A Lark Ascending Posted November 6, 2015 Report Posted November 6, 2015 Hipster vocalese falls into the same category as British singers singing in American accents (or Brazilian singers singing in heavily accented English...its the vowels!). Irritates me no end to start with...but after a few listens I learn to ignore the affectations (if I didn't there'd be an awful lot of unplayed British singers!). I actually like Kurt Elling - didn't at first but a chance hearing of a song a few years back got me listening. The first play of any album can provoke lemon-eating expressions on my face but after that I get to enjoy them. I've never been able to connect to Murphy, however. Have to give him another try. Like a lot of people of my age 'Twisted' was my first conscious experience of vocalese via Joni Mitchell. Quote
BillF Posted November 6, 2015 Report Posted November 6, 2015 (edited) Ah yes, "Twisted"! https://www.youtube.com/watch?v=I0fC7ERntuo Edited November 6, 2015 by BillF Quote
fasstrack Posted November 6, 2015 Author Report Posted November 6, 2015 The local jazz station, WBGO, is partial to vocalese. Last night they played Manhattan Transfer's Joyspring. Very accomplished, but I didn't connect with it. The lyrics to Brownie's solo were flying by fast and furious and I couldn't make them out. I appreciate the technique, though. 5 hours ago, A Lark Ascending said: I've never been able to connect to Murphy, however. Have to give him another try. Try him on ballads. You won't be sorry. Quote
JSngry Posted November 6, 2015 Report Posted November 6, 2015 We sing a spring (Sing joy spring) A rare and most mysterious spring (This most occult thing) Is buried deep in the soul (It's story never has been told) The joy spring, the fountain of pleasure Is deep inside you whether you're diggin' it or not Once you're aware of this spring You'll know that it's the greatest Treasure you've got And furthermore The joy spring, the bounteous treasure Cannot be bartered away and never Can be sold Nothing can take it from you It's yours and yours alone to have And to hold And something more: It never is lost to fire or theft It's always around When trouble is gone the pleasure Is left I've always found It's burglar-proof same as the treasure Man lays up in heaven worth a Price no one can measure that says a lot So joy spring this fountain of pleasure That's deep inside you let me inform You in all truth *(to Coda second time) Ponce de Leon sought this When he was searchin' for the fountain of youth Ol' Ponce de Leon laughed so much he Never did find the magic fountain But many people with a well-adjusted Spirit they could hear it when y'told 'em it was there tellin' them was Like tellin' it on the mountain It's quite a life havin' the gift of laughter I'm a man who knows in a minute I can tell y'just exactly how the story goes It involves a firm conviction in another previous life givin' your mind a chance to fly Fly aroun' the universe investigatin' other galaxies n' certain other subtle types o'life tryin' t'dig it gettin' pretty well-acquainted with a lot of other strife an' pretty much acquirin' yourself plenty of education pretty soon here comes earth birth 'n then y'ready t'put it all t'work but soon as you're finished bein' born you start forgettin' what you knew 'Cause you're another kinda you - a reincarnation manifestation of spirit in sensation Y'really got that right The average person isn't bright not so bright that they recall the fatal fall down here t' this earth their minds disguise their death to spirit life and call it birth that's their reason for forgetting and they find it very upsetting when reminded tell 'em they've lived before They'll show y' the nearest open door Gotta have feelin' while dealin' with walkers in their sleep they can't imagine somethin' as deep Here they come - here they come - there they are Unimaginative and ignorant of falling from a star Here they come - there they are - there they go Life is over in a minute an' they never dug it in it or enjoy a minute of it 'cause they put too much above it that was gross somethin' that was worth a couple bucks at mos' So there is the reason that the maker of man included there in his plan A certain fountain deep within' where there was laughter, youth 'n gold for human beings t'have 'n hold 'n share the memory of where we've all been Brothers called Grimm knew chances were slim' Anybody would dig that the human soul was Snow White and the Seven Dwarfs were seven tempers in man whose digging out the gold completes the plan An Bacon was hip that Shakespeare couldn't read and so he gave him all the rhymes that have lasted through the years and kept eternal truths alive through several centuries That's how we know them now they lasted 'cause they're true What was it from "MacBeth?" "Life's but a walking shadow a player poor that struts and frets upon the stage and's seen no more A tale that truly has an idiotic ring That's full of lotsa sound and fury signifying nothing..." That's right signifying nothing I'll repeat it! Nothing Don't forget it - Nothing And that's the reason for that spring of joy That the Father put inside of every single girl and boy Show time! Everyone's on let's hit the stage It's show time everyone an' proceed to act your age Whatever you're frownin' at is funny enough f'laughin' so you're wastin' all your humor on a frown While you're bringin' your spirit down You gotta book yourself a comic in your act without some laughter life's a maudlin farce 'n that's a fact Once you know about the spring you always can smile It becomes your one expression and you're always wearin' it like the Buddhas do Ponce de Leon sought this When he was searchin' for the fountain of youth I say in truth he sought a magical thing For he was searchin' for the joy spring Quote
JSngry Posted November 6, 2015 Report Posted November 6, 2015 Might be best heard on the original LH&R version, done for Pacific Jazz and not widely restored to circulation, as far as I can tell. Quote
fasstrack Posted November 6, 2015 Author Report Posted November 6, 2015 1 minute ago, JSngry said: Might be best heard on the original LH&R version, done for Pacific Jazz and not widely restored to circulation, as far as I can tell. Manhattan Transfer's was a cover? Quote
BFrank Posted November 6, 2015 Report Posted November 6, 2015 https://www.youtube.com/watch?v=khyNZ2VVpF8 Quote
fasstrack Posted November 6, 2015 Author Report Posted November 6, 2015 I swear, you guys are gonna make a convert of me........ Quote
bichos Posted November 6, 2015 Report Posted November 6, 2015 just came across of this and i think it´s wonderful: Keep boppin´ marcel Quote
BillF Posted November 6, 2015 Report Posted November 6, 2015 https://www.youtube.com/watch?v=zjsoQ-xw3oc Quote
bichos Posted November 6, 2015 Report Posted November 6, 2015 (edited) not possible to see it in Germany because of Copyright. or something like that...... Keep boppin´ marcel Edited November 6, 2015 by bichos picture too big Quote
fasstrack Posted November 6, 2015 Author Report Posted November 6, 2015 (edited) 1 hour ago, bichos said: just came across of this and i think it´s wonderful: Keep boppin´ marcel He's great. I sat in with him once at Iridium and he performed that lyric to Yardbird Suite. I think he did some of his school series too that day. Edited November 6, 2015 by fasstrack Quote
jeffcrom Posted November 6, 2015 Report Posted November 6, 2015 I don't have a dog in this hunt, but I get tickled every time I see the title of this thread. It sounds like a chapter title in a 19th-century music appreciation book. Quote
JSngry Posted November 7, 2015 Report Posted November 7, 2015 9 hours ago, fasstrack said: 9 hours ago, fasstrack said: Manhattan Transfer's was a cover? 20 years ago, it was reissued on CD, survivors available quite cheaply, apparently: http://www.amazon.com/gp/offer-listing/B000008BJN/ref=tmm_acd_used_olp_sr?ie=UTF8&condition=used&qid=1446865819&sr=8-1 This predates the Columbia albums, I think. Quote
mikeweil Posted November 7, 2015 Report Posted November 7, 2015 5 hours ago, JSngry said: This predates the Columbia albums, I think. Yes it does - as do the Sing a Song of Basie and Sing Along With Basie LPs. There also was a single on United Artists that Michael Cuscuna unfortunately overlooked when he produced the Pacific Jazz reissue, Doodlin' c/w The Spirit Feel, that can be heard on a compilation on the él / Cherry Red label - a nice introductoray overview, fwiw, including some other rare early vocalese stuff: Quote
BillF Posted November 7, 2015 Report Posted November 7, 2015 12 minutes ago, mikeweil said: Yes it does - as do the Sing a Song of Basie and Sing Along With Basie LPs. There also was a single on United Artists that Michael Cuscuna unfortunately overlooked when he produced the Pacific Jazz reissue, Doodlin' c/w The Spirit Feel, that can be heard on a compilation on the él / Cherry Red label - a nice introductoray overview, fwiw, including some other rare early vocalese stuff: Improvisations for the Human Voice is a great little collection, despite its title! Quote
Brad Posted November 7, 2015 Report Posted November 7, 2015 21 hours ago, bichos said: just came across of this and i think it´s wonderful: Keep boppin´ marcel This is a very good version. Hadn't heard it before. Good as the Eddie Jefferson one. Quote
johnblitweiler Posted November 7, 2015 Report Posted November 7, 2015 My favorite (Annie Ross on "Jackie," one of Wardell Gray's totally perfect tenor solos): I sat / one night / right / in the middle of a glass of coca-cola And thought how / I'd now / go for / some biscuits and a slice of gorgonzola When I felt / a twitch / which / seemed to come from something under my ear I wondered if / I was high / or / if it was merely a hallucination I turned round / and found / something I thought was my imagination On my blouse / a mouse / sat / and this is what he started to say: If you want to hear the story of a mouse in all its glory, let me tell you 'bout the time that I was giggin' with a band And all the cats thought that I was really the end They'd come around and listen to the sound that was Coming from a crazy little creature who was sitting on the bandstand, and that was me-ee etc. Quote
AllenLowe Posted November 8, 2015 Report Posted November 8, 2015 (edited) just to note, though it doesn't seem to be mentioned as much as the other, the LHR Sing a Song Basie on Roulette is WAY better than their other Basie record (ABC Paramount? Not sure). It's the most perfect melding of solos/lyrics I have heard, the hippest stuff in this arena, I do believe. Edited November 8, 2015 by AllenLowe Quote
fasstrack Posted November 9, 2015 Author Report Posted November 9, 2015 On 11/7/2015 9:14:54, AllenLowe said: just to note, though it doesn't seem to be mentioned as much as the other, the LHR Sing a Song Basie on Roulette is WAY better than their other Basie record (ABC Paramount? Not sure). It's the most perfect melding of solos/lyrics I have heard, the hippest stuff in this arena, I do believe. Jon Hendricks told the story about how they tried to first record this with studio singers, but they couldn't swing to save their lives. Hendricks and co. tried to explain (no, you lay back), but nada. Hence the final overdubbing. Quote
fasstrack Posted November 10, 2015 Author Report Posted November 10, 2015 WBGO played Mark Murphy's version of Effendi the other day. Wild! He kept repeating 'Effendi' at the end. Quote
BFrank Posted November 11, 2015 Report Posted November 11, 2015 8 hours ago, fasstrack said: WBGO played Mark Murphy's version of Effendi the other day. Wild! He kept repeating 'Effendi' at the end. He does an exceptional job with that tune! Quote
Teasing the Korean Posted November 11, 2015 Report Posted November 11, 2015 On November 3, 2015 12:15:14 PM, fasstrack said: I guess I find the lyrics silly often, and the use of 'hip' language corny and frankly even embarrassing. I find vocalese lyrics in the aggregate more interesting than 95% or so of "serious" English language lyrics written in the past 100 years or so. On November 9, 2015 9:20:28 AM, fasstrack said: Jon Hendricks told the story about how they tried to first record this with studio singers, but they couldn't swing to save their lives. Hendricks and co. tried to explain (no, you lay back), but nada. Hence the final overdubbing. Several of those singers were members of the Dave Lambert singers at one time or another, so Dave Lambert might have a more nuanced response to your post, were he alive to respond. Quote
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