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Posted

Next up:

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Cedar Walton - Roots (Astor Place, 1999)

This album revisits many of Walton's most famous compositions in a large-ensemble context with Terence Blanchard, Joshua Redman, and Mark Whitfield as featured soloists.

Piano – Cedar Walton
Trumpet, Flugelhorn – Don Sickler
Trumpet – Terence Blanchard (soloist on tracks: 3, 4, 9)
Soprano Saxophone, Tenor Saxophone – Willie Williams
Alto Saxophone – Bobby Porcelli
Tenor Saxophone – Joshua Redman (soloist on tracks: 1, 2, 9)
Baritone Saxophone – Gary Smulyan
Trombone – Scott Whitfield
Guitar – Mark Whitfield (soloist on tracks: 5, 6, 7)
Bass – Ron Carter
Drums – Lewis Nash
Percussion – Ray Mantilla

 

Posted (edited)

Adonis Rose Quintet – Song For Donise

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I generally find that I enjoy the drummer led Young Lions records more than leader dates by the horns. Something about how foregrounding the rhythm smooths out some of the issues that plague the period. I enjoy this record. 

One person who always confuses me is Tim Warfield. On this album and others he seems to come up with odd measures that don't fit into the bars properly. I never understood why someone like Payton had him around but then I am not a musician and perhaps there is something admirable there. 

Edited by Rabshakeh
Posted
13 hours ago, HutchFan said:

Next up:

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Donald Brown - French Kiss . . .  (Space Time, rec. 1999)
with Essiet Essiet (b) and Billy Kilson (d) plus Jérôme Barde (g, trks: 4, 6, 7, 10) and Miguel "Angá" Díaz (perc, trks: 3, 4, 😎        

 

Does anyone know the story of Brown leaving the Jazz Messengers in 1982? Most on-line stories say it was due to arthritis, which I can understand as I have just a touch of it in my left wrist and it can be painful. But Brown went on to teach at various schools and record 20+ albums, including quite a few live dates which would indicate that live performance was not an issue. Were Blakey's charts just too much for his arthritis?

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