Tom 1960 Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
BillF Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
sonnyhill Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
soulpope Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
Tom 1960 Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
uli Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
soulpope Posted April 8, 2017 Report Share Posted April 8, 2017 Very good indeed (and sort of companion album of the excellent Limetree release "First Affairs") .... Quote Link to comment Share on other sites More sharing options...
erwbol Posted April 8, 2017 Report Share Posted April 8, 2017 Kind of Blue UltraHD CD. I haven't listened this much to Kind of Blue since the nineties. Sublime. Quote Link to comment Share on other sites More sharing options...
jazzbo Posted April 8, 2017 Report Share Posted April 8, 2017 Yes I agree, and I've been listening to KOB more often as well. Some really nice sounding stereo and mono versions to listen to, and the music has never become stale. Quote Link to comment Share on other sites More sharing options...
alankin Posted April 8, 2017 Report Share Posted April 8, 2017 (edited) Dave McKenna – An Intimate Evening With Dave McKenna (Arbors Records) — solo piano; live at the Sarasota Opera House, Sarasota, FL Daniel Levin Trio – Fuhuffah (Clean Feed Records) — Daniel Levin cello / Ingebrigt Haker Flaten bass / Gerald Cleaver drums Edited April 8, 2017 by alankin Quote Link to comment Share on other sites More sharing options...
erwbol Posted April 8, 2017 Report Share Posted April 8, 2017 47 minutes ago, jazzbo said: Yes I agree, and I've been listening to KOB more often as well. Some really nice sounding stereo and mono versions to listen to, and the music has never become stale. I guess it is just hip to shit on KOB a bit, it being so accessible. Every record can grow stale due to overexposure, but true gems will always shine again after being left alone for a while. Quote Link to comment Share on other sites More sharing options...
sidewinder Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
sonnyhill Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
nemo7 Posted April 8, 2017 Report Share Posted April 8, 2017 blood, sweat and tears/nuclear blues/(suite) spanish wine Quote Link to comment Share on other sites More sharing options...
John Tapscott Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
alankin Posted April 8, 2017 Report Share Posted April 8, 2017 Duke Ellington – In Gröna Lund 1963 - CD 2 (Storyville Records) — Cootie Williams, Eddie Preston, Rolf Ericson (tp); Ray Nance (tp, vln, vo); Lawrence Brown, Chuck Conners, Buster Cooper (tb); Jimmy Hamilton (ts, cl), Russell Procope (as, cl), Johnny Hodges (as); Paul Gonsalves (ts), Harry Carney (bs, cl, bcl); Duke Ellington (p), Ernie Shepard (b), Sam Woodyard (dr). Quote Link to comment Share on other sites More sharing options...
Buddha the Magnificent Posted April 8, 2017 Report Share Posted April 8, 2017 Base Line - Why Really (Challenge Jazz, 2007). Hein Van de Geyn - bass; John Abercrombie - guitar; Joe Labarbera - drums. Quote Link to comment Share on other sites More sharing options...
paul secor Posted April 8, 2017 Report Share Posted April 8, 2017 Benny Carter: 3, 4, 5 - The Verve Small Group Sessions Quote Link to comment Share on other sites More sharing options...
Tom 1960 Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
BFrank Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
BillF Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
rostasi Posted April 8, 2017 Report Share Posted April 8, 2017 Quote Link to comment Share on other sites More sharing options...
duaneiac Posted April 8, 2017 Report Share Posted April 8, 2017 On 4/7/2017 at 10:54 PM, kinuta said: ! Catherine Russell is such a great singer and she really brings these vintage songs to life. 5 hours ago, soulpope said: ! One of Carmen McRae's best! I wish I'd had the chance to hear her perform in person. My recent listening: Both albums recorded in 1960. Includes the albums Yellow Dolphin Street and Catalonian Folksongs, both recorded in 1977. Quote Link to comment Share on other sites More sharing options...
paul secor Posted April 8, 2017 Report Share Posted April 8, 2017 Listened to this again - this time at home, rather than in the car. Sounded much better at home - more of the sound and nuances of Carter's horn caught my ear - as to be expected. A friend once gave me some advice about Benny Carter: Don't listen to him the same way you'd listen to Bird, expecting the same kind of invention. Obvious advice, but I needed to hear it. Even so, I have some problems listening to Benny Carter. At times, what I hear is a hip dance band sax player. At other times, I hear a Woody Allen soundtrack - which is ok, but not what I really want to hear. Then, as this afternoon at home, I hear a masterful jazz saxophonist. I guess that Benny Carter is a lot of different guys for me. Or, perhaps, I'm a lot of different guys. Quote Link to comment Share on other sites More sharing options...
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