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Posted

Nice to see Chuck's work on there!  And Roscoe twice!  

 

My one beef: No Afro-Latin music on list about percussion?  What's up with that?!  

JK  

But only sorta. :P

Posted
23 minutes ago, HutchFan said:

My one beef: No Afro-Latin music on list about percussion?  What's up with that?!  

Oh yeah, that's an oversight. 

Still, some interesting pieces that were interesting to hear. 

Posted

“The Maze” encourages the performers to collaboratively interact with all the traditionally and graphically notated materials in a manner that problematizes separatist notions of “improvisation” and “composition,” cultivating a sonic universe in which such a binary never existed in the first place.

Love to problematize separatist notions :rolleyes:

Incidentally, I had the privilege of seeing Douglas Ewart with Irreversible Entanglements at the Walker in Mpls last night. He really elevated the set.  

Posted

I get it - composition vs improv has been thought of as separate disciplines, you do one or the other, and/or you bring one to the other. Roscoe "problematizes" them by asking that the players don't think in those binary terms, to improvise the composition while composing the improvisation, not either/or, both and, or more accuately, just "one thing".

If you look at "problematizing separatist notions" as simply "shaking it up" then maybe that's a more "earthbound" way to look at it. But not nearly as descriptive and actual. Actually doing things with a purpose...you figure that out on a granular level if you really want to do it yourself, "Impressions" are not going to get you to doing it!

It's a maybe inartful phrase (but maybe it is quite artful!), but that's what he means - realigning the mindset of "what are we doing with this"...and quite relevant to Sorey's own work.

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