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  • 4 weeks later...
Posted
5 hours ago, ghost of miles said:

Don't go to Casablanca for the waters either.  ;)

Don't underestimate McCartney in. his context either.  You really don't want Reggie Workman or someone like that on Beatles records

Posted
3 hours ago, felser said:

Don't underestimate McCartney in. his context either.  You really don't want Reggie Workman or someone like that on Beatles records

No disrespect to Sir Paul intended whatsoever.  Just couldn't resist the urge to get in a Casablanca allusion.

Posted (edited)
1 hour ago, JSngry said:

Jaco wasn't even the "greatest" bass player in America, never mind the whole entire world.

The show's title is referring to Jaco's well-known proclamation about himself.  I suppose I could have put that part of it in quotes to make it clearer, but didn't think it necessary.  The whole notion of such a ranking is a highly, if not completely, subjective practice in any event. 

Edited by ghost of miles
Posted

Yeah, I know, just had to live through it all and remember not really being convinced, not even about his greatness, but just about him being too much more than a "picker" (i.e. - dazzled by the initial flash, but after the dazzle wore off...), until those Joni albums. Still have a little :rolleyes: in me about all the young players who thought that Jaco had invented all that stuff. No.....

I also lived through the decline...the grapevine travels fast...that was sad, because you'd hear stories and think "surely not"...but know we all know, surely yes.

Apologies in advance if this is "improper" in any way, but for me personally, the more dead he becomes, the more his annoyance factor diminishes and the more I can allow myself to really "get" him as the flawed but ginormous spirit he really was.

8 hours ago, ghost of miles said:

Don't go to Casablanca for the waters either.  ;)

Oh, I don't know... :g

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Posted

Around 1982 I met with Jjean-Luc Ponty and he raved to me about how Jaco had revolutionized  bass playing.  I'm not sure I'd even heard of him at the time but Ponty was definitely convinced (and convincing).  

Posted (edited)

This was the Jaco cut for me (get past the Overture into Cotton Avenue):

 

Lots of "greatest" bass players, lots of styles, lots of needs for the music.  James Jamerson, anyone?

 

 

Edited by felser
Posted

Jaco definitely consolidated a lot of things that were already going on, so as a coalesce-er, yeah I get that.

But I'd argue (and I'd be convinced, although probably not convincingly) that Larry Graham was just as "revolutionary" as Jaco, maybe more so.  I mean, on what/whose turf is this "revolution" being fought and what are the stakes?

Now having said that, this is totally convincing to me, not as a "revolution", but just as a rightness of concept, vision even. People talk about WR during most of the Jaco era and note the absence of a percussionist as some kind of concession to "rock" or whatever, but hell, the way Jaco played, a percussionist was not needed, he filled that role himself when it was needed. Between him and Erskine, there it was.

Maybe to focus on the "revolutionary" aspect of his bass playing is unintentional misdirection away from his overall vision. Erratic and short-lived as it was, it definitely existed.

 

 

 

Posted

And ok, quiet as it's kept, the line from Jerry Jemmott to Jaco has Rocco Prestia in between, and let's talk about Chuck Rainey as well..."white people" who were all slack-jawed about Jaco very often, in my experience, didn't really pay that mjuch attention to R&B records - but Jaco damn sure did. Hell, checking put bass players and not digging into R&B is like checking out women and never looking at Sophia Loren, you know, even if the style is not your thing, the foundations, mechanics, and the execution of the concept and design are fundamental to the overall concept. You need to be aware, ok?

Check out Chuck Rainey here, hooking up with Harvey Mason, this shit is impeccable, don't let the loping tempo fool you into thinking there's anything "basic" about this, this shit is right;.And deep.

Chuck Rainey, y'all, Chuck Rainey. BASS!

Posted (edited)

Bernard Edwards, bass

 

3 hours ago, JSngry said:

And ok, quiet as it's kept, the line from Jerry Jemmott to Jaco has Rocco Prestia in between, and let's talk about Chuck Rainey as well..."white people" who were all slack-jawed about Jaco very often, in my experience, didn't really pay that mjuch attention to R&B records - but Jaco damn sure did. Hell, checking put bass players and not digging into R&B is like checking out women and never looking at Sophia Loren, you know, even if the style is not your thing, the foundations, mechanics, and the execution of the concept and design are fundamental to the overall concept. You need to be aware, ok?

Check out Chuck Rainey here, hooking up with Harvey Mason, this shit is impeccable, don't let the loping tempo fool you into thinking there's anything "basic" about this, this shit is right;.And deep.

Chuck Rainey, y'all, Chuck Rainey. BASS!

Chuck Rainey absolutely kicks butt on Gato Barbieri's "El Pampero" album (as does Pretty Purdie).   That is my favorite Barbieri album of all, pure magic at Montreux, three worlds of musicians (Barbieri, Lonnie Liston Smith. Rainey/Purdie) coming together for something unique and wonderful.

Edited by felser
  • 2 weeks later...
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  • 3 years later...
Posted

I was bowled over by Stanley Clarke when he came on the scene, and always thought of Jaco as a Clarke wanna-be. He had his moments for sure, but Weather Report was never the same after he "took over". They made a lot of money, though.

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