DMP Posted February 3, 2022 Report Posted February 3, 2022 Did anyone catch this last night? Quite a production, in the Kamasi Washington style - over the top. But enjoyable, and something you never see on regular tv, maybe since Charlie Mingus and Roland Kirk popped up on Ed Sullivan. The whole thing reminded me of that “Village of the Pharoahs”/“Love from the Sun” groovy avant-garde period, but a much bigger production. I can see why Washington has a following beyond the Jazz audience. Quote
Dub Modal Posted February 3, 2022 Report Posted February 3, 2022 (edited) Hate I missed it but I don't typically watch Fallon...here's the link I think: Jimmy says it was written specifically for the show, which makes the lyrics really interesting... Edited February 3, 2022 by Dub Modal Quote
Teasing the Korean Posted February 5, 2022 Report Posted February 5, 2022 I just voted for him in the Playboy jazz poll. Quote
BFrank Posted February 6, 2022 Report Posted February 6, 2022 He's interesting. I'm glad that he's getting a large following. But I've seen him 2-3 times and listened to his first couple of records, and realized that overall the music doesn't do anything for me. I wish him the best and hope for continued success. Quote
mjazzg Posted February 6, 2022 Report Posted February 6, 2022 11 hours ago, BFrank said: He's interesting. I'm glad that he's getting a large following. But I've seen him 2-3 times and listened to his first couple of records, and realized that overall the music doesn't do anything for me. I wish him the best and hope for continued success. That's just about where I am too, without having seen him. I like that he is doing what he's doing and folk are listening but it just doesn't click for me maybe because I love all the influences so much. Quote
Rabshakeh Posted February 7, 2022 Report Posted February 7, 2022 (edited) My younger cousin is mad for him. He is one of those musicians who makes me feel old, simply because there has clearly been some sort of generational shift that makes his music seem valuable to younger listeners. In the same way as my baby boomer parents couldn’t understand rock music what was “alternative” (in the marketing sense) like Nirvana or Sonic Youth at all, because it had nothing to do with what they thought was good or interesting, I find myself really struggling to see why anyone wants to listen to Washington. To my ears it sounds like a Disneyfied/K-pop simulation of jazz by a competent studio musician, with targets set for an epic, cinematic sound; my cousin (17) thinks he’s one of the greats, an older statesman with infinite range. I should add that I also think his presence is a definite Good Thing: the fact that I have a 17 year old family member who is getting into jazz off the back of Washington is part of his achievement. Edited February 7, 2022 by Rabshakeh Quote
Ste_S Posted February 12, 2022 Report Posted February 12, 2022 I like Kamasi Washington, but don't listen to him as much as I should do as for a couple of reasons. I find the mastering on his albums a bit muddy and compressed when they should be sweeping me away on a carpet ride of epicness. I also find his albums over long, I really should brake them down into chunks. Probably my favourite things of his is The Harmony of Difference EP at 32mins! Quote
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