soulpope Posted February 27, 2018 Report Share Posted February 27, 2018 Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted February 27, 2018 Report Share Posted February 27, 2018 Quote Link to comment Share on other sites More sharing options...
Olie Brice Posted February 27, 2018 Report Share Posted February 27, 2018 (edited) Got hold of a copy of this - stunning versions of two of my favourite quartets  On 05/02/2018 at 1:44 PM, Alexander Hawkins said:   Edited February 27, 2018 by Olie Brice Quote Link to comment Share on other sites More sharing options...
soulpope Posted February 27, 2018 Report Share Posted February 27, 2018 3 hours ago, Olie Brice said: Got hold of a copy of this - stunning versions of two of my favourite quartets   and more !!! Quote Link to comment Share on other sites More sharing options...
soulpope Posted February 27, 2018 Report Share Posted February 27, 2018 As good as it gets .... Quote Link to comment Share on other sites More sharing options...
Larry Kart Posted February 27, 2018 Report Share Posted February 27, 2018 Unhappy with every Mahler 8th recording I’ve heard -- Horenstein would have been ideal, but the sound isn’t what it needs to be for these vast forces, and the celebrated in many quarters Solti/CSO is interpretatively brutal — I was prompted by this review: http://ionarts.blogspot.com/2006/07/alles-vergngliche-ozawas-mahler-eighth.html to try the unlikely (so I thought) Ozawa/BSO recording. Bingo!  Quote Link to comment Share on other sites More sharing options...
Chuck Nessa Posted February 27, 2018 Report Share Posted February 27, 2018 8 minutes ago, Larry Kart said: Unhappy with every Mahler 8th recording I’ve heard -- Horenstein would have been ideal, but the sound isn’t what it needs to be for these vast forces, and the celebrated in many quarters Solti/CSO is interpretatively brutal — I was prompted by this review: http://ionarts.blogspot.com/2006/07/alles-vergngliche-ozawas-mahler-eighth.html to try the unlikely (so I thought) Ozawa/BSO recording. Bingo!  My brain fills in the Horenstein recording as it does for King Oliver, etc. I will not search further. Quote Link to comment Share on other sites More sharing options...
soulpope Posted February 27, 2018 Report Share Posted February 27, 2018 In case being again in mood for searching .... Quote Link to comment Share on other sites More sharing options...
Larry Kart Posted February 27, 2018 Report Share Posted February 27, 2018 8 minutes ago, Chuck Nessa said: My brain fills in the Horenstein recording as it does for King Oliver, etc. I will not search further. My brain fills in for me too with JH, but at times I want to hear more, and the Ozawa is remarkable in its own right. Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted February 28, 2018 Report Share Posted February 28, 2018 Quote Link to comment Share on other sites More sharing options...
soulpope Posted February 28, 2018 Report Share Posted February 28, 2018 Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted February 28, 2018 Report Share Posted February 28, 2018 Ronan O'Hora - Piano Quote Link to comment Share on other sites More sharing options...
Balladeer Posted February 28, 2018 Report Share Posted February 28, 2018 Andreas Weller /tenor & Götz Payer/pn - Max Reger "Blick in die Lieder" (Carus) Quote Link to comment Share on other sites More sharing options...
soulpope Posted February 28, 2018 Report Share Posted February 28, 2018 Quote Link to comment Share on other sites More sharing options...
mandrill Posted March 1, 2018 Report Share Posted March 1, 2018 Quote Link to comment Share on other sites More sharing options...
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Peter Friedman Posted March 1, 2018 Report Share Posted March 1, 2018 Quote Link to comment Share on other sites More sharing options...
HutchFan Posted March 1, 2018 Report Share Posted March 1, 2018 (edited) On 2/27/2018 at 6:04 PM, Larry Kart said: Unhappy with every Mahler 8th recording I’ve heard -- Horenstein would have been ideal, but the sound isn’t what it needs to be for these vast forces, and the celebrated in many quarters Solti/CSO is interpretatively brutal — I was prompted by this review: http://ionarts.blogspot.com/2006/07/alles-vergngliche-ozawas-mahler-eighth.html to try the unlikely (so I thought) Ozawa/BSO recording. Bingo!  This is also my favorite M8 -- by a considerable margin.   It's so much more subtle than other versions. You can hear continuity with the transparent textures that reappear in Das Lied von der Erde. I never heard the connection between these works so clearly until I heard Ozawa's recording.   NP: Tchaikovsky: Symphony No. 4, etc. / Ormandy, Philadelphia O (Sony) IMO, the plush, luxuriant sound that Ormandy favors is a perfect match for this music.  Edited March 1, 2018 by HutchFan Quote Link to comment Share on other sites More sharing options...
soulpope Posted March 1, 2018 Report Share Posted March 1, 2018 Quote Link to comment Share on other sites More sharing options...
Larry Kart Posted March 1, 2018 Report Share Posted March 1, 2018 1 hour ago, HutchFan said: This is also my favorite M8 -- by a considerable margin.   It's so much more subtle than other versions. You can hear continuity with the transparent textures that reappear in Das Lied von der Erde. I never heard the connection between these works so clearly until I heard Ozawa's recording.   NP: Tchaikovsky: Symphony No. 4, etc. / Ormandy, Philadelphia O (Sony) IMO, the plush, luxuriant sound that Ormandy favors is a perfect match for this music.  Speaking of Das Leid -- I just listened for the first time to the Bruno Walter/N.Y. Phil/Ernst Hafliger/Mildred Miller recording. Hafliger in the first movement is terrific -- yes. there's Wunderlich with Klemperer, but Hafliger seems to me to get right "in there" emotionally, while Fritz is more about his gorgeous soaring voice. Quote Link to comment Share on other sites More sharing options...
HutchFan Posted March 1, 2018 Report Share Posted March 1, 2018 47 minutes ago, Larry Kart said: Speaking of Das Leid -- I just listened for the first time to the Bruno Walter/N.Y. Phil/Ernst Hafliger/Mildred Miller recording. Hafliger in the first movement is terrific -- yes. there's Wunderlich with Klemperer, but Hafliger seems to me to get right "in there" emotionally, while Fritz is more about his gorgeous soaring voice. Oh yes. I like that one too. Walter's DLvdE with Ferrier is the recording that most folks rave about, but I actually like the Hafliger/Miller version just as much. That said, Kubelik's live recording with Janet Baker and Waldemar Kmentt is my "desert-island" choice.  For whatever reason, Klemperer's Mahler -- including the Wunderlich/Ludwig DLvdE that you mention -- has never really grabbed me. I like Klemps in other repertoire, but not so much in Mahler. Quote Link to comment Share on other sites More sharing options...
soulpope Posted March 1, 2018 Report Share Posted March 1, 2018 6 minutes ago, HutchFan said: That said, Kubelik's live recording with Janet Baker and Waldemar Kmentt is my "desert-island" choice.   Second to none .... Quote Link to comment Share on other sites More sharing options...
soulpope Posted March 1, 2018 Report Share Posted March 1, 2018 Quote Link to comment Share on other sites More sharing options...
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Peter Friedman Posted March 1, 2018 Report Share Posted March 1, 2018 Quote Link to comment Share on other sites More sharing options...
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