So, What Are You Listening To NOW?

[sidewinder]

Bobby Hutcherson 'Classic Blue Note Sessions' Mosaic set, CD2 - 'Dialogue' and 'Components'.

The sonics of this set give the Tone Poet LPs a serious run for their money, to my ears.

Edited 18 hours ago by sidewinder

[optatio]

19 hours ago, Chuck Nessa said:

👍

[jazzbo]

Allen Lowe "America -- The Rough Cut" ESP Disk cd

[mjazzg]

47 minutes ago, sidewinder said:

Bobby Hutcherson 'Classic Blue Note Sessions' Mosaic set, CD2 - 'Dialogue' and 'Components'.

The sonics of this set give the Tone Poet LPs a serious run for their money, to my ears.

And how do they both compare to the 1st press LPs which I expect you also have?

I have a 'Dialogue' and I'm flirting with a 'Components' but I could buy the Mosaic and have change, but no lovely LP ans sleeve to hold...

Edited 17 hours ago by mjazzg

[sidewinder]

54 minutes ago, mjazzg said:

And how do they both compare to the 1st press LPs which I expect you also have?

I have a 'Dialogue' and I'm flirting with a 'Components' but I could buy the Mosaic and have change, but no lovely LP ans sleeve to hold...

I do have good original LPs of both of those titles - and the Tone Poet of 'Dialogue'. Not played them for a while but it is swings and roundabouts I think. There would likely be higher fidelity but possibly at the expense of somebsurface noise. At the end of the day it will probably depend on your LP and/or CD playback equipment but what I am finding with the Mosaic is that it is more than adequate and noise-wise dead quiet. A great set - the people who gave taken over CD mastering at Mosaic are doing a brilliant job.

Edited 17 hours ago by sidewinder

[kh1958]

Kid Ory, King of the Tailgate Trombone (American Music)

Edited 17 hours ago by kh1958

[John Tapscott]

[Peter Friedman]

[Holy Ghost]

On 1/19/2025 at 8:35 PM, Joe said:

And this is the only documentation we have of Dexter's score for the Hollywood production of THE CONNECTION.

Now:

Wow. Not aware of this! Now playing: McCoy-Time for Tyner-BN RVG

3 hours ago, Peter Friedman said:

Really enjoying these early Lee Morgan records, largely because of the RVG program back in the day. 

[Chuck Nessa]

[Peter Friedman]

[HutchFan]

NP:

Jack Wilkins - Windows (Mainstream, 1973)
with Michael Moore (b) and Bill Goodwin (d)

 

[HutchFan]

Next up:

Steve Davis Trio - Explorations and Impressions (Double-Time, 1997)
with Richie Beirach & François Moutin

 

[Holy Ghost]

1 hour ago, Chuck Nessa said:

Been digging deep in CP lately. 

Right now: playing, Three for Shepp-Marion Brown-Impulse!

[jazzbo]

Again!

Santana “Welcome” Columbia LP

 

[Peter Friedman]

Jimmy Rowles Trio

Edited 10 hours ago by Peter Friedman

[jazzbo]

Adullah Ibrahim “Blues for a Hip King” Camden cd

A compilation cd of several sessions by Ibrahim. . . good stuff.

 

[mjazzg]

7 hours ago, sidewinder said:

I do have good original LPs of both of those titles - and the Tone Poet of 'Dialogue'. Not played them for a while but it is swings and roundabouts I think. There would likely be higher fidelity but possibly at the expense of somebsurface noise. At the end of the day it will probably depend on your LP and/or CD playback equipment but what I am finding with the Mosaic is that it is more than adequate and noise-wise dead quiet. A great set - the people who gave taken over CD mastering at Mosaic are doing a brilliant job.

Thank you

[HutchFan]

[John Tapscott]

4 minutes ago, HutchFan said:

👍

Now:

[rostasi]

[dougcrates]

RVG Edition

[dougcrates]

Blue Note Rare Groove CD

[Gheorghe]

On 1/20/2025 at 5:24 PM, Kevin Bresnahan said:

Sometimes I think that whoever owns the LRC label these days keeps changing the covers to try to fake out buyers into re-buying titles they already have.

I have seen Benny Golson very often live. His early compositions are great. Maybe he is not really my idea of a soloist on Saxophone, maybe the sound, maybe his phrasing, but to have a horn player with THAT Rhythmsection, I think I´d listen to it somewhere. 

[Gheorghe]

13 hours ago, Chuck Nessa said:

Bird was a big influence of my musical thinking, even if due to my age I didn´t hear music chronologically, that means I would have discovered Bird after I was into the styles of music of the late 60´s early 70´s. The first time I read Bird´s name was when there appeared a super Mingus triple record in Paris 1970 or 71, which had a take "Parkeriana". 

But listenig to a simple tune like Billies Bounce or more even, Now´s the time so many times one after the other, is just torture for me. I have a Prestige album of Wardell Gray that also has so may tracks.