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Posted
1 minute ago, HutchFan said:

Yeah, I'd rate Olé Coltrane right up there with his best too.  :tup 

 

Tyner and Davis solos on the title track are incredible. I hear a Stanley Cowell connection in song style and Tyner’s playing. Like this was an influence on SC.  

Posted
2 minutes ago, Dub Modal said:

Tyner and Davis solos on the title track are incredible. I hear a Stanley Cowell connection in song style and Tyner’s playing. Like this was an influence on SC.  

I'd never thought about that -- but it makes sense.  Tyner's influence was so far-reaching.  I'll give it a spin and see if I can hear the same. 

 

Posted
3 minutes ago, HutchFan said:

I'd never thought about that -- but it makes sense.  Tyner's influence was so far-reaching.  I'll give it a spin and see if I can hear the same. 

 

I'm playing the deluxe release with the bonus track Untitled Ballad (To Her Ladyship). It's ok. The title track and Aisha steal the show for me. 

Posted

Tania Maria "Come with Me" Concord Jazz Japan cd

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Somewhere around here I have this on SACD as well, but this cd sounds very good. 

I really like Tania more and more and pulled out about a half a dozen more of her cds to listen to in the near future. She's a bit nuts but man she has so much talent!

Posted (edited)
1 hour ago, Dub Modal said:

I'm playing the deluxe release with the bonus track Untitled Ballad (To Her Ladyship). It's ok. The title track and Aisha steal the show for me. 

I have that same release, and I agree re: the bonus cut.  Understandable why it wasn't issued back in day.  It isn't on the same exalted level as the original three cuts, IMO.

I'm just now listening to Olé Coltrane, and I think I can hear what you were talking about.  Seems like Tyner's modalism became "part of the vocabulary" for many pianists -- especially guys like Stanley Cowell, John Hicks, and (a bit later) Mulgrew Miller.

 

Edited by HutchFan
Posted

 

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This is pretty much the band that I saw live in December of 1970, captured in a pretty reasonable recorded representation. To call them powerful would be a gross injustice!

If I had a time machine to go back to any gig I ever attended, that might be the one.. first live jazz, and LOCKJAW!!!

Harold Jones still does not get enough credit. Hell that vintage of Basie doesn't get enough credit. Blame it on the records. But not this one. 

Posted

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Interesting alto chairs... Do I miss Marshall Royal & Bobby Plater? Not sure, but I definitely notice their absence.

OTOH - LOCKJAW APLENTY!!!! 

And George Duvivier! 

Posted

Joe Turner "Stormy Monday" Pablo/OJC cd.

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Recorded 1974-1978, previously unreleased tracks

Alto Saxophone – Bob Smith, Eddie "Cleanhead" Vinson
Bass – Charles Norris, Larry Gales, Robert Haynes, William Walker
Congas – Frederick Woods
Drums – Bruno Carr, Charles Randall, Washington Rucker
Guitar – Cal Green, Evans Walker, Gary Bell, Greg Beck, Pee Wee Crayton
Organ – Gildo Mahones
Organ, Piano – Jimmy Robins
Piano – Lloyd Glenn, Sylvester Scott
Tenor Saxophone – Bill Clark, Curtis Peagler, Rashid Ali, William "Wild Bill" Moore
Trumpet – Blue Mitchell, Clark Terry, Dizzy Gillespie, Harry Edison, Jake Porter, Joe Banks, Roy Eldridge
Vocals – Joe Turner
 

Posted

Eric Mingus "Um . . .Er. . . Uh"

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"Grandpa blew his brains out in the house. . . he didn't have the courtesy to take it outside. . . .His blood's in me." Wow. Unfortunately I can relate.

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