fasstrack Posted September 11, 2016 Report Posted September 11, 2016 (edited) I like the places the bridge goes in Visions. I don't know that it modulates exactly, more like it wanders then comes home like the prodigal son. Reminds me of some of Benny Golson's tunes like Along Came Betty or Whisper Not with the half-diminished pivot chords. When I have some energy I'll post the changes. Took it off the other day. Then there is this wonderful surprise at the end of You and I: The tune is in F. When he sings 'You and IIIIII...' that last time he flips very cleverly to the key of Ab. Off the top of my head, away from the guitar: First measure Db Maj7 (3 beats), Db Maj7 C Min7 Bb Min7 (8th note triplets on last beat) 2nd measure: Ab Maj7 (3 beats), Ab Maj7 G Min7 F min7 (8th note triplets, last beat) 3rd measure: Bb/C (2 beats w/ritard starting) C7 (b9? 2 beats w/fermata) // F maj7 Fine Now that I think about it, another nice little deviation---though not a modulation---is in the bridge of If It's Magic: after it goes to Amin for a bit it resolves to E Maj 7 rather than the expected and much more common E7. Little touches like that make him the songwriter he is. Beautiful stuff, and his voice still gives me chills... Edited September 11, 2016 by fasstrack Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.