Peter Friedman Posted April 19, 2017 Report Share Posted April 19, 2017 Quote Link to comment Share on other sites More sharing options...
Cyril Posted April 19, 2017 Report Share Posted April 19, 2017 Quote Link to comment Share on other sites More sharing options...
kinuta Posted April 19, 2017 Report Share Posted April 19, 2017 Quote Link to comment Share on other sites More sharing options...
xybert Posted April 19, 2017 Report Share Posted April 19, 2017 Antônio Carlos Jobim - The Composer Of Desafinado, Plays I apparently didn't make that much of an effort, but i've always wanted to get the Antônio Carlos Jobim album with the version of Insensatez that was used on David Lynch's Lost Highway soundtrack. Finally i have it. Maybe it's partly the familiarity from listening to it for 20 years, but i think it's a perfect piece of music. Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted April 19, 2017 Report Share Posted April 19, 2017 Quote Link to comment Share on other sites More sharing options...
rostasi Posted April 19, 2017 Report Share Posted April 19, 2017 Quote Link to comment Share on other sites More sharing options...
John Tapscott Posted April 20, 2017 Report Share Posted April 20, 2017 Quote Link to comment Share on other sites More sharing options...
paul secor Posted April 20, 2017 Report Share Posted April 20, 2017 Scrapper Blackwell: Mr. Scrapper's Blues (Bluesville/OBC) Quote Link to comment Share on other sites More sharing options...
rostasi Posted April 20, 2017 Report Share Posted April 20, 2017 Yvette Holzwarth - Violin (track 2) Conor Malloy - Drums - (track 6) Parker Law - Drums Timothy Dries - Vibraphone, Xylophone Matt Orenstein - Upright Bass Philippe Pierlot - Viola da Gamba Tristan de Liège - Electric Guitar, Electric Bass, Acoustic Guitar, Harp, Soprano Saxophone, Tenor Saxophone, Flute, Bass Clarinet, Clarinet Quote Link to comment Share on other sites More sharing options...
Morganized Posted April 20, 2017 Report Share Posted April 20, 2017 Quote Link to comment Share on other sites More sharing options...
kinuta Posted April 20, 2017 Report Share Posted April 20, 2017 Complete Mercury Max Roach Plus Four Mosaic Disc 7 Quote Link to comment Share on other sites More sharing options...
xybert Posted April 20, 2017 Report Share Posted April 20, 2017 Clifford Brown - The Beginning and The End Quote Link to comment Share on other sites More sharing options...
soulpope Posted April 20, 2017 Report Share Posted April 20, 2017 10 hours ago, BillF said: Excellent .... Quote Link to comment Share on other sites More sharing options...
BillF Posted April 20, 2017 Report Share Posted April 20, 2017 Quote Link to comment Share on other sites More sharing options...
erwbol Posted April 20, 2017 Report Share Posted April 20, 2017 1 hour ago, BillF said: Quote Link to comment Share on other sites More sharing options...
soulpope Posted April 20, 2017 Report Share Posted April 20, 2017 (edited) 1 hour ago, erwbol said: Do understand your rating still - to throw in some positive perspective - the cover pic reminds me of the times when this platter was a new release, some excellent "neo-traditionalist" sessions were issued and even some expectations regarding the future of Wynton M. were feasible .... Edited April 20, 2017 by soulpope Quote Link to comment Share on other sites More sharing options...
optatio Posted April 20, 2017 Report Share Posted April 20, 2017 (edited) 1 hour ago, soulpope said: Do understand your rating still - to throw in some positive perspective - the cover pic reminds me of the times when this platter was a new release, some excellent "neo-traditionalist" sessions were issued and even some expectations regarding the future of Wynton M. were feasible .... He was 19! I also bought this LP when it was released in 1982 --- Edited April 20, 2017 by optatio Quote Link to comment Share on other sites More sharing options...
soulpope Posted April 20, 2017 Report Share Posted April 20, 2017 1 hour ago, optatio said: He was 19! I also bought this LP when it was released in 1982 --- Selfimposed excessive expectations btw self-adulations aside albums with the Herbie Hancock Quartet or "Black Codes From The Underground" were (IMO) quite hearworthy .... Quote Link to comment Share on other sites More sharing options...
Big Beat Steve Posted April 20, 2017 Report Share Posted April 20, 2017 (edited) 2 hours ago, soulpope said: Do understand your rating still - to throw in some positive perspective - the cover pic reminds me of the times when this platter was a new release, some excellent "neo-traditionalist" sessions were issued and even some expectations regarding the future of Wynton M. were feasible .... Like Optatio said - this was young Wynton. A far cry from JALC bigwigdom. I guess most evaluations of this kind of record made today are based on what people tend to project into him TODAY (and do not like about him TODAY), maybe as another variation on the theme of "oh that self-proclaimed moldy fig has reaped all the rewards and occupies all the key positions where he can pull all the strings whereas oh so many oh so deserving (avantgarde etc.) musicians barely eke out a living in jazz though THEY ought to receive all the honors because they are much more valuable artists". Understandable sentiments but beside the point ... Making your art appeal is part of the game too. Reminds me somehow of quite a few of those 50s/60s/70s musicians who rode the "swing mainstream train" even as new artists on the scene and did not embrace all the latest fads in far-outness (and therefore came under heavy fire from the critics in many places - a bit unfairly IMO). Edited April 20, 2017 by Big Beat Steve Quote Link to comment Share on other sites More sharing options...
erwbol Posted April 20, 2017 Report Share Posted April 20, 2017 3 hours ago, optatio said: He was 19! I also bought this LP when it was released in 1982 --- I guess I'm firmly on the would-have-driven-over-todler-Wynton train. Quote Link to comment Share on other sites More sharing options...
BillF Posted April 20, 2017 Report Share Posted April 20, 2017 (edited) Edited April 20, 2017 by BillF Quote Link to comment Share on other sites More sharing options...
soulpope Posted April 20, 2017 Report Share Posted April 20, 2017 Quote Link to comment Share on other sites More sharing options...
soulpope Posted April 20, 2017 Report Share Posted April 20, 2017 Quote Link to comment Share on other sites More sharing options...
alankin Posted April 20, 2017 Report Share Posted April 20, 2017 Ricardo Gallo’s Tierra de Nadie – The Great Fine Line (Clean Feed Records) — Dan Blake (soprano & tenor sax), Mark Helias (bass), Ray Anderson (trombone), Ricardo Gallo (piano), Satoshi Takeishi (drums & percussion), Pheeroan Aklaff (drums) Quote Link to comment Share on other sites More sharing options...
David Ayers Posted April 20, 2017 Report Share Posted April 20, 2017 Quote Link to comment Share on other sites More sharing options...
_forumlogo.png.a607ef20a6e0c299ab2aa6443aa1f32e.png)
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.