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Posted (edited)
On 10/30/2024 at 6:02 PM, jazzcorner said:

48777553fd.jpg

 

Volume 2 is just availabe

That's these, then?

https://www.amazon.com/JAZZ-WEST-COAST-READER-1/dp/B0DHH5XCBH/ref=sr_1_1?crid=32VZIFEF5FCFZ&dib=eyJ2IjoiMSJ9.4tZq_hyHXMwuhd7k_QBtwX0nNP2yIIUqx5pWbdfOyhvVauPjAMofHOqrEUf3Q3N1.Pp33glJKKFeeUb4eVHf9z5B5P8dm2Ilrcpn4agxFNlg&dib_tag=se&keywords=jazz+west+coast+a+reader+vol.+1&qid=1730457553&sprefix=jazz+west+coast+a+reader+vol.+1%2Caps%2C157&sr=8-1

https://www.amazon.de/Jazz-West-Coast-Reader-2/dp/B0DL5KLL88/ref=sr_1_2?__mk_de_DE=ÅMÅŽÕÑ&crid=34OY611GEG4LX&dib=eyJ2IjoiMSJ9.sOQu3lttK2O3sJHOpUMyQDVYCMmIoAcgQ9rW6O-sMLF3-stERqELi5c9u50hTN-70b1uBL_tqof6pNvMkIt8E6dXSOrc2lTXY8rVG-YWIum2B3L1D3RtNLt6VSHjK85KJMCoyqtP0PgjaSGg8NgkRARuCaOG_Hk_OvrKCSe551JtXVNBUyPvhKlON5wTbsikMBLfkgCEwc5cF15XMa8rNFhbslkm6fwkBXD3Cy0XqIk.q0-cU5wYtpauLXk-DWH3LuIAjuxPDJqqaPWIImwwmwY&dib_tag=se&keywords=Jazz+West+Coast+A+Reader&qid=1730456930&sprefix=jazz+west+coast+a+reader%2Caps%2C93&sr=8-2

So what are your impressions of Vol. 1? A "review" would be appreciated very much. ;)

I'm very tempted. To keep the JWC history books by Gioia, Gordon and Tercinet company on my bookshelf. But I wonder in which way these complement and expand the above books. Or do their contents tend towards the anecdotical approach of "The Melody Lingers On" by Jules and Jo Brooks Fox (which isn't bad but I find it a bit fuzzy and unfocused within the overall framework of WCJ).

So any feedback on the above two books should be interesting.

 

Edited by Big Beat Steve
Posted (edited)

Further to my above post and question(s), I just checked the web and found this:

https://jazzprofiles.blogspot.com/2024/09/jazz-west-coast-reader-volume-1.html

This does give me a somewhat better initial impression of the contents (Vol. 2 is in the sidebar to the right). Apparently an anthology of (for the most part) previously published stories/features on WCJ. Admittedly this mitigates my excitement a bit, though I'll very likely spring for them anyway. Just to have all that material in one place. Looks like the "newness" factor of interest largely depends on how easily or widely "accessible" the original sources for the contents of each chapter are, as this would indicate what REALLY would be new to "advanced readers". ;)

I do own "Modern Jazz" by Alun Morgan and Raymond Horricks (a 1956 book), so we'll have to wait and see to what extent the respective chapters are strict copyings (without updates, etc.).
And just for correctness (and fairness) sake, the credits to Chapter 37 of Vol. 1 ("JazzLife") visibly are all wrong. This chapter apparently comes from the "Jazz Life" book first published in Germany (and German) in the early 60s. But no way the author was William Claxton! Not by the longest of long shots. He contributed the photographs to that book. A major accomplishment, but the entire text was by Joachim Ernst Berendt, for decades the #1 "grey eminence of German jazz journalism". Unfairly relegated to the small print in the fairly recent updated trilingual "reissue" by Taschen. So this chapter is a (well-done) translation of the original text written by Berendt. Something that ought to have been clear and known to the author/compiler/collator of this book.
Honor to whom honr is due, therefore ...

Opinions and impressions of the contents in their entirety are welcome anyway ... ;)

Edited by Big Beat Steve
Posted
21 hours ago, Big Beat Steve said:

Further to my above post and question(s), I just checked the web and found this:

https://jazzprofiles.blogspot.com/2024/09/jazz-west-coast-reader-volume-1.html

This does give me a somewhat better initial impression of the contents (Vol. 2 is in the sidebar to the right). Apparently an anthology of (for the most part) previously published stories/features on WCJ. Admittedly this mitigates my excitement a bit, though I'll very likely spring for them anyway. Just to have all that material in one place. Looks like the "newness" factor of interest largely depends on how easily or widely "accessible" the original sources for the contents of each chapter are, as this would indicate what REALLY would be new to "advanced readers". ;)

I do own "Modern Jazz" by Alun Morgan and Raymond Horricks (a 1956 book), so we'll have to wait and see to what extent the respective chapters are strict copyings (without updates, etc.).
And just for correctness (and fairness) sake, the credits to Chapter 37 of Vol. 1 ("JazzLife") visibly are all wrong. This chapter apparently comes from the "Jazz Life" book first published in Germany (and German) in the early 60s. But no way the author was William Claxton! Not by the longest of long shots. He contributed the photographs to that book. A major accomplishment, but the entire text was by Joachim Ernst Berendt, for decades the #1 "grey eminence of German jazz journalism". Unfairly relegated to the small print in the fairly recent updated trilingual "reissue" by Taschen. So this chapter is a (well-done) translation of the original text written by Berendt. Something that ought to have been clear and known to the author/compiler/collator of this book.
Honor to whom honr is due, therefore ...

Opinions and impressions of the contents in their entirety are welcome anyway ... ;)

Thanks for your detailed Information

The West Coast Vol 1 by Cerra just arrived a few days earlier. Have only looked up the content for some of the quoted artists and dont have a general view over the book. So sorry  at the moment I cannot makeup a review of the content what will take also time beside listening which comes first.

I plan to get Vol. 2 too. Was some time ago in touch with Mr. Cerra when helping out articles from my early Down Beats

Have also the Gioia book on the shelf to look up certain questions re West Coast which arise.

The big table book by Berendt (long time jazz editor as radio Baden-Baden) is also here. Best are the fotos in that huge book.

Claxtons work is also here.

So to sum it up these books are interesting for occasional Information for me but main time is used for music.

 

Posted (edited)
12 hours ago, Jim Duckworth said:

61rMqhRCsFL._SL1360_.jpg

 

Worth a separate thread (similair to "In with The In Crowd"). I read the book very recently and sincerely applaud (and agree with) the intentions and purpose of that book to put the record of post-WWII jazz straight in some respects. But I have somewhat mixed feelings about how this is put into practice in this book - and about the factual accuracy of part of its contents too. (A long story ...)
I am now also re-reading "Soul Jazz" by Bob Porter who essentially argues along the same lines. I need to let this sink a bit first while reading "Jazz With A Feeling" again (I guess the first time around I was distracted a bit by the errors I noticed and may have missed some finer points of the author's reasoning).

2 hours ago, jazzcorner said:

Thanks for your detailed Information

The West Coast Vol 1 by Cerra just arrived a few days earlier. Have only looked up the content for some of the quoted artists and dont have a general view over the book. So sorry  at the moment I cannot makeup a review of the content what will take also time beside listening which comes first.

I plan to get Vol. 2 too. Was some time ago in touch with Mr. Cerra when helping out articles from my early Down Beats

Have also the Gioia book on the shelf to look up certain questions re West Coast which arise.

The big table book by Berendt (long time jazz editor as radio Baden-Baden) is also here. Best are the fotos in that huge book.

Claxtons work is also here.

So to sum it up these books are interesting for occasional Information for me but main time is used for music.

 

Thanks for your reply. I'd be interested anyway to read your opinions of Vol. 1 as soon as you have a more thorough impression of its contents. (Even though I may have ordered the books in the meantime anyway ... ;))

Edited by Big Beat Steve
Posted (edited)
30 minutes ago, Big Beat Steve said:

Re Steve Cerra - West Coast vol 1

Thanks for your reply. I'd be interested anyway to read your opinions of Vol. 1 as soon as you have a more thorough impression of its contents. (Even though I may have ordered the books in the meantime anyway ... ;))

FYI I enclose 2 scans of the content.

The book is  a collection of various publications quoted from other works as well as short articles by Cerra himself on his own webside.

So you have the possibility to select for reading and Information  if an artist or other topic related to jazz is your actual Interest. That seems very handy to me for things which are  interesting at the moment or when listening to a certain artist

https://up.picr.de/48869263zq.jpg

https://up.picr.de/48869264fh.jpg

Hope you can open them

W.B.

 

 

 

Edited by jazzcorner
text
Posted

Yes, thanks - they opened fine. And I agree that this way of consulting specific chapters for specific purposes (to accompany listening, for example) may well come in handy.

From the Amazon listings I did notice that the book is a collection of previously published articles. Which left me wondering about how much I might already have on my bookshelves or to what extent Cerra did update/correct/comment on those period articles that may sometimes be outdated or in fact incorrect (on the basis of more recent research). But I guess everyone will have to find out about this for himself on reading the book.

Posted

Good stuff. I used to have a Damon Runyon anthology and read it at least a couple of times. Eventually got donated during a downsizing.

Which reminds me: I also like Ring Lardner, also had an anthology, but have never read his novel The Real Dope: A Satirical Journey Through the Jazz Age. 

Meanwhile I recently finished

9781681378268

There's some good content, and overall worth reading for fans, but on the other side of the ledger: Slender volume w/o a lot of text, plus quite a bit of technical material that might go over the heads of non-saxophonists.

Posted

The technical material literally changed how I thought about my airflow across registers, but yeah, that won't be relevant to a lot of people.

I wish there had been more chronology for the general comments.

Kinda like a Milestone record, some really good stuff, but it leaves you wanting more.

Posted

I was disappointed that six boxes of notebook material didn't yield a meatier book.

This may violate board rules, but I found some of Sonny's musings on the environment and politics remarkably prescient.

Posted (edited)

Wow, publisher of the "current" paperback edition is Da Capo (Canada). ISTR that I saw the book was unavailable via interlibrary loan (which is generally a reliable source), and then forgot about it.

I'm going the Kindle route. Thanks for the tip.

[Added] Now reading Notes and Tones. Jumping between chapters (interviews) of names that appeal to me. Excellent. Very fast read because pages have big margins and small printed area.

Edited by T.D.
Posted
On 11/2/2024 at 8:00 PM, JSngry said:

It was not immediately published in the US, iirc.

the copy in the public library in Cologne that I read as a kid had a fairly self-produced feel, I do remember it was printed in Belgium (and bound with the plastic things you get at a "copy shop") so I guess that was the 1977 original edition... (nowadays I have a British edition from the early 1980s which, I guess, is the edition that most people had until recently)

I got Lee Collins' autobiography "Oh didn't he ramble" and the Bunk Johnson biography by Mike Hazeldine and Barry Martyn recently at a used bookstore... the Collins' autobiography is easily recommended if you find it, an interesting life turned into a sequence of entertaining stories, most of them not from the center of jazz history - but that's not necessarily a minus. The Bunk Johnson book is nice to have but not necessarily fun to read... It feels like the authors report more or less all the information they have, leading to an incredibly uneven pace in the story. The book begins with an inconclusive chapter on whether Johnson was born in 1879 or 1889 with many arguments given in favor of both positions... Generally, not a whole lot is known about Bunk's early years and there is little the authors could do about it... For Bunk's career between, say 1920 and the time of his rediscovery around 1940, the amount of information is about right. Then, Johnson fell in with a group of fairly pedantic people who carefully documented all of his movements... And, to their credit, I can totally see why they followed Johnson so closely, after all they were fans, they did loads of stuff to advance his career and to them things unfolded in real time... The fault - if there is one - is clearly with the authors of the book... At some point around page 70 out of 250 densely printed pages, as we reach the final eight years of Bunk's long life the pace gets incredibly slow... You read where Bunk got his chicken sandwich, went on a detour for a drink, met the cousin of someone he hadn't seen in 35 years... when I first read a page like that, I expected something totally remarkable to happen next - say, he declares war on Japan - because why else would you document a particular day in such detail... but, instead, Bunk plays a concert that's not well attended and doesn't arrive at home until 8am... and no, not every day in Bunk's final eight years is documented in that much detail but many are... less than a hundred pages to go but I am not sure whether I'll be able to finish this book... 

Posted
On 11/1/2024 at 10:36 AM, Big Beat Steve said:

A cut and paste merchant. No original material or comment. 

Posted
10 hours ago, adh1907 said:

A cut and paste merchant. No original material or comment. 

This is the impression I eventually got when I checked the tables of contents of both books. So it all depends on how easily accessible the sources are. I know I already have "Modern Jazz" by Alun Morgan, the Robert Gordon JWC book (I guess it is this BOOK he quotes from when Robert Gordon is mentioned as the source) and JazzLife. As for the rest and maybe more obscure sources hard to locate ...? Who knows? I know Down Beat is no mystery anymore since the volumes could be accessed and downloaded via the World Radio History site. But to how much trouble to search each feature article would one want to go to? Or what would it be worth to have everything in one place and at your fingertips?
We'll see ...

Posted (edited)
16 hours ago, Niko said:

I got Lee Collins' autobiography "Oh didn't he ramble" and the Bunk Johnson biography by Mike Hazeldine and Barry Martyn recently at a used bookstore... the Collins' autobiography is easily recommended if you find it, an interesting life turned into a sequence of entertaining stories, most of them not from the center of jazz history - but that's not necessarily a minus. The Bunk Johnson book is nice to have but not necessarily fun to read... It feels like the authors report more or less all the information they have, leading to an incredibly uneven pace in the story. The book begins with an inconclusive chapter on whether Johnson was born in 1879 or 1889 with many arguments given in favor of both positions... Generally, not a whole lot is known about Bunk's early years and there is little the authors could do about it... For Bunk's career between, say 1920 and the time of his rediscovery around 1940, the amount of information is about right. Then, Johnson fell in with a group of fairly pedantic people who carefully documented all of his movements... And, to their credit, I can totally see why they followed Johnson so closely, after all they were fans, they did loads of stuff to advance his career and to them things unfolded in real time... The fault - if there is one - is clearly with the authors of the book... At some point around page 70 out of 250 densely printed pages, as we reach the final eight years of Bunk's long life the pace gets incredibly slow... You read where Bunk got his chicken sandwich, went on a detour for a drink, met the cousin of someone he hadn't seen in 35 years... when I first read a page like that, I expected something totally remarkable to happen next - say, he declares war on Japan - because why else would you document a particular day in such detail... but, instead, Bunk plays a concert that's not well attended and doesn't arrive at home until 8am... and no, not every day in Bunk's final eight years is documented in that much detail but many are... less than a hundred pages to go but I am not sure whether I'll be able to finish this book... 

Your impressions of the Bunk Johnson bio made me smile ... Seems like a labor of love, but one for hardcore fans only (who'd soak up every snippet of the life of their hero).
Reminds me of a musician and entertainer you ought to know from German TV (Götz A., long-time co-host of the "Zimmer frei" show, a.o. ;)) once wrote (tongue-in-cheek) in his self-published fanzine in his younger days (around 1980): "I'd happily listen to a 10-LP box of Jerry Lee Lewis brushing his teeth!" :g

Edited by Big Beat Steve
Posted
20 hours ago, Big Beat Steve said:

Your impressions of the Bunk Johnson bio made me smile ... Seems like a labor of love, but one for hardcore fans only (who'd soak up every snippet of the life of their hero).
Reminds me of a musician and entertainer you ought to know from German TV (Götz A., long-time co-host of the "Zimmer frei" show, a.o. ;)) once wrote (tongue-in-cheek) in his self-published fanzine in his younger days (around 1980): "I'd happily listen to a 10-LP box of Jerry Lee Lewis brushing his teeth!" :g

Of course, I know Zimmer Frei but never heard about the Fanzine... I could imagine that part of the problem is that it finishes Bill Russell's unfinished Bunk Johnson book, using his research... Which may have created a psychological barrier to editing the material more radically...

Posted
On 11/2/2024 at 5:57 PM, JSngry said:

Have you read Notes and Tones? 

He has a lot to say there as well.

That´s a great book  because it is a brilliant musician (Art Taylor) who had played with almost ALL of THEM, and the answers of the musicians. 
I think the Rollins Interview was very early after his I don´t know which of all of his comebacks. 
 

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