JSngry Posted May 17, 2016 Report Posted May 17, 2016 I also look at his evolution in terms of geography and lifestyle, like once he moved east and settled into that lifestyle and didn't really need to leave toen, so to speak, his playing got more "hardcore" as would be proper, big areas in little spaces, that's what's there, so do that. Or maybe it was just a Blue Note thing, the settings he was afforded. Lord knows, the Time record with Max, everybody remarks how beboppy that one is, unlike the other BN sides, but why was that? Maybe he was clean for a second, maybe Max was vibing him, maybe Albert Lion was not having expectations, who knows. All i know is that when i first heard earlier Sonny Clark, with DeFranco, uh...There was another guy named Sonny Clark, right? Quote
robertoart Posted May 18, 2016 Report Posted May 18, 2016 Blessed are the ubiquitipocket compers On 5/17/2016 at 10:53 PM, fasstrack said: he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... he was adaptable as an accompanist, too. he recorded nicely with jimmy raney, and adapted to his much gentler approach to swinging. i feel one real crucible for accompaniment is one's work with singers, especially getting down to brass tacks in a duo setting. there's nowhere to hide there, and you can hear a superior accompanist set up tempos and renditions with intros, anticipate, answer when the singer stops, 'hear around the corner', and bring the singer out generally. i never heard sonny clark with a singer. that would be interesting as hell... Expand You've still got that dumb phone. Quote
fasstrack Posted May 18, 2016 Author Report Posted May 18, 2016 (edited) yup... Edited May 18, 2016 by fasstrack Quote
fasstrack Posted May 18, 2016 Author Report Posted May 18, 2016 On 5/18/2016 at 1:50 AM, robertoart said: Blessed are the ubiquitipocket compers You've still got that dumb phone. Expand It's a 'stupidphone'. What do you expect for $30? On 5/16/2016 at 6:44 AM, BillF said: I guess multiples are in. Expand I'm honored that you would go to such lengths . BTW, I just noticed that every soup is different. A bit slow on the uptake... Quote
fasstrack Posted May 18, 2016 Author Report Posted May 18, 2016 On 5/16/2016 at 6:44 AM, BillF said: I guess multiples are in. Expand I'm honored that you would go to such lengths . BTW, I just noticed that every soup is different. A bit slow on the uptake... This is the correct cover for Jimmy Raney, Sonny Clark: Together, BTW: https://www.google.com/search?q=jimmy+raney+sonny+clark+together&biw=1280&bih=702&source=lnms&tbm=isch&sa=X&ved=0ahUKEwiDtpbHgeTMAhUMcz4KHfLnCt4Q_AUIBygC#imgrc=Q2wPvLdGY3aZ4M%3A Quote
BillF Posted May 18, 2016 Report Posted May 18, 2016 On 5/18/2016 at 3:26 PM, fasstrack said: BTW, I just noticed that every soup is different. A bit slow on the uptake... Expand I blame Andy Warhol. Quote
fasstrack Posted May 18, 2016 Author Report Posted May 18, 2016 On 5/18/2016 at 3:44 PM, BillF said: I blame Andy Warhol. Expand This is the correct cover for Jimmy Raney, Sonny Clark: Together, BTW: https://www.google.com/search?q=jimmy+raney+sonny+clark+together&biw=1280&bih=702&source=lnms&tbm=isch&sa=X&ved=0ahUKEwiDtpbHgeTMAhUMcz4KHfLnCt4Q_AUIBygC#imgrc=Q2wPvLdGY3aZ4M%3A I hope he got some nice under-the-table green from Campbell's... Quote
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