Jump to content

So, What Are You Listening To NOW?


JSngry

Recommended Posts

  • Replies 84.9k
  • Created
  • Last Reply

Top Posters In This Topic

  • soulpope

    9387

  • Peter Friedman

    8179

  • HutchFan

    7874

  • jazzbo

    6112

Top Posters In This Topic

Posted Images

3 hours ago, rostasi said:

image.jpeg.0af7f7a80b92581d2db89b77abcc5cd0.jpeg

image.jpeg.3f40bf26b893140af601b5a27aff72f4.jpeg

Hawk is great, he was so much ahead of his time, like contemporanious other genius musicians like Lester Young, Billie Holiday and Roy Eldrige. 
I don´t know much about pre-bop music, but those four are my favourites and I love him the same like all that came after.....

 

14 hours ago, John Tapscott said:

👍 Yes, a really good one.

Now:

The Clef Years: Classic Albums 1952-58, Primary, 1 of 1

Bought this from amazon.ca for $11 Canadian (a bargain). Some really fine music on this 3 CD set. 

I think I also have a Flip Phillips album from Verve recordings, but I think some of the recordings are even earlier, from the late 40´s. 
There might be one, that has a bop trumpetist on it (could be Howard McGhee). 

The first Flip Phillips I ever heard in my live is on that great little LP with Roy Eldrigde on one side and Fats Navarro on the other side "Saturday Night Jazz Session" on the french America Label. 
The side 1 has Roy Eldridge with Flip Phillips (Flip and Jazz is one title). Great ! 

Link to comment
Share on other sites

1 minute ago, jazzbo said:

An excellent new release.

Walter Smith III “Three of us are from Houston, and Reuben is Not” Blue Note cd

c7e4fa932d17dad10732e1a7502e650b2c1002b3

Worthy of note for the title alone

That modern Blue Note not releasing Jazz again...

Link to comment
Share on other sites

On 10/15/2024 at 3:34 PM, Rabshakeh said:

I never did entirely like Shank's sound though, for some reason. I don't play saxophone so I don't know what it is, but maybe there is too much loose air flying around. It sounds like balsa wood to me.

In that regard, you might find an interesting detour (but just that...) of Shank's MOR World Pacific albums from the mid-60s through the very early 70s. As with most such affairs, "improvisation" is not at all a real consideration, but interpretation of a melody is, and as such a focus on tone is paramount.

I can't exactly say that I came away with a new appreciation of Bud Shank, but I can say that whatever all those hours in the studio did to burn him out, they also allowed him to fine-tune his tone to the utmost degree.

 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.

×
×
  • Create New...