Kenny Burrell- "At Work" : real stereo?

[chewy-chew-chew-bean-benitez]

its a live date from 1959, orig here

 

 

 

but i dont see it says elec. re channeld anywhere...could it be real stereo?  

 

[Stereojack]

It is, except this appears to be a mono copy.

Edited January 31, 2017 by Stereojack

[chewy-chew-chew-bean-benitez]

thanks, yea i just copy/pastd that pic- might buy a sealed stereo copy to upgrade my warped mono, not warped bad but 1st tracks are unplayable

[Stereojack]

Here's what an original stereo one looks like.

[jazztrain]

Stereojack turned me onto this record many years ago.  

The CD reissue includes two bonus tracks recorded the night before.

[Bill Nelson]

For all those sports fans with score cards, the original 'Night At the Vanguard', (Argo LPS-655, 1959) was reissued in 1965 on the Cadet label.

It was re-titled 'Man At Work' and given a new cover.  Perhaps Cadet/Argo wanted to cash-in because of Burrell's hit with 'Guitar Forms' on Verve.  

  

[Jim R]

6 hours ago, jazztrain said:

The CD reissue includes two bonus tracks recorded the night before.

The material from that gig has been released on different CD's over the years, and there are more than two tracks that weren't on the original Argo and Cadet LP's (the different CD's included different bonus tracks).  There are also some tracks that I don't think have ever been issued.  It was discussed in some detail here in 2003:  

 

[Bill Nelson]

Dept. of Consumer Affairs Alert:

The 1965 Cadet release makes no mention of prior issue release on the jacket's front or back (see Chewy-C-C-B-B's photo).

I should know, as I got into a mild argument at a record show when selling my Cadet LP as an 'original'. 

[JSngry]

On ‎2‎/‎1‎/‎2017 at 9:19 PM, Jim R said:

The material from that gig has been released on different CD's over the years, and there are more than two tracks that weren't on the original Argo and Cadet LP's (the different CD's included different bonus tracks).  There are also some tracks that I don't think have ever been issued.  It was discussed in some detail here in 2003:  

 

No idea how it all finally if ever sorted out, but for a while, you needed to have this one:

[robertoart]

On 02/02/2017 at 1:33 AM, JSngry said:

No idea how it all finally if ever sorted out, but for a while, you needed to have this one:

You're quite the Kenny Burrell buff for a saxophone player are'nt you JSngry

[JSngry]

Oh, Kenny Burrell "took" early for me, helped on by getting to see him live at La Bastille in Houston one summer. But the guy was on a buttload full of records and got beaucoup radio play, so, yeah, he was one of those guys "in the air" of the early 70s, you'd have to try harder to avoid him than you would to find him.

And that Cool Cookin' thing...I showed up with that in tow as a freshman and was plying it a lot, and people would come by and say hey, who is this guy, no bullshit, no frills, just tasty playing, and I'd say hey, Kenny Burrell, see? And they'd be like, hey, I gotta get this record. I don't know if any of them ever did, but you know, KB was not hard to figure out, right? Tasty, efficient, substance without bulk, if it was a sandwich, you could eat it all day if you wanted to.

 

[HutchFan]

Great description, Jim.

Everything KB plays sounds sooooooo good, and it's seemingly effortless.  No flash, all music.

[JSngry]

Well, honestly...I think he kinda went through the "flavor remover" that seems to have (in my mind) followed around both Helen Keane & Concord Records, but not always, and even so, there was enough before that to pay attention to, and still is. I mean, jesus, Hustlin', is that not one of the all time great comp records for both Burrell & Scott? And that's just the comping!