mikeweil Posted October 25, 2020 Report Posted October 25, 2020 3 hours ago, sonnymax said: I always wondered what this sounds like .... Quote
HutchFan Posted October 25, 2020 Report Posted October 25, 2020 (edited) More Billy Harper: and Edited October 25, 2020 by HutchFan Quote
BFrank Posted October 25, 2020 Report Posted October 25, 2020 (edited) Almost anything by Billy or with him is worth getting. I have a lot of those albums including Lodestar. I've never seen those other albums he recorded with Max. I first "discovered" Billy seeing him with Max at the Keystone Korner in the late 70s. Been a huge fan ever since. Try to see the Cookers whenever they're in the Bay Area. Edited October 25, 2020 by BFrank Quote
jazzcorner Posted October 25, 2020 Report Posted October 25, 2020 3 hours ago, BFrank said: Almost anything by Billy or with him is worth getting. I have a lot of those albums including Lodestar. I've never seen those other albums he recorded with Max. I first "discovered" Billy seeing him with Max at the Keystone Korner in the late 70s. Been a huge fan ever since. Try to see the Cookers whenever they're in the Bay Area. Here is one more Quote
soulpope Posted October 25, 2020 Report Posted October 25, 2020 4 hours ago, HutchFan said: More Billy Harper: and The MPS is great, whereas the Marge outing always left me cold (but the benchmark of his best recordings is sky-high) .... Quote
BillF Posted October 25, 2020 Report Posted October 25, 2020 12 hours ago, mikeweil said: This afternoon: Quote
BillF Posted October 25, 2020 Report Posted October 25, 2020 2 hours ago, EKE BBB said: Now playing: Quote
soulpope Posted October 25, 2020 Report Posted October 25, 2020 Near time re-play .... wonderful indeed .... Quote
soulpope Posted October 25, 2020 Report Posted October 25, 2020 Speaking of near time re-play and wonderful .... Quote
Gheorghe Posted October 25, 2020 Report Posted October 25, 2020 Great all-star meeting with Donald Bird, Phil Woods, Bud, Paul Chambers, Art Taylor, and a great choice of tunes. Quote
HutchFan Posted October 25, 2020 Report Posted October 25, 2020 Not exactly your typical Sunday afternoon record. But such a powerful statement -- on all sorts of levels. and Quote
HutchFan Posted October 25, 2020 Report Posted October 25, 2020 (edited) 7 hours ago, soulpope said: The MPS is great, whereas the Marge outing always left me cold (but the benchmark of his best recordings is sky-high) .... Yeah, I agree that Trying To Make Heaven My Home is the stronger record. ... But I still like The Awakening. It's like an "alternate takes" record, familiar pieces performed with a less intense vibe. Edited October 25, 2020 by HutchFan Quote
HutchFan Posted October 25, 2020 Report Posted October 25, 2020 NP: Bob Brookmeyer - Back Again (Sonet, 1979) with Thad Jones, Jimmy Rowles, George Mraz, and Mel Lewis One of the albums that I added to my 70s jazz survey this week. Quote
Peter Friedman Posted October 25, 2020 Report Posted October 25, 2020 Not a familiar name , but a good swinging session. Quote
HutchFan Posted October 25, 2020 Report Posted October 25, 2020 7 hours ago, soulpope said: Near time re-play .... wonderful indeed .... Yes! ... Also, the first Joanne Brackeen recording I ever heard. Quote
duaneiac Posted October 25, 2020 Report Posted October 25, 2020 Performances from various broadcasts, Feb. - May 1935, in good sound. An added bonus is that the liner notes are the reminiscences of Miss Helen Ward, written in 1997. She writes about those early days of the band, these particular broadcasts which propelled the band's rise to the top and about individual band members including Bunny Berigan, Toots Mondello, Hymie Shertzer and Gene Krupa. Of Mr. Krupa, she recounts a 1973 Carnegie Hall concert by the BG Quartet plus Sam Stewart. Mr. Krupa was in failing health and would pass away before the end of the year. Between each number, various band mates would stall -- Teddy Wilson would adjust his piano bench for a long time or Slam Stewart would take particular care in rosining up his bow or Lionel Hampton would try out a number of different mallets before choosing which ones he would use -- all so Mr. Krupa could regain enough strength to play the next number. Harry Goodman must be one of the most "overshadowed brothers" in jazz history. He was a solid bassist and would have earned a place in this band even without nepotism. He wasn't a creative player or an improvisor, but he laid down a solid beat which was perfectly suited for the era and setting in which he played. He is joined here by George Van Eps on rhythm guitar, but I think I like his later pairing with Allan Reuss even better. Quote
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