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Posted
17 hours ago, Jazzmonkie said:

On CD. Sound quality is better than I expected for live Sun Ra.
 

sun ra.jpg

From what year is this? 

I got acquainted with the music of Sun Ra very early, let´s say even before I knew much about earlier jazz stiles like bop. 
It was there, it was happenin, and my first Sun Ra album was the ESP "Nothing Is" that I got second hand from a girl who emegrated to Brazilia. Sun Ra and a lotta other stuff that´s hot, like early electric Miles, Pharoah Sanders, Alice Coltrane and so on, that was my start for jazz. 

I heard Sun Ra live in the late 70´s until around 80 with Gilmore and Allen in the band and June Tyson singin´. That´s where I first heard older jazz forms like Fletcher Henderson´s "Yeah Man" or similar stuff, as well as the more usual space age free jazz and space chants.....

Posted

Starting a cool morning off with another interesting session Tom Harrell participated in, with a sort of Spanish tinge of Weather Report like fusion, led by guitarist Torres.

Fernando Torres featuring Tom Harrell and Arida Conta and the Sirius String Quartet “Secret Rhythms” Muse cd

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1 hour ago, Gheorghe said:

From what year is this? 

 

At The Showcase: Live In Chicago 1976-1977

Posted

Theo Hill “Interstellar Adventures” Posi-Tone cd

Hill’s second album with Rashaan Carter and the excellent drummer Rudy Royston.

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Posted
1 hour ago, jazzbo said:

 

 

 

297fb878f78d0ec2a4d82d5db8fa0fca7bcea396

At The Showcase: Live In Chicago 1976-1977

could not edit the foto, not related to my answer: 

Sun Ra 1976-77 sounds good, that´s when I also heard him first, 

Posted (edited)

41ZSQ2KAEyL._UF600,600_QL80_.jpg

Al Di Meola - Soaring Through a Dream (Manhattan, 1985)

Al Di Meola – acoustic guitar, electric guitar, classical guitar, Synclavier guitar
Phil Markowitz – Steinway grand piano, synthesizers
Chip Jackson – electric bass, acoustic bass
Danny Gottlieb – drums
Airto Moreira – percussion, vocals

This is one of my favorite jazz records of the 1980s.  I bought it when it first came out, during my junior year in high school, when I was first diving into jazz.  I must've listened to it a thousand times.  (I literally wore out the LP.) . . . It's an atypical Di Meola album, much less jazz-rock fusion, much more dreamy & Brazilian.  That's largely due to Airto, who brings his usual soulful brilliance, both as a vocalist and percussionist.

Fair warning: Like many 80s jazz albums, Soaring Through a Dream is very synth heavy. But unlike many 80s jazz albums, the synths really work well here.  They add to the gauzy, otherworldly aspects of the music; they actually open up musical avenues, rather than sounding like nifty gizmos that are added on as technological afterthoughts.

That said, as much as this music in engrained in my brain, it's likely impossible for me to hear it like most folks do.  So, there's that. 

 

Edited by HutchFan
Posted

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The Albert Mangelsdorff Quartet - Never Let It End (MPS, 1971)
with Heinz Sauer (ts, as), Günter Lenz (b), and Ralf Hübner (d)

Brilliant band.  Brilliant album.

If MPS ever reissued this on vinyl, I'd buy it in a heartbeat.

 

Posted (edited)
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The Complete Capitol Studio Recordings of Stan Kenton 1943-1947, disc II

Revisiting this set with enjoyment. That studio at that time had such a rich sound for their releases.

 
Edited by jazzbo
Posted
2 hours ago, HutchFan said:

Mi02Mzg0LmpwZWc.jpeg

The Albert Mangelsdorff Quartet - Never Let It End (MPS, 1971)
with Heinz Sauer (ts, as), Günter Lenz (b), and Ralf Hübner (d)

Brilliant band.  Brilliant album.

Yep .... btw we should mention Günter Lenz in the "Underrated Bassists" thread .... 

Posted

Dexter Gordon “Night Ballads - Montreal 1977” Uptown cd

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This one cost me a pretty penny but it was worth it.

Recorded live at The Rising Sun in Montreal, November 9-12, 1977. Featuring the great saxophonist Dexter Gordon, pianist George Cables, bassist Rufus Reid and drummer Eddie Gladden.

Posted

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Kinda the Postcards All-Stars here. It was a nifty label.

"Dated" in the sense of technology. "Derivative" in that it sometimes sounds like if Wayne and Joe never got into popular rhythms and such. 

Pleasant listening, and with the players on hand to move it ahead. Fun listen!

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