Pim Posted yesterday at 02:56 PM Author Report Share Posted yesterday at 02:56 PM 17 hours ago, Teasing the Korean said: 👍 So I just played this. I found the solo piano tracks to be underwhelming. The two long trio tracks were much more interesting, especially from a rhythmic standpoint. Is it me, or am I hearing some weird pitch/tape speed issues at the end of "A.L.B.O.M."? Talking like the last minute or so of the tune. I've got the Japanese LP but can't recall any tape speed issues. Quote Link to comment Share on other sites More sharing options...
Teasing the Korean Posted yesterday at 03:22 PM Report Share Posted yesterday at 03:22 PM 26 minutes ago, Pim said: I've got the Japanese LP but can't recall any tape speed issues. Thanks. Maybe it's just the CD. Or my ears! 13 hours ago, romualdo said: have you listened to any of the Steve Lacy/Mal Waldron collaborations - sublime stuff IMHO My favourite is the Hat/Hatology 4CD set "Live At Dreher, 1981" Also currently enjoying the recent CD reissue of Waldron/Terumasa's "Reminiscent Suite" Thanks, not familiar with these. In looking at his discography as I sideman, I see that I have many albums that he plays on, but I didn't remember until I checked. Quote Link to comment Share on other sites More sharing options...
Pim Posted yesterday at 04:07 PM Author Report Share Posted yesterday at 04:07 PM 34 minutes ago, Teasing the Korean said: Thanks. Maybe it's just the CD. Or my ears! Thanks, not familiar with these. In looking at his discography as I sideman, I see that I have many albums that he plays on, but I didn't remember until I checked. He's on a whole lot of Prestige records as a sideman. He was kind of the house pianist. But his playing there is mostly restrained and in a different style than his post 1965 records with a few exceptions when he played with Dolphy. Mal moved more into free territory after 1968 though his music always remained pretty structured. If you're looking for more interesting solo outings than the one you listened to: The Opening (Clifford mentioned this one already) Update (on Soul Note) Meditations: Live at Dug (calmer than the Opening but with a lot of emotional depth) And if you're looking for more of the rhythmic trio music you encountered at the last part of that cd: Black Glory (on Enja with Jimmy Woode Number Nineteen (like A.L.B.O.M. with excellent Dutch musicians and a little more exciting) First Encounter (with Gary Peacock) Blood and Guts (sounds like the title: heavy stuff and rhytmically very interesting) Tokyo Bound (with two excellent Japanese musicians) Free at Last (on ECM but not very ECMish, this is probably his best known) Quote Link to comment Share on other sites More sharing options...
Teasing the Korean Posted yesterday at 04:11 PM Report Share Posted yesterday at 04:11 PM 3 minutes ago, Pim said: He's on a whole lot of Prestige records as a sideman. He was kind of the house pianist. But his playing there is mostly restrained and in a different style than his post 1965 records with a few exceptions when he played with Dolphy. Mal moved more into free territory after 1968 though his music always remained pretty structured. If you're looking for more interesting solo outings than the one you listened to: The Opening (Clifford mentioned this one already) Update (on Soul Note) Meditations: Live at Dug (calmer than the Opening but with a lot of emotional depth) And if you're looking for more of the rhythmic trio music you encountered at the last part of that cd: Black Glory (on Enja with Jimmy Woode Number Nineteen (like A.L.B.O.M. with excellent Dutch musicians and a little more exciting) First Encounter (with Gary Peacock) Blood and Guts (sounds like the title: heavy stuff and rhytmically very interesting) Tokyo Bound (with two excellent Japanese musicians) Free at Last (on ECM but not very ECMish, this is probably his best known) 👍👍 Quote Link to comment Share on other sites More sharing options...
clifford_thornton Posted 20 hours ago Report Share Posted 20 hours ago got all those LPs and can concur with Pim's recommendations! Quote Link to comment Share on other sites More sharing options...
soulpope Posted 12 hours ago Report Share Posted 12 hours ago 14 hours ago, Pim said: He's on a whole lot of Prestige records as a sideman. He was kind of the house pianist. But his playing there is mostly restrained and in a different style than his post 1965 records with a few exceptions when he played with Dolphy. Mal moved more into free territory after 1968 though his music always remained pretty structured. If you're looking for more interesting solo outings than the one you listened to: The Opening (Clifford mentioned this one already) Update (on Soul Note) Meditations: Live at Dug (calmer than the Opening but with a lot of emotional depth) And if you're looking for more of the rhythmic trio music you encountered at the last part of that cd: Black Glory (on Enja with Jimmy Woode Number Nineteen (like A.L.B.O.M. with excellent Dutch musicians and a little more exciting) First Encounter (with Gary Peacock) Blood and Guts (sounds like the title: heavy stuff and rhytmically very interesting) Tokyo Bound (with two excellent Japanese musicians) Free at Last (on ECM but not very ECMish, this is probably his best known) "Plays The Blues - Live At The Domicile" (Polydor/Enja) .... Quote Link to comment Share on other sites More sharing options...
OliverM Posted 3 hours ago Report Share Posted 3 hours ago Nice review Pim! Just picked up the record at the store (and had a chat with one of Fred's friends who is a big Mal Waldron fan) during the week-end and really looking forward to first listen! I have been listening to the Resonance double CD with Steve Lacy lately and it's a great release. Quote Link to comment Share on other sites More sharing options...
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