Kevin Bresnahan Posted Monday at 12:01 PM Report Posted Monday at 12:01 PM I was just looking through my LPs to see if I ever did grab one of those $1 Jordan LPs of "Night of the Mark VII" and alas, I never did pick that one up, probably because I had the CD. But I did get his Muse LP, "The Adventurer". I see these aren't going for much, so not all of his Muse LPs are going crazy. I wonder why that one is? Makes no sense to me. Quote
Pim Posted Monday at 04:20 PM Report Posted Monday at 04:20 PM 4 hours ago, Kevin Bresnahan said: I was just looking through my LPs to see if I ever did grab one of those $1 Jordan LPs of "Night of the Mark VII" and alas, I never did pick that one up, probably because I had the CD. But I did get his Muse LP, "The Adventurer". I see these aren't going for much, so not all of his Muse LPs are going crazy. I wonder why that one is? Makes no sense to me. Well I think it’s one of the more popular records from the label just like the Moontrane. It’s a Jordan favorite of my for sure. But differences in prices are very big indeed. Quote
mjazzg Posted Monday at 05:11 PM Report Posted Monday at 05:11 PM 5 hours ago, Kevin Bresnahan said: I was just looking through my LPs to see if I ever did grab one of those $1 Jordan LPs of "Night of the Mark VII" and alas, I never did pick that one up, probably because I had the CD. But I did get his Muse LP, "The Adventurer". I see these aren't going for much, so not all of his Muse LPs are going crazy. I wonder why that one is? Makes no sense to me. I'm guessing but I suspect the perception is that "Night of..." is more adjacent to the Strata East titles, it shares the "John Coltrane" track with 'Glass Bead Games". Whether or not the SE titles, especially GBG, deserve their caché and attendant prices is for another thread. Quote
clifford_thornton Posted Monday at 05:31 PM Report Posted Monday at 05:31 PM Night of... is expensive, yes, and excellent. Agree that the Strata-East adjacency is part of it. Quote
BFrank Posted yesterday at 12:36 AM Report Posted yesterday at 12:36 AM I have "Night of..." on both OG vinyl and 32Jazz CD reissue. A personal fav, for sure. Strata-East is about to start reissuing some of the classics, and I believe new artist releases, too. Quote
HutchFan Posted yesterday at 12:45 AM Report Posted yesterday at 12:45 AM 6 minutes ago, BFrank said: I have "Night of..." on both OG vinyl and 32Jazz CD reissue. A personal fav, for sure. Same here. I like Night of the Mark VII even more than GBG. Quote
BFrank Posted yesterday at 05:29 AM Report Posted yesterday at 05:29 AM 4 hours ago, HutchFan said: Same here. I like Night of the Mark VII even more than GBG. Agreed. The live setting helps, too. Quote
hopkins Posted yesterday at 06:18 AM Report Posted yesterday at 06:18 AM (edited) Reading Jan Evensmo's solographies, I come across many sessions that were never issued but should be. Gene Ammons October 1946 session, for starters. GENE AMMONS Chi. Oct. 1946 Gene Ammons (ts), unknown (g), possibly Oscar Pettiford (b), possibly Petite Swanson (vo). Acetate, recorded by Bob Redcross Blues In A Flat I Never Knew Jan Evensmo's comments: "This is one of the greatest tenorsax archeological gems this year (2022)!! There is something unique with GA in these early years, a physical strength combined with perfect understanding of the modern trends. Nobody, yes nobody, can play better than early GA, with a few on his level. He has the blues inside him, more than anybody else, and this example of “… E Flat” is gorgeous. Except for a fine bass soloi n the middle, it is all tenorsax, five solid solo choruses and some riffing behind the vocal. I assume they continued for awhile after the acetate ran out. On “… Knew” hes hows us another side, the ability to improvise endlessly on an evergreen. First an introductory chorus, not really straight, and then a solid solo chorus. After a bass chorus he continues until time is running out, and one gets the impression he could go on forever, like Pres. Magnificent seven minutes!!" Edited yesterday at 06:35 AM by hopkins Quote
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