Milestones Posted January 12, 2018 Report Posted January 12, 2018 (edited) Any Mark Turner fans out there? He seemed to be a hot young saxophonist not long ago, yet the years have slipped by and he's now 50+. His activity has picked up a lot lately, especially with ECM releases--one of his own (Lathe of Heaven), a couple with Billy Hart, Stefano Bollani. He's also recorded quite a bit with Kurt Rosenwinkel. By no mean an innovator, he seems always worth hearing. He really knocked me out on the Tom Harrell record Trip. The Billy Hart records are good too. His playing is often called moody and cerebral. I had not really heard Turner until less than a month ago, and now I find that he is somebody I need to check out extensively. Edited January 12, 2018 by Milestones Quote
relyles Posted January 12, 2018 Report Posted January 12, 2018 (edited) I am a big fan. I think you will find board members divided on Turner. Some of our more prominent members are bewildered (to put it nicely) as to why he is considered as influential as he is among younger saxophonists and regarded so highly by many fans. I have been a fan since my connect in the old J&R Music Store in Manhattan hipped me to his first Warner Brothers recording in 1995. In the days when I seemed to have more time I even compiled and regularly updated his discography through 2012 which was published here http://www.jazzdiscography.com/Artists/Turner/index.php. Edited January 12, 2018 by relyles Quote
Milestones Posted January 12, 2018 Author Report Posted January 12, 2018 I would put him (at the very least) in the company of Joshua Redman, Branford Marsalis, and Chris Potter. Thanks for the discography. There's a lot to explore. Quote
relyles Posted January 12, 2018 Report Posted January 12, 2018 Prior thread. http://www.organissimo.org/forum/index.php?/topic/61097-mark-turner/#comment-1052339 Maybe this should be merged with the other. Quote
JSngry Posted January 12, 2018 Report Posted January 12, 2018 4 hours ago, Milestones said: I would put him (at the very least) in the company of Joshua Redman, Branford Marsalis, and Chris Potter. I would agree, although Potter's been at it longer and, eventually, better. Quote
jlhoots Posted January 12, 2018 Report Posted January 12, 2018 I'm going to see him in a couple of months in Billy Hart's quartet with Ethan Iverson & Ben Street. I'm optimistic. Quote
charlesp Posted January 12, 2018 Report Posted January 12, 2018 For those of you in Texas, Mr. Turner will be in San Antonio on Sunday afternoon, January 28th with the Billy Hart Quartet. Quote
Milestones Posted January 12, 2018 Author Report Posted January 12, 2018 I've begun to think that Billy Hart is among the under-sung GREAT jazz drummers. Quote
BFrank Posted January 13, 2018 Report Posted January 13, 2018 10 hours ago, Milestones said: I've begun to think that Billy Hart is among the under-sung GREAT jazz drummers. Agree 100% Quote
Clunky Posted January 13, 2018 Report Posted January 13, 2018 For me Turner is the more interesting player cf Potter, Marsalis and Redman. His playing hints at Warne Marsh as an influence which in my book is never a bad thing. Quote
HutchFan Posted January 13, 2018 Report Posted January 13, 2018 22 hours ago, Milestones said: I've begun to think that Billy Hart is among the under-sung GREAT jazz drummers. 13 hours ago, BFrank said: Agree 100% I agree too! Billy Hart is a MASTER. I'm planning to see Hart's Quartet with Mark Turner next month at the Jazz Standard in NYC. You can also count me as a fan of Mark Turner. Quote
Milestones Posted January 13, 2018 Author Report Posted January 13, 2018 Yes, I've heard about the Warne March influence, though I confess that I have very little familiarity with Marsh. Quote
soulpope Posted January 13, 2018 Report Posted January 13, 2018 3 hours ago, HutchFan said: I agree too! Billy Hart is a MASTER. Seconded .... Quote
medjuck Posted January 13, 2018 Report Posted January 13, 2018 (edited) 4 hours ago, HutchFan said: I agree too! Billy Hart is a MASTER. I This is a thread running through Rafi Zabor's novel The Bear Comes Home. (honest) Edited January 13, 2018 by medjuck Quote
Larry Kart Posted January 13, 2018 Report Posted January 13, 2018 23 hours ago, Milestones said: Yes, I've heard about the Warne March influence, though I confess that I have very little familiarity with Marsh. The Marsh influence is there in Turner, but I find it rather external -- a matter of Warne-like bits and pieces used in an almost decorative manner, not an attempt to grasp and extend/work personal variations on the way Warne thought, above all on his exceptional freedom of movement in so many respects. For someone who heard that in Warne and put it to work in his own way, go to Plugged Nickel Wayne Shorter, for one. And Ted Brown, too --less than Warne, yes, but a genuine inventor of much integrity. But I did find some early Turner enjoyable. Quote
BFrank Posted January 14, 2018 Report Posted January 14, 2018 I've seen Turner several times in different formats and he never really excited me. But the last couple of times I felt that I was starting to understand where he's coming from. Quote
danasgoodstuff Posted January 14, 2018 Report Posted January 14, 2018 On 1/13/2018 at 11:00 AM, medjuck said: This is a thread running through Rafi Zabor's novel The Bear Comes Home. (honest) Yes, that and that bears actually have a bone there. The descriptions of the bear's playing always put me in mind of Arthur Blythe. Quote
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