Milestones Posted August 27, 2016 Report Posted August 27, 2016 By small I generally mean a string quartet. It's a more feasible thing, since most jazz artists don't have a lot of money to lay out. But I sometimes feel overwhelmed by a string orchestra, or that it leads to an "easy listening" quality. Plus a string quartet is more likely to have the flexibility to improvise. Here are some that come to mind: Max Roach Double Quartet (many sessions) Rhyme & Reason--Ted Nash Paradise--Tom Harrell Andrew Hill--some tracks from Mosaic box Symbols of Light--Greg Osby I'm sure there are more. Quote
fasstrack Posted August 27, 2016 Report Posted August 27, 2016 Jimmy Raney: Suite for Guitar Quintet (Strings & Swings, Muse)... Quote
jazzbo Posted August 27, 2016 Report Posted August 27, 2016 Julian Cannonball Adderley "Jump for Joy" Greg Osby "Symbols of Light" (my favorite Osby) Quote
optatio Posted August 27, 2016 Report Posted August 27, 2016 RIGMOR GUSTAFSSON / RADIO.STRING.QUARTET.VIENNA: CALLING YOU. ACT 9722-2 [2010] Quote
paul secor Posted August 27, 2016 Report Posted August 27, 2016 Lee Konitz: Holiday for Strings (Enja) Quote
brownie Posted August 27, 2016 Report Posted August 27, 2016 Couple favorites not mentioned yet... Art Pepper 'Winter Moon' Hal McKusick 'In a Twentieth Century Drawing Room' Quote
soulpope Posted August 27, 2016 Report Posted August 27, 2016 Slightly off-topic : Recently played the Vlach Quartet's Debussy + Ravel recording for Supraphon from 1963 and these performances transcend with ease the "border" of classical/jazz music .... forth and back .... Quote
Eric Posted August 27, 2016 Report Posted August 27, 2016 (edited) I like this one - cover says orchestra, but I recall the strings to be nimble and complimentary: The relatively new album uses a string quartet on a few tracks - very nice: Edited August 27, 2016 by Eric Quote
soulpope Posted August 27, 2016 Report Posted August 27, 2016 Kronos Quartet "Plays The Music Of Thelonious Monk" .... Quote
Larry Kart Posted August 27, 2016 Report Posted August 27, 2016 http://www.allmusic.com/album/in-a-twentieth-century-drawing-room-mw0000570419 Title makes it sound like pure frou-frou, but it's not. Albam also did that fine Hank Jones with strings album that Mike Weil mentioned above. Quote
Larry Kart Posted August 27, 2016 Report Posted August 27, 2016 4 hours ago, paul secor said: Lee Konitz: Holiday for Strings (Enja) I have some respect for arranger Daniel Schnyder, but my memory of this one is that the strings' rather intrusive, near-soloistic lines kept getting in Lee's way, more or less pushing him into outlining the melodies of the songs rather than embellishing them, which is what the strings were doing. My sense was that Schnyder was trying to do too much; I'd rather hear Lee's ideas than his. Quote
mjzee Posted August 27, 2016 Report Posted August 27, 2016 Included in the Mosaic Select. Wonderful stuff. Quote
duaneiac Posted August 27, 2016 Report Posted August 27, 2016 This is an album I have heard of, but never heard. Any one have thoughts to share about this one? Quote
soulpope Posted August 27, 2016 Report Posted August 27, 2016 Steve Kuhn/Gary McFarland "October Suite" (Impulse) .... Quote
jazztrain Posted August 27, 2016 Report Posted August 27, 2016 Barney Bigard with the Roger Kay Strings (1944, Rex) Artie Shaw Modern Music for Clarinet (Columbia) Bob Wilber with the Bodeswell Strings (Bodeswell) Quote
Eric Posted August 27, 2016 Report Posted August 27, 2016 1 hour ago, soulpope said: Steve Kuhn/Gary McFarland "October Suite" (Impulse) .... yeah, that is a good one ... Quote
A Lark Ascending Posted August 27, 2016 Report Posted August 27, 2016 Inspired partly by a Bartok obsession of King's. Quote
optatio Posted August 27, 2016 Report Posted August 27, 2016 ARTIE SHAW WITH STRINGS. EPIC – LG 3112 [1956] See: https://www.discogs.com/de/Artie-Shaw-Artie-Shaw-With-Strings/release/6833829 Quote
duaneiac Posted August 27, 2016 Report Posted August 27, 2016 And Mr. Vache with a larger sting ensemble: Quote
paul secor Posted August 27, 2016 Report Posted August 27, 2016 4 hours ago, Larry Kart said: I have some respect for arranger Daniel Schnyder, but my memory of this one is that the strings' rather intrusive, near-soloistic lines kept getting in Lee's way, more or less pushing him into outlining the melodies of the songs rather than embellishing them, which is what the strings were doing. My sense was that Schnyder was trying to do too much; I'd rather hear Lee's ideas than his. I guess we'll agree to disagree, Larry. I hear the string arrangements as being somewhat challenging to what Lee is playing, rather than providing the usual sweet backgrounds, and I like the contrast. Hey - different strokes. Nothing wrong with that. Quote
Larry Kart Posted August 27, 2016 Report Posted August 27, 2016 1 hour ago, paul secor said: I guess we'll agree to disagree, Larry. I hear the string arrangements as being somewhat challenging to what Lee is playing, rather than providing the usual sweet backgrounds, and I like the contrast. Hey - different strokes. Nothing wrong with that. Thanks. I think I should listen again. BTW, a sublime record with Lee and a small group of strings is the one he did with Bill Russo "An Image":https://www.amazon.com/Classic-Albums-Konitz-Harvard-Square/dp/B009RQZKTO/ref=sr_1_1?ie=UTF8&qid=1472335151&sr=8-1&keywords=konitz+an+image In fact, that probably is the best soloist with a small string ensemble record I know. Russo also did a nice one with Cannonball playing material from Ellington's "Jump for Joy," but the major Russo composition on "An Image" is a genuinely major composition. Quote
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