Peter Friedman Posted January 14, 2017 Report Share Posted January 14, 2017 Quote Link to comment Share on other sites More sharing options...
StarThrower Posted January 14, 2017 Author Report Share Posted January 14, 2017 Quote Link to comment Share on other sites More sharing options...
T.D. Posted January 15, 2017 Report Share Posted January 15, 2017 Quote Link to comment Share on other sites More sharing options...
soulpope Posted January 15, 2017 Report Share Posted January 15, 2017 Quote Link to comment Share on other sites More sharing options...
soulpope Posted January 15, 2017 Report Share Posted January 15, 2017 In general not being a dedicated follower of Mr. Görne, but his teaming up with Elisabeth Leonskaja makes things happen .... Quote Link to comment Share on other sites More sharing options...
alankin Posted January 15, 2017 Report Share Posted January 15, 2017 Felix Mendelssohn – Symphony No.4 in A major Op.90 "Italian" – A Midsummer Night's Dream Overture in E major Op.21 – A Midsummer Night's Dream Schauspielmusik Op.61/1 Scherzo - Allegro vivace – A Midsummer Night's Dream Schauspielmusik Op.61/2 L'istesso tempo: 'He Geist! Wo geht die R – A Midsummer Night's Dream Schauspielmusik Op.61: Elfenmarsch - Allegro vivace - 'Schlimm treffen – A Midsummer Night's Dream Schauspielmusik Op.61/3 Lied mit Chor - Allegro ma non troppo - 'K – A Midsummer Night's Dream Schauspielmusik Op.61/4 Andante: 'Was du wirst erwachend sehn' – A Midsummer Night's Dream Schauspielmusik Op.61/5 Intermezzo - Allegro appassionato - 'Stets – A Midsummer Night's Dream Schauspielmusik Op.61/7 Notturno - Con moto tranquillo – A Midsummer Night's Dream Schauspielmusik Op.61/8 Andante: 'Nun da der Knabe mein ist' – A Midsummer Night's Dream Schauspielmusik Op.61/9 Hochzeitsmarsch - Allegro vivace - 'Jetzt – A Midsummer Night's Dream Schauspielmusik Op.61: Finale - Allegro di molto - 'Bei des Feuers matt –– Barbara Sukowa, speaker; Sylvia McNair, soprano (Fairy 1); Angelika Kirchschlager, mezzosoprano (Fairy 2) – Women of The Ernst Senff Chorus Berliner Philharmoniker – Claudio Abbado (Sony Classical)  Quote Link to comment Share on other sites More sharing options...
StarThrower Posted January 15, 2017 Author Report Share Posted January 15, 2017 Quote Link to comment Share on other sites More sharing options...
soulpope Posted January 15, 2017 Report Share Posted January 15, 2017 2 hours ago, alankin said: Felix Mendelssohn – Symphony No.4 in A major Op.90 "Italian" – A Midsummer Night's Dream Overture in E major Op.21 – A Midsummer Night's Dream Schauspielmusik Op.61/1 Scherzo - Allegro vivace – A Midsummer Night's Dream Schauspielmusik Op.61/2 L'istesso tempo: 'He Geist! Wo geht die R – A Midsummer Night's Dream Schauspielmusik Op.61: Elfenmarsch - Allegro vivace - 'Schlimm treffen – A Midsummer Night's Dream Schauspielmusik Op.61/3 Lied mit Chor - Allegro ma non troppo - 'K – A Midsummer Night's Dream Schauspielmusik Op.61/4 Andante: 'Was du wirst erwachend sehn' – A Midsummer Night's Dream Schauspielmusik Op.61/5 Intermezzo - Allegro appassionato - 'Stets – A Midsummer Night's Dream Schauspielmusik Op.61/7 Notturno - Con moto tranquillo – A Midsummer Night's Dream Schauspielmusik Op.61/8 Andante: 'Nun da der Knabe mein ist' – A Midsummer Night's Dream Schauspielmusik Op.61/9 Hochzeitsmarsch - Allegro vivace - 'Jetzt – A Midsummer Night's Dream Schauspielmusik Op.61: Finale - Allegro di molto - 'Bei des Feuers matt –– Barbara Sukowa, speaker; Sylvia McNair, soprano (Fairy 1); Angelika Kirchschlager, mezzosoprano (Fairy 2) – Women of The Ernst Senff Chorus Berliner Philharmoniker – Claudio Abbado (Sony Classical)  Excellent .... Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted January 15, 2017 Report Share Posted January 15, 2017 Piano Concerto No.6 K.238 and No.13, K.415 Quote Link to comment Share on other sites More sharing options...
StarThrower Posted January 15, 2017 Author Report Share Posted January 15, 2017 Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted January 15, 2017 Report Share Posted January 15, 2017 Beethoven - String Quartet Op.74 "Harp" Dvorak - String Quartet No.5 Quote Link to comment Share on other sites More sharing options...
soulpope Posted January 15, 2017 Report Share Posted January 15, 2017 Quote Link to comment Share on other sites More sharing options...
soulpope Posted January 16, 2017 Report Share Posted January 16, 2017 Quote Link to comment Share on other sites More sharing options...
alankin Posted January 16, 2017 Report Share Posted January 16, 2017 Now playing, CD 27: Manuel Ponce – Variations and Fugue on 'La Folia' – Preludio, Balletto – 3 Canciones populares mexicanas (The Bird Seller, For you my heart, La Valentina) – Marchita el Alma (Faded the soul) – Hace Ocho Meses (Eight Months Ago) – Yo Adoro a Mi Madre (I love my mother) — John Williams (guitar) (CBS Masterworks / Sony Classical)   Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted January 16, 2017 Report Share Posted January 16, 2017 Piano Sonata D.459 Beethoven -Triple Concerto - Oistrakh / Rostropovich / Richter Quote Link to comment Share on other sites More sharing options...
Larry Kart Posted January 16, 2017 Report Share Posted January 16, 2017 Anneliese Rothenberger/Andre Previn, Strauss, Four Last Songs Best I've ever heard, and I've heard many. Rothenberger is just "there" -- so much so, and without unneeded spin, that one hardly needs to look at the translations to grasp what the poems say. By comparison the supposedly classic  Schwarzkopf-Szell sounds coy and mewling, a whole lot of spin. And Betty fudges a good many top notes while Rothenberger just soars. Sound is a bit edgy, though. Quote Link to comment Share on other sites More sharing options...
soulpope Posted January 16, 2017 Report Share Posted January 16, 2017 1 hour ago, Larry Kart said: Anneliese Rothenberger/Andre Previn, Strauss, Four Last Songs Best I've ever heard, and I've heard many. Rothenberger is just "there" -- so much so, and without unneeded spin, that one hardly needs to look at the translations to grasp what the poems say. By comparison the supposedly classic  Schwarzkopf-Szell sounds coy and mewling, a whole lot of spin. And Betty fudges a good many top notes while Rothenberger just soars. Sound is a bit edgy, though. I`m partial to this one .... : Quote Link to comment Share on other sites More sharing options...
soulpope Posted January 16, 2017 Report Share Posted January 16, 2017 Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted January 16, 2017 Report Share Posted January 16, 2017 Quote Link to comment Share on other sites More sharing options...
mikeweil Posted January 16, 2017 Report Share Posted January 16, 2017 Â Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted January 16, 2017 Report Share Posted January 16, 2017 Quote Link to comment Share on other sites More sharing options...
T.D. Posted January 17, 2017 Report Share Posted January 17, 2017 "...den 24.xii. 1931" "Garbled news for baritone and instruments" is my favorite Kagel piece. Quote Link to comment Share on other sites More sharing options...
soulpope Posted January 17, 2017 Report Share Posted January 17, 2017 Quote Link to comment Share on other sites More sharing options...
soulpope Posted January 17, 2017 Report Share Posted January 17, 2017 Quote Link to comment Share on other sites More sharing options...
soulpope Posted January 17, 2017 Report Share Posted January 17, 2017 Quote Link to comment Share on other sites More sharing options...
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