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Posted

Um, it's my first post on the board, and I know giving a rec for an artist screams PR flak, but I'm really just a listener.

I think you're safe. First off, your name isn't Heather. You're not "just stopping by" to hip us to a "new and exciting artist" that everyone says is the "future of jazz", etc. Those folks we eat with a side of fava beans and a fine Chianti.

Welcome.

Plus, you didn't use the term "jazzy". :ph34r:

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Posted

There's an interview with Adam Klein, President and CEO, eMusic, in the 1/24/11 issue of Financial Times (which, alas, I cannot link to). In the interview, he says eMusic is "pretty close" to an agreement to carry EMI.

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Posted

Finally withdrew after about eight years. Once I figured out how to peel audio off of YouTube videos, I found I no longer had much need or enthusiasm for eMusic. Of course, they're trying to woo me back with great short duration deals, but I'm having none of it and zero withdrawal symptoms. I'm sure I can find someplace else to drop $120 a year in discretionary income without having to look too hard.

Posted

Finally withdrew after about eight years. Once I figured out how to peel audio off of YouTube videos, I found I no longer had much need or enthusiasm for eMusic. Of course, they're trying to woo me back with great short duration deals, but I'm having none of it and zero withdrawal symptoms. I'm sure I can find someplace else to drop $120 a year in discretionary income without having to look too hard.

i guess i'm an idiot for wanting to pay for music

Posted (edited)

They've also added a lot of the Vanguard catalog, also Caroline (Beefheart, etc). Good drop.

Yes, and I'm especially glad to see Bunky Green's Places We've Never Been and the two dates by Dave Burns for download. I wish they were cheaper, but they're $3-4 more everywhere else.

Edited by sonnymax
Posted

Hold onto your hats, they're selling Lee's 3 disk "Live at the Lighthouse" set for $6.49.

Anyone who doesn't already have this, get it..............NOW!

Posted

The UK version of e-music promised us some major labels when they shifted to the US pricing system last Autumn. No sign yet.

Not that I'm complaining - I have no trouble using up my monthy quota with what is there.

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Posted

Bird's Eyes, Volume 11

Charlie Parker

Philology W 622

1. Salt Peanuts (D. Gillespie-K. Clarke) [incomplete] (3:58) *1

2. Scrapple from the Apple (C. Parker) [incomplete] (5:04) *1

3. Out of Nowhere (E. Heyman-J. Green) [incomplete] (4:11) *1

4. Wee (D. Best) [incomplete] [Allen's Alley] (3:57) *1

5. 52nd Street Theme (T. Monk) [incomplete] (3:24) *1

6. Out of Nowhere (E. Heyman-J. Green) (5:27) *1

7. A Night in Tunisia (D. Gillespie-F. Paparelli) (4:16) *1

8. Moose the Mooche (C. Parker) (4:24) *1

9. I Got Rhythm (G. Gershwin-I. Gershwin) [incomplete] (2:55) *1

10. 52nd Street Theme (T. Monk (4:41) *1

11. Hot House (T. Dameron) (5:39) *1

12. Ornithology (C. Parker-B. Harris) [incomplete] (4:20) *2

13. Out of Nowhere (E. Heyman-J. Green) [incomplete] (3:44) *2

14. Cheryl (C. Parker) [incomplete] (2:46) *2

15. 52nd Street Theme (T. Monk) [incomplete] (1:12) *2

16. Lover Man (J. Davis-R. Ramirez-J. Sherman) [incomplete] (4:23) *2

17. Groovin' High (D. Gillespie-F. Paparelli) [incomplete] (4:32) *2

18. Half Nelson (M. Davis) [incomplete] (4:32) *2

19. 52nd Street Theme (T. Monk) [incomplete] (2:55) *2

*1 1949/5/8 Charlie Parker Quintet

Charlie Parker (as) Kenny Dorham (tp) Al Haig (p) Tommy Potter (b) Max Roach (d)

*2 1949/5/12 Charlie Parker Quintet

Charlie Parker (as) Kenny Dorham (tp) Al Haig (p) Tommy Potter (b) Max Roach (d)

Bird's Eyes, Volume 12

Charlie Parker

Philology W 842

1. Farewell Blues (Traditional) [incomplete] (3:47) *1

2. Lady Bird (T. Dameron-N. Heath) (2:42) *5

3. Billie's Bounce (C. Parker) [incomplete] (2:40) *2

4. Cool Blues (C. Parker) [incomplete] (2:56) *2

5. April in Paris (E.Y. Harburg-V. Duke) [incomplete] (1:54) *2

6. Ornithology (C. Parker-B. Harris) [incomplete] - 52nd Street Theme (T. Monk) [fragment] (2:11) *2

7. Caravan (D. Ellington-J. Tizol-I. Mills) [incomplete] (2:20) *2

8. Big Foot (C. Parker) [Drifting on a Reed] (4:43) *2

9. Little Willie Leaps (M. Davis) [incomplete] (7:15) *3

10. All the Things You Are (J. Kern-O. Hammerstein) [incomplete] (6:49) *3

11. Bernie's Tune (B. Miller) [incomplete] (4:33) *3

12. Donna Lee (M. Davis) [incomplete] (4:44) *3

13. Introduction - Out of Nowhere (E. Heyman-J. Green) [incomplete] (3:15) *3

14. Half Nelson (M. Davis) [incomplete] (2:37) *3

15. Fine and Dandy (P. James-K. Swift) [incomplete] (4:37) *3

16. Half Nelson (M. Davis) [incomplete] (2:48) *4

17. Cherokee (R. Noble) [incomplete] (2:09) *4

18. Scrapple from the Apple (C. Parker) [incomplete] (6:09) *4

19. Star Eyes (D. Raye-G. DePaul-P. Johnston) [incomplete] (4:36) *4

*1 1949/5/15 Jam Session

Kenny Dorham (tp) Aime Barelli (tp) Bill Coleman (tp) Oran Page (tp) Miles Davis (tp) Russell Moore (tb) Hubert Rostang (cl) Pierre Braslavsky (ss) Sidney Bechet (ss) Charlie Parker (as) Don Byas (ts) James Moody (ts) Bernard Pfeiffer (p) Hazy Osterwald (vb) Toots Thielemans (g) Tommy Potter (b) Max Roach (d)

*2 1950/1 Charlie Parker Quintet

Charlie Parker (as) Miles Davis (tp) Al Haig (p) Tommy Potter (b) Roy Haynes (d)

*3 1950/6/4 Jam Session

Jon Eardley (tp) Norm Carson (tp) Jimmy Knepper (tb) Charlie Parker (as) Gers Yowell (ts) Bob Newman (ts) John Williams (p) Buddy Jones (b) Frank Isola (d) Phil Brown (d) Buddy Bridgeford (d)

*4 1950/6/4 Jam Session

Jon Nielson (tp) Jimmy Knepper (tb) Charlie Parker (as) Joe Maini (as) Don Lanphere (ts) Al Haig (p) Buddy Jones (b) Frank Isola (d)

*5 1950/11/28 Charlie Parker with the Maurice Moufflard Orchestra

Charlie Parker (as) Roger Guerin (tp) Georges Jouvin (tp) Pierre Fassin (tp) Yves Alouette (tp) Andre Paquinet (tb) Maurice Gladieu (tb) Charles Huss (tb) Robert Merchez (as) Roger Simon (as) Marcel Pomes (ts) Honore Truc (bs) Robert Cambier (p) Henri Karen (b) Pierre Loteguy (d) Maurice Moufflard (arr, cond)

Posted

Recommendations (or otherwise) for one or both of these, please? I'm not a Parker completist, but I have an awful lot and am not averse to new acquisitions if they come recommended. As an emusic subscriber these could be very tempting. In fact, I'm not sure if I've got ANY of this material...

Posted

Get the second one: Bird 1950. It contains all of the so-called "apartment sessions" that feature some of Bird's most amazing playing.

The Paris 1949 is also great music, but rather poor sound quality.

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