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Posted

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From the Boulez Complete Erato box. First listen to Franco Donatoni (1927-2000).

Tema, and Cadeau are instrumental works for chamber ensembles of 11 & 12

instruments. Sounds atonal, but fairly colorful music for strings, brass, winds

and percussion. May appeal to fans of Carter and Boulez.

Posted (edited)

Schnittke: Symphonies Nos. 6 and 7Barcarolle - Favourite Opera Intermezzi

Thank you, Soulpope, for alerting me to that last one. Reminded me very much of my Dad. Amazed at how well I knew these pieces even though I could only put a name to the Puccini ones. Though they missed a trick in not going for the vocal version of "Hello Muddah, Hello Fadduh". I compensated. 

Edited by A Lark Ascending
Posted (edited)

Mozart -- Cosi fan Tutte (Decca)

Sir Colin Davis, Orchestra and Chorus of the Royal Opera House, Covent Garden

Montserrat Caballe, Janet Baker, Wladimiro Ganzarolli, Nicolai Gedda, Ileana Cotrubas, Richard van Allan

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In a moment of unabashed gluttony some time ago, I scooped up this complete Decca set. Not quite "complete," actually, judging by the rather enthusiastic first review at amazon. Missing three early operas written when WAM was a wee lad. Nonetheless, more music in one fell swoop than one can reasonably justify, so I won't try. Finally getting around to it. No libretto in this, just a booklet with the basics. 

 

Edited by papsrus
Posted

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I don't think Berkeley had much time for the 'pastoral' side of early 20thC English music - he generally seems to have more in common with inter-war French composers. But this still sounds wonderfully evocative of the open air.

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Posted (edited)

Toru Takemitsu 
– Asterism for Piano and Orchestra — Yuji Takahashi (piano)
– Requiem for String Orchestra
– Green (November Steps II, for Orchestra)
– The Dorian Horizon for 17 String
Toronto Symphony – Seiji Ozawa (RCA Red Seal / Sony Classical)

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Edited by alankin
Posted

Bruckner, Symphony No. 7

Bernard Haitink, Royal Concertgebouw Orchestra (Decca)

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When I first mentioned to my dad, maybe last year about this time, that I was getting into Bruckner (one of his Big Three) in kind of a big way via Celibidache, he simply looked at me wide-eyed, held up seven fingers and said, "It'll blow your mind." ... :g  

He pressed this into my hand last Saturday after I'd given him a mid-60s live recording of No. 7 by Kurt Masur and the Berliner Staatskapelle Orchestra. So we're passing Bruckners back and forth these days. 

 

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