Jump to content

Recommended Posts

Posted
9 minutes ago, BillF said:

I think we thought the production a trifle slick after Riverside, but I'm sure our views have mellowed with time. I loved Dunlop's bouncy beat, but I knew what to expect as I'd seen him in the Monk quartet in 1961.

Understood .... Riverside production was partially rather raw - with all the benefts derived from that approach .... off course "Monk`s Dream" has Ore + Dunlop grooving along nicely and I believe this is one of the strongest Charlie Rouse outings in the 60`s....

  • Replies 85.6k
  • Created
  • Last Reply

Top Posters In This Topic

  • soulpope

    9508

  • Peter Friedman

    8234

  • HutchFan

    7961

  • jazzbo

    6225

Top Posters In This Topic

Posted Images

Posted (edited)
1 hour ago, HutchFan said:

cGVn.jpeg

cGVn.jpeg

That brings back great memories. Stood right next to Lewis as he was doing a solo rendition of some of that ‘Paris’ material at what was the Cafe des Copains, Toronto. That was 1990 too. Lack of seating sometime has its plusses. Lewis was thoroughly enjoying playing his recital - a memorable night. Yes, almost a private concert.

Edited by sidewinder
Posted
3 minutes ago, sidewinder said:

That brings back great memories. Stood right next to Lewis as he was doing a solo rendition of some of that ‘Paris’ material at what was the Cafe des Copains, Toronto. That was 1990 too. Lack of seating sometime has its plusses. Lewis was thoroughly enjoying playing his recital - a memorable night. Yes, almost a private concert.

Oh wow. I wish I could have been there to see & hear that too.  ;) 

Lewis knocks me out.  He plays so deliberately, and he makes it sound so expressive.  Every note -- and even every note's shading -- is a choice.  But he also does it without making the music sound over-thought or "studied."  I think that's amazing artistry.

 

Posted (edited)
11 minutes ago, HutchFan said:

Oh wow. I wish I could have been there to see & hear that too.  ;) 

Lewis knocks me out.  He plays so deliberately, and he makes it sound so expressive.  Every note -- and even every note's shading -- is a choice.  But he also does it without making the music sound over-thought or "studied."  I think that's amazing artistry.

 

Yeah, it was a gem of a night. Such a civilised event; Lewis was literally inches away from me and I could have leant on the piano. I think he really enjoyed playing to those of us (not many) in proximity. I think it was Summer 1990, so slightly before that NY recording.

At the same venue I remember seeing Jay McShann, Sir Charles Thompson, Joanne Brackeen, Cedar Walton. Just missed Stanley Cowell in solo recital though. :(

Edited by sidewinder

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.

×
×
  • Create New...