clifford_thornton Posted August 3, 2015 Report Share Posted August 3, 2015 (edited) Yeah, saw Liebman in Charlie Evans' group not too long ago - intense music, far less than twenty people in attendance. Edited August 3, 2015 by clifford_thornton Quote Link to comment Share on other sites More sharing options...
sidewinder Posted August 3, 2015 Report Share Posted August 3, 2015 (edited) Not to belabor the obvious, but the term "overlooked" could be applied to nearly every jazz saxophone players these days. A few months ago, I saw David Liebman in NYC and there were maybe 20 people in the audience. And Liebman is an NEA Jazz Master! Liebman is doing badly! About 50 turned out to see him in Manchester in May. It goes without saying that the music was superb.Disgraceful - the guy is a master musician and a very eloquent speaker about jazz. If it had been nearer, I would have been up there like a shot to see that one.. Edited August 3, 2015 by sidewinder Quote Link to comment Share on other sites More sharing options...
BillF Posted August 3, 2015 Report Share Posted August 3, 2015 Not to belabor the obvious, but the term "overlooked" could be applied to nearly every jazz saxophone players these days. A few months ago, I saw David Liebman in NYC and there were maybe 20 people in the audience. And Liebman is an NEA Jazz Master! Liebman is doing badly! About 50 turned out to see him in Manchester in May. It goes without saying that the music was superb.Disgraceful - the guy is a master musician and a very eloquent speaker about jazz. If it had been nearer, I would have been up there like a shot to see that one..I think part of the problem was the lack of publicity. I only got to hear of the gig two days in advance, at which stage I'd had a ticket for two months for the Christian McBride Trio who appeared the following week at the same venue with an audience of 200. Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted August 3, 2015 Report Share Posted August 3, 2015 What about J.R. Monterose? He recorded a very good album on Blue Note, but actually recorded very little as leader or sideman over the course of his life. Ferdinand Povel and Jerry Weldon are some others. Quote Link to comment Share on other sites More sharing options...
optatio Posted August 3, 2015 Report Share Posted August 3, 2015 What about J.R. Monterose? He recorded a very good album on Blue Note, ...Oh yes, his debut album: Quote Link to comment Share on other sites More sharing options...
jlhoots Posted August 3, 2015 Report Share Posted August 3, 2015 What about J.R. Monterose? He recorded a very good album on Blue Note, ...Oh yes, his debut album:The Uptown Live In Albany is very good. Quote Link to comment Share on other sites More sharing options...
JSngry Posted August 3, 2015 Report Share Posted August 3, 2015 And that Jaro album of his is a stone classic. Quote Link to comment Share on other sites More sharing options...
BeBop Posted August 3, 2015 Report Share Posted August 3, 2015 ...and the duets with Tommy Flanagan are nice. Quote Link to comment Share on other sites More sharing options...
jlhoots Posted August 4, 2015 Report Share Posted August 4, 2015 Even the one with Joe Abodeely is good. Quote Link to comment Share on other sites More sharing options...
clifford_thornton Posted August 4, 2015 Report Share Posted August 4, 2015 I count eight Monterose sessions as a leader or co-leader in my LP shelves. Missing the Cadence date with Hugh Brodie. Quote Link to comment Share on other sites More sharing options...
optatio Posted August 4, 2015 Report Share Posted August 4, 2015 I count eight Monterose sessions as a leader or co-leader in my LP shelves. Missing the Cadence date with Hugh Brodie.You will find them all here: http://www014.upp.so-net.ne.jp/jrmonterose/jrmdisc/ Quote Link to comment Share on other sites More sharing options...
clifford_thornton Posted August 4, 2015 Report Share Posted August 4, 2015 I count eight Monterose sessions as a leader or co-leader in my LP shelves. Missing the Cadence date with Hugh Brodie.You will find them all here: http://www014.upp.so-net.ne.jp/jrmonterose/jrmdisc/oh, I meant in my personal shelves - I know there are more, especially as a sideman. Quote Link to comment Share on other sites More sharing options...
mikeweil Posted August 5, 2015 Report Share Posted August 5, 2015 As his name poppped up in the overlooked pianists thread: Pony Poindexter ! Quote Link to comment Share on other sites More sharing options...
danasgoodstuff Posted August 9, 2015 Report Share Posted August 9, 2015 Sonny Criss - not totally overlooked, but not fully appreciated either, IMHO. Quote Link to comment Share on other sites More sharing options...
Caravan Posted August 9, 2015 Report Share Posted August 9, 2015 Has Charles Tyler been mentioned? I especially dug Eastern Man Alone (with Dave Baker on cello, and two bassists). Made me laugh. Quote Link to comment Share on other sites More sharing options...
AllenLowe Posted August 11, 2015 Report Share Posted August 11, 2015 I've been overlooked for good reason; great inconsistency; however, on this last session we did, everything worked nicely: https://soundcloud.com/allenlowe-1/beneath-the-blues Quote Link to comment Share on other sites More sharing options...
A Lark Ascending Posted August 12, 2015 Report Share Posted August 12, 2015 (edited) Australian jazz musicians tend to get overlooked as a whole...I only came to notice them because of Kenny Weir's advocacy some years back (where did he go?).Three who immediately spring to mind:Bernie McGann - some excellent live recording out there of this veteran who recently passed away.Jamie Oehlers - wide ranging modernist who moves between a range of contemporary styles right out to the free.Sandy Evans - plays both straight contemporary jazz but also a great deal in world music styles. Saw her over here last weak with the wonderful Australian Balkan band Mara!Where they fit in the great 'who's best?' hierarchy I haven't a clue but they've given me much pleasure. Edited August 12, 2015 by A Lark Ascending Quote Link to comment Share on other sites More sharing options...
uli Posted August 12, 2015 Report Share Posted August 12, 2015 (edited) has Bobby Jones alredy been mentioned? Edited August 12, 2015 by uli Quote Link to comment Share on other sites More sharing options...
jlhoots Posted August 12, 2015 Report Share Posted August 12, 2015 Sharel Cassity Quote Link to comment Share on other sites More sharing options...
johnblitweiler Posted August 12, 2015 Report Share Posted August 12, 2015 Australian jazz musicians tend to get overlooked as a whole...I only came to notice them because of Kenny Weir's advocacy some years back (where did he go?).Three who immediately spring to mind:Bernie McGann - some excellent live recording out there of this veteran who recently passed away.Jamie Oehlers - wide ranging modernist who moves between a range of contemporary styles right out to the free.Sandy Evans - plays both straight contemporary jazz but also a great deal in world music styles. Saw her over here last weak with the wonderful Australian Balkan band Mara!Where they fit in the great 'who's best?' hierarchy I haven't a clue but they've given me much pleasure. Yes to both Evans, who is highly active and versatile, and McGann. http://www.goodbaitbooks.com/newsletter.htm is my essay about McGann's CDs, which are strong latebop music. [Haven't heard Oehlers.] Quote Link to comment Share on other sites More sharing options...
duaneiac Posted August 13, 2015 Report Share Posted August 13, 2015 Mel Martin, another SF area musician who would be much better known if he lived/worked in NYC. I just recently listened to his most recent CD, Where The Warm Winds Blow, and it demonstrates he has quite a fluent and creative voice on a number of reed instruments. He has recorded a few CDs with his idol/mentor Benny Carter and some CDs with his group Bebop & Beyond. His work is definitely worth checking out if you are unfamiliar with him. Quote Link to comment Share on other sites More sharing options...
A Lark Ascending Posted August 13, 2015 Report Share Posted August 13, 2015 Australian jazz musicians tend to get overlooked as a whole...I only came to notice them because of Kenny Weir's advocacy some years back (where did he go?).Three who immediately spring to mind:Bernie McGann - some excellent live recording out there of this veteran who recently passed away.Jamie Oehlers - wide ranging modernist who moves between a range of contemporary styles right out to the free.Sandy Evans - plays both straight contemporary jazz but also a great deal in world music styles. Saw her over here last weak with the wonderful Australian Balkan band Mara!Where they fit in the great 'who's best?' hierarchy I haven't a clue but they've given me much pleasure. Yes to both Evans, who is highly active and versatile, and McGann. http://www.goodbaitbooks.com/newsletter.htm is my essay about McGann's CDs, which are strong latebop music. [Haven't heard Oehlers.]Thanks for the link. Had a glance at the article and it seems just what I need to navigate his catalogue beyond the little I have. Bit busy at present but will follow it up in the next week. Quote Link to comment Share on other sites More sharing options...
clifford_thornton Posted August 13, 2015 Report Share Posted August 13, 2015 Excellent article; I have the recent archival LP, which is awesome, and the two Emanem LPs (really good too). Quote Link to comment Share on other sites More sharing options...
JSngry Posted August 13, 2015 Report Share Posted August 13, 2015 Mel Martin, another SF area musician who would be much better known if he lived/worked in NYC. I just recently listened to his most recent CD, Where The Warm Winds Blow, and it demonstrates he has quite a fluent and creative voice on a number of reed instruments. He has recorded a few CDs with his idol/mentor Benny Carter and some CDs with his group Bebop & Beyond. His work is definitely worth checking out if you are unfamiliar with him.He also has (had?) a website that has (had?) a section of interviews he conducted with many, many, great saxophonists, in which they talked shop and life-as-a-player type things...pretty rare stuff, like to hear Wayne Shorter get into a discussion about the specifics of different mouthpieces, hey, you hear Wayne get all cosmic and shit, well, yeah, there's that, but behind that is this, dig? Johnny Griffin talking about how Lockjaw worked his horn, that type thing.Funny (for me) thing about Mel Martin, though. I had a college buddy from the Bay Area who hated the guy because apparently back in his days with Cold Blood, Mel Martin was one of those guys who would show up on everybody's gig to sit in. Everywhere all the time. I asked my buddy if he sucked or anything, was that why he always said the words "Mel Martin" with such disdain, and his answer still makes me laugh - "no, he plays well enough...it's just that....he's always there....you turn around to order a drink, look back up, and....there's Mel Martin up on the stand...HE NEVER GOES AWAY...YOU CAN'T MAKE HIM STOP!!!!". Quote Link to comment Share on other sites More sharing options...
duaneiac Posted August 13, 2015 Report Share Posted August 13, 2015 Mel Martin, another SF area musician who would be much better known if he lived/worked in NYC. I just recently listened to his most recent CD, Where The Warm Winds Blow, and it demonstrates he has quite a fluent and creative voice on a number of reed instruments. He has recorded a few CDs with his idol/mentor Benny Carter and some CDs with his group Bebop & Beyond. His work is definitely worth checking out if you are unfamiliar with him. Funny (for me) thing about Mel Martin, though. I had a college buddy from the Bay Area who hated the guy because apparently back in his days with Cold Blood, Mel Martin was one of those guys who would show up on everybody's gig to sit in. Everywhere all the time. I asked my buddy if he sucked or anything, was that why he always said the words "Mel Martin" with such disdain, and his answer still makes me laugh - "no, he plays well enough...it's just that....he's always there....you turn around to order a drink, look back up, and....there's Mel Martin up on the stand...HE NEVER GOES AWAY...YOU CAN'T MAKE HIM STOP!!!!". That's funny! Quote Link to comment Share on other sites More sharing options...
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