on wax, which I was in search for more than 20 years. I compared the original release with the official US cd re-issue, edition 1997, Bethlehem 20-40092 stereo, which contents, by the way, also one alternate and two new tunes. Indeed, there are some different segments within the tracks SCENES IN THE CITY, NOUROOG and NEW YORK SKETCHBOOK if compared with the mono and stereo releases. Obviously, the mono release was the more satisfying edit for Mingus, but due to the relatively new and young stereo technique at the time in October 1957, the stereo tapes had some awful dropouts, either by the mike or/and by the tape itself. They had to make some re-recordings which had to fit to the timing of the mono edition. Anyhow, there's no complete new take of the three mentioned tracks but there are sometimes very long alternate take segments within the tracks which are different to the more known stereo releases. NEW YORK SKETCHBOOK mono-8:48 stereo-8:51 The mono take has a 4:52 "middle part" which is a different take insert compared with the stereo take's middle part 4:33 a. mono 0:00-1:17 same take insert b. stereo 0:00-1:17 same take insert a. mono 1:17-6:09 different take insert b. stereo 1:17-5:50 different take insert a. mono 6:09-8:48 same take insert, but ChinaTown interlude: 0:30 b. stereo 5:50-8:51 same take insert, but ChinaTown interlude: 0:52 ChinaTown interlude a. 0:22 cut from b. NOUROOG mono-5:02 stereo 4:49 The mono take uses a different take insert 1:27 during Hadi's ts solo compared with the stereo take's insert 1:14 a. mono 0:00-2:20 same take insert, Hadi solo starts at 1:51 b. stereo 0:00-2:20 same take insert, Hadi solo starts at 1:51 a. mono 2:20-3:47 different take insert, different Hadi solo b. stereo 2:20-3:34 different take insert, different Hadi solo a. mono 3:47-5:02 same take insert 1:15 b. stereo 3:34-4:49 same take insert 1:15 Hadi's solo at the very end of the tune is the same edit... SCENES IN THE CITY mono-11:23 stereo-11:49 The mono release uses both a different take insert in the beginning 2:49 and the end 2:14 compared with the stereo take's beginning 3:05 and end 2:24, whereas the "middle part" 6:20 has the same take insert in mono and stereo releases. a. mono 0:00-2:49 different take insert b. stereo 0:00-3:05 different take insert a. mono 2:49-9:09 same take insert, 1), Knepper solo starts at 8:38 b. stereo 3:05-9:25 same take insert, 1), Knepper solo starts at 8:53 a. mono 9:09-11:23 different take insert, Knepper solo different b. stereo 9:25-11:49 different take insert, Knepper solo different 1) "...Now, here I am standing at my window in my old building..." The original mono release has a far more superior sound compared with the stereo recordings. Yet some additional information by Uwe Weiler (December 28, 1997): Meanwhile, to come back to the subject MODERN JAZZ SYMPOSIUM, I've bought quite a lot of various LP and CD pressings in order to check as to which extent the individual pressings are using stereo or mono versions of SCENES OF THE CITY, NY SKETCHBOOK and NOUROOG. Available at my file are now: 1. Bethlehem(US) BCP6026 MONO Orig. LP 2. Bethlehem(US) SBCP6026 STEREO (Orig. LP only on cassette copy) 3. Polydor Special(GB) 545111 STEREO LP (p '60s): Duke's Choice 4. Polydor(D) 2335 079 MONO 2 LP (p '70s): Jazz History Vol.19 5. Affinity(GB) AFF 105 MONO LP (p 1983): Scenes In The City 6. Affinity(F) CHARLY 19 MONO CD (p 1986): New York Sketchbook 7. Bethlehem/ZYX(D) BET6015-2 MONO CD (p '90s): A Mod.Jazz Symp... 8. Bethlehem(US) 20-40092 STEREO CD (p 1994):A Mod.Jazz Symp... 9. Giants of Jazz(I) 53161 MONO CD (p 1995): Fables of Faubus 10. Charly(D) CDGR 131 SEREO CD (p 1997): A Mod. Jazz Symp... Edited September 11, 2022 by miles65 typo Quote
kh1958 Posted September 11, 2022 Author Report Posted September 11, 2022 The recent "premium" LP releases of Mingus Three, The Black Saint... and Mingus 5x have all sounded great. Quote
mjzee Posted September 11, 2022 Report Posted September 11, 2022 7 minutes ago, kh1958 said: The recent "premium" LP releases of Mingus Three, The Black Saint... and Mingus 5x have all sounded great. I've always thought that Mingus 5x sounded distorted, as if the recording levels went into the red too often. Were they able to tame that on the recent release? Quote
kh1958 Posted September 11, 2022 Author Report Posted September 11, 2022 15 minutes ago, mjzee said: I've always thought that Mingus 5x sounded distorted, as if the recording levels went into the red too often. Were they able to tame that on the recent release? Not sure, as I always enjoyed the sound of the impulse LP. Quote
ghost of miles Posted September 11, 2022 Report Posted September 11, 2022 I’d definitely be interested in a CD version of this reissue—like Jsngry and Lon, no interest in the vinyl. Quote
medjuck Posted September 11, 2022 Report Posted September 11, 2022 Anything that adds to very limited amount of Clarence (Lee) Shaw we have on record is fine by me. Quote
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