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Posted
9 minutes ago, Peter Friedman said:

Disc 3 - Miles Davis, Sonny Stitt, Wynton Kelly, Paul Chambers, Jimmy Cobbiu-1.jpeg

Now that's one I missed - the Miles quintet with Stitt at the FreeTrade Hall, Manchester in 1960. I think it was during the university vacation and I was at home in Leeds. Fellow student (later jazz critic of the London Evening Standard) the late Jack Massarik told me he was there.

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Posted

Lou Donaldson "Alligator Boogaloo" 24 bit by RVG Blue Note Japan cd

Alligator_Bogaloo.jpg

What a band! The leader is so soulful but never far from bebop, that adds a special layer to his work with organ trios in my book. 


Lou Donaldson - alto saxophone
Melvin Lastie - cornet
Lonnie Smith - organ
George Benson - guitar
Leo Morris (Idris Muhammad) - drums

Posted (edited)

81Q2-sV4G0L._SS500__.jpg

Sweets and Lockjaw.  :) 

 

 

4 minutes ago, jazzbo said:

Lou Donaldson "Alligator Boogaloo" 24 bit by RVG Blue Note Japan cd

Alligator_Bogaloo.jpg

What a band! 

:tup:tup:tup 

 

Edited by HutchFan
Posted (edited)

Prompted by Tolliver talk elsewhere on the board:

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Just now seeing that Pure Pleasure has reissued this -- as it was originally titled on Strata-East, Live at the Loosdrecht Jazz Festival.  It's a two-LP set.

Oh man, that is tempting!  ... I just might have to plop for that. 

... "After all, I only own an emusic.com download of it now," he begins rationalizing to himself.  :P 

 

Edited by HutchFan
Posted

I got an early start today, then got interrupted, and I'm back at it.

I started with Lee Morgan, "Lee Morgan Sextet" on Blue Note 24 bit by RVG Japan cd. Lee plays very well, with I suppose Horace Silver arranging and Hank Mobley . . . the playing and setting of both made me think of Monk. A few tracks are better than the others.

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Followed that one up with "Jams 2--The Two Tenors"--James Moody and Mark Turner, Warner Bros.

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At times reminding me of Griff 'n Lock, at times Marsh and Konitz, with a dash of Monkeloniousness added by Larry Goldings. 

Sometimes it seems as if I hear an echo of Monk in many recordings I choose. I wanted to get away from thinking of Monk and succeded with the great Pablo recording, "Dizzy Gillepsie's Big 4."

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Mickey Roker is the secret ingredient that makes the rise on a number of these Pablo "encounters." He is so controlled yet tastefully tailors the foundation. A master.

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