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Posted

anyone pick up the sharon jones cd 100 days, 100 nights?

I played it last week at work & enjoyed it, though I will have to bring it home to get a better feel for it.

I am seeing her & the band in concert next month at First Avenue for the first time.

Posted (edited)

Anyone who missed Fair Game last night can hear mp3s here.

Sharon Jones told a story about singing at a wedding party.

The groom was being tossed up in the air using a large tablecloth

as a kind of trampoline. Jones was singing Shout ("You know you make me want to SHOUT...")

during all of this and something went wrong and BAM, the groom landed on his head.

They had to call an ambulance, etc...

but she said that she just kept right on singing...

Edited by rostasi
Posted

"100 Days. 100 Nights" is a wonderful album. Certainly the equal of Jones' first two albums. My copy came with a fun sampler disc of other Daptone releases put together in the form of a radio show hosted by Binky Griptite! I'd certainly like to check out some of the other albums on the label...

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  • 4 weeks later...
Posted

Well, yeah, I mean, I knew it was going to be good and all that, but the whole thing w/the retro packaging and the faux-60s King studio sound and all that other stuff had me thinking in the back of my mind that this was going to be funk-once-removed, if you know what I mean, and in kind of a way it is, although there's not that sense of "skipped a generation or two, trying to get it back now" that turns me off faster than a dog shitting in my picnic basket 5 minutes before lunchtime.

http://youtube.com/watch?v=NJtXE8PDm2A&feature=related

I mean, hey, I don't know if this goes beyond "imitation" or if it's just imitation done at the level of artistry, but DAMN.

"Clever" ain't enough, and this is enough, so...

Posted (edited)

I agree entirely about the last two Bettye Lavette albums. I just don't get it. "A Woman Like Me" was something close to a modern day soul masterpiece, and got no attention at all. Then they drive Bettye down to Fat Possum, take her out of her musical element, feed her a whole lot of fake "nobody's lived as tough a street life as me" lyrics, and presto! Commercial success.

Bring back the old Bettye, PLEASE.

Edited by John L
Posted

emo-ska

good for sharon making some bones but tejas skeptical enthusiasm (if edc may characterize it as such)

Incredulous skeptical enthusiasm is more like it, because there should be no way that this stuff feels like it does. You can call it wishful thinking on my part, or projection, or a peculiarly personal congenital blind spot, whatever, but I've heard 80 bajillion people "try" and do something like this, and the Bogus-O-Meter blows a gasket at, at most, 3 songs (or a ballad, whichever comes first). And yet..

And yet.

Posted (edited)

emo-ska

good for sharon making some bones but tejas skeptical enthusiasm (if edc may characterize it as such)

Incredulous skeptical enthusiasm is more like it, because there should be no way that this stuff feels like it does. You can call it wishful thinking on my part, or projection, or a peculiarly personal congenital blind spot, whatever, but I've heard 80 bajillion people "try" and do something like this, and the Bogus-O-Meter blows a gasket at, at most, 3 songs (or a ballad, whichever comes first). And yet..

And yet.

I certainly don't have any problem with bands like this. The kind of retro-funk that they play is great dance music. It was then and it still is now. As you say, the difference between the Dap-Kings and most other bands that play retro funk is that the Dap-Kings are DAMN good at it. Sure, in the Winter of 2007, you can hear good funk coming from some DJs, rappers, drum machines, and computers. Some of that is fine dance music as well. But there is still something special about an all human aggregation like this that all the new technology in the world has yet to replace.

This is still my preferred kind of booty-shaking music. It is fantastic that somebody is still playing it with this kind of dedication.

Edited by John L

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