soulpope Posted June 13 Report Posted June 13 18 minutes ago, mikeweil said: The playing would get 8 out of ten points from me. I think the singers overdo it a little bit. Only if you are deeply into 17th century Roman baroque. Stradella e.g. is the more compelling composer. Thnx .... as this is a budget release will give it a try .... Quote
HutchFan Posted June 13 Report Posted June 13 9 hours ago, soulpope said: Wunderlich singt wunderbar 😇 .... Ja sicher! Quote
soulpope Posted June 13 Report Posted June 13 3 minutes ago, HutchFan said: Ja sicher! 😃😇😃 .... Quote
Ron S Posted June 13 Report Posted June 13 Schumann, Piano Quintet / Piano Quartet / Piano Trios Nos. 1-3 Beaux Arts Trio, Samuel Rhodes (viola, Quintet and Quartet), Dolf Bettelheim (violin, Quintet) (Philips) Quote
HutchFan Posted June 14 Report Posted June 14 Roussel: Symphonies Nos. 3 & 4 / Münch, Orchestre de l'Association des Concerts Lamoureux (Erato) Quote
Chuck Nessa Posted June 14 Report Posted June 14 14 minutes ago, HutchFan said: Roussel: Symphonies Nos. 3 & 4 / Münch, Orchestre de l'Association des Concerts Lamoureux (Erato) A favorite since the '70s. Quote
HutchFan Posted June 14 Report Posted June 14 (edited) Now listening to this opera: Prokofiev: War and Peace / Melik-Pashayev, Kibkalo, Vishnevskaya, Petrov, et al (Melodiya, rec. 1959) Years ago, after buying it used, I discovered that the first CD in this set is defective. So today I began with Scene 8 -- the first of the "war scenes" that make up the second half of the opera -- on disc 2. 48 minutes ago, Chuck Nessa said: A favorite since the '70s. Yes, both Münch and Roussel are terrific. Edited June 14 by HutchFan Quote
Ron S Posted June 14 Report Posted June 14 Now making my way through this box: Beethoven, The Complete String Quartets Alban Berg Quartett (Warner/EMI) Quote
HutchFan Posted June 14 Report Posted June 14 I'm listening to a couple different interpretations of Brahms' Ballades, Op. 10: and It's probably unfair to compare Peter Rösel with Emil Gilels. (It's probably unfair to compare any pianist with Gilels. ) But Rösel holds his own. He doesn't quite plumb the depths that Gilels does. Rösel's reading is much more "middle of the road"; even so, it's still very impressive. Gilels, on the other hand, is much more mercurial. His recording modulates outward and inward by turns, sometimes imperious & extroverted and other times intensely lyrical & inner-focused. Maybe I'll listen to Michelangeli and Rubinstein next. Quote
soulpope Posted June 14 Report Posted June 14 12 minutes ago, HutchFan said: I'm listening to a couple different interpretations of Brahms' Ballades, Op. 10: and It's probably unfair to compare Peter Rösel with Emil Gilels. (It's probably unfair to compare any pianist with Gilels. ) But Rösel holds his own. He doesn't quite plumb the depths that Gilels does. Rösel's reading is much more "middle of the road"; even so, it's still very impressive. Gilels, on the other hand, is much more mercurial. His recording modulates outward and inward by turns, sometimes imperious & extroverted and other times intensely lyrical & inner-focused. Maybe I'll listen to Michelangeli and Rubinstein next. Rösel has consistently a level-headed approach, which works fine with Brahms .... Gilels a magician off course .... Quote
HutchFan Posted June 14 Report Posted June 14 (edited) Continuing with my little exploration of Brahms' Op. 10: and 38 minutes ago, soulpope said: Rösel has consistently a level-headed approach, which works fine with Brahms .... Yes. "Level-headed" is a good description. It's very effective indeed. Edited June 14 by HutchFan Quote
Peter Friedman Posted June 14 Report Posted June 14 Mozart - Horn Concerto K.407 (Barry Tuckwell) Mozart - Piano Quartet No.2, K.493 (John Browning) Quote
mjzee Posted June 15 Report Posted June 15 Kurt Masur - The Complete Warner Classics Edition, disc 59. Quote
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