JSngry Posted December 6, 2016 Report Posted December 6, 2016 it was also on an American LP reissue, which is how I got it. Only, mine had a square cover. Quote
optatio Posted December 6, 2016 Report Posted December 6, 2016 ZYX Music GmbH u. Co KG, Benzstraße 1, 35799 Merenberg, Germany, has marketed and distributed a selection from the Bethlehem Catalog in the nineties: Quote
Teasing the Korean Posted May 6, 2023 Report Posted May 6, 2023 I'm going through a bunch of LPs of my Dad's. Many of these had been in my brother's basement. Among them is Squeeze Me by Sallie Blair, on Bethlehem. I will have to clean this and give it spin. Quote
Rabshakeh Posted May 7, 2023 Report Posted May 7, 2023 I have a weird Bethlehem fetish. I don’t actually own any, but something about the design and music is really alluring. I enjoy a record 10% more if it is on Bethlehem. Quote
Big Beat Steve Posted May 7, 2023 Report Posted May 7, 2023 51 minutes ago, Rabshakeh said: I have a weird Bethlehem fetish. I don’t actually own any, but something about the design and music is really alluring. I enjoy a record 10% more if it is on Bethlehem. Why not? I am sure there are zillions who feel exactly that way about enjoyment when it comes to Blue Note (owning them included, of course). So your feelings counterbalance these a wee bit ... As for their design, yes they do have "house style" going for them - but the Affinity reissues from the 80s did NOT help any in that respect. Neither did those on other reissue labels fomr the 70s/80s. So given the leess than widespread availability of Bethlehems, you often had (and sometimes still have?) to settle for these reissues on an "it's only about the music" premise. Quote
Pim Posted May 7, 2023 Report Posted May 7, 2023 Always nice to hear Rouse without Monk (but of course also WITH Monk) Quote
romualdo Posted May 8, 2023 Report Posted May 8, 2023 18 hours ago, Rabshakeh said: I have a weird Bethlehem fetish. I don’t actually own any, but something about the design and music is really alluring. I enjoy a record 10% more if it is on Bethlehem. I hear you re the music & the unique cover art work - I ended up getting (157 CDs) almost the entire catalogue when Japanese Solid did a complete label CD release round 10 years ago. It was released in 5 batches of approximately 30 between 2012 & 2014 plus there were a number of bonus CDs available only in Japan (a friend there was able to source them for me after I sent her my collected coupons that came with the standard CDs) https://www.discogs.com/label/732399-Bethlehem-Album-Collection-1000 So, I'd say I've got the Bethlehem fetish too Quote
Big Beat Steve Posted May 8, 2023 Report Posted May 8, 2023 17 hours ago, Pim said: Always nice to hear Rouse without Monk (but of course also WITH Monk) Case in point re- my earlier post ... I've got this one on the below Affinity reissue. Can't say it's bad but can't say either that the cover "artwork" is on a level with the original (and it definitely is one of the better Affinity jobs). Quote
colinmce Posted May 8, 2023 Report Posted May 8, 2023 a favorite that I haven't seen mentioned yet is Milt Hinton's East Coast Jazz/5. No. 8 in that series by Hal McKusick is also a classic. Despite all the fine modern and mainstream jazz the label did I still think it's probably safe to say the Chris Connor and Mel Torme albums are the catalogue's crown jewels. I never really did get along very well with the 3 Mingus albums. They're fine but I always find them curiously muted in comparison to his other work in the 50s. Quote
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