JamesAHarrod Posted June 7, 2016 Report Posted June 7, 2016 The latest post to my jazz research blog examines Clifford Brown's arrival in California in 1954 and the genesis of the Max Roach/Clifford Brown Quintet including club dates, concerts, and recording sessions for Gene Norman, Bob Shad, and Dick Bock. Nailed down many dates that have floated for years in the discography literature. http://jazzwestcoastresearch.blogspot.com/2016/06/clifford-brown-in-california-gene.html Quote
Chuck Nessa Posted June 7, 2016 Report Posted June 7, 2016 (edited) Many thanks for all your work. Delighted by the Bobby Bradford interview - I can hear his voice as I read it. Edited June 7, 2016 by Chuck Nessa Quote
JamesAHarrod Posted June 8, 2016 Author Report Posted June 8, 2016 (edited) Transcribing Bobby Bradford's comments could not do justice to his oral description of that experience hearing Clifford Brown. It was also difficult to put into words his vocalization of Max's drumming, or the growl he emitted to describe Clifford's attack on the trumpet. Thanks for your kind words. Edited June 8, 2016 by JamesAHarrod Added a few words. Quote
Chuck Nessa Posted June 8, 2016 Report Posted June 8, 2016 I am so glad I have a long relationship with Bobby - he is a treasure. Quote
l p Posted June 8, 2016 Report Posted June 8, 2016 philology released a cd of outtakes from the session w/Dinah Washington a few years ago. Quote
chewy-chew-chew-bean-benitez Posted June 8, 2016 Report Posted June 8, 2016 incredible blog- so much to discover Quote
JSngry Posted June 8, 2016 Report Posted June 8, 2016 Yes, kudos seconded here as well, marvelous resource for both targeted education and casual perusing. Why was Shelly Manne so unavailable that Max got a steady gig out of it? Quote
JamesAHarrod Posted June 9, 2016 Author Report Posted June 9, 2016 Taking a stab at answering your question, the jam session in September of 1953 that was recorded by Cecil Spiller and released years later when Ed Michel was working at Fantasy marked a turnover in personnel at the Lighthouse. Shorty Rogers, Jimmy Giuffre, and Shelly Manne departed. My guess is that Shelly was not interested in a regular job that required a long commute from his home in Northridge. At that point in time and for many years, Shelly was THE drummer in demand in Los Angeles. Like his days "chopping wood" for Kenton, keeping time behind Howard Rumsey was a chore. I have made some additions and corrections to the blog. After adding details from the GNP compact disc reissues I realized that I should do the same for the EmArcy sessions. Quote
JSngry Posted June 9, 2016 Report Posted June 9, 2016 Interesting, thanks. Do you know if Shelly himself suggested Max for the gig or otherwise advocated for him specifically? Quote
JamesAHarrod Posted June 9, 2016 Author Report Posted June 9, 2016 The person who might have the answer to that is Ken Poston who interviewed Howard numerous times over several years. I will drop Ken an email and ask if he knows the background on Max's appointment. Quote
JamesAHarrod Posted June 10, 2016 Author Report Posted June 10, 2016 Ken's recollection is that Shelly Manne suggested Max Roach. Quote
JSngry Posted June 10, 2016 Report Posted June 10, 2016 Shelly keeping it real, not that there would not have been other good choices, but Max...you know. Good to know, thanks. Quote
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