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Posted

71aUU7C0MDL._SL1062_.jpg

Ok, if your first response is oh HELL no, then ok, don't bother.

Otherwise, consider.

There's a lot of things to consider on this program. Time, place, cultural crossroads. At any given moment, Sonny Till bends a note like Johnny Hodges, floats the time like Louis Armstrong, the songs can get as much King Cole Trio (w/no piano!) as anything, background vocal arrangements are as much big band moving parts as they are block chords, just ALL sorts of things going on. No drums, no tenor solos. Just bass, guitar and vocals.

Between these guys and The Ravens, the line between "jazz" and "R&B" was still very much anything but fixed. This disc shows why.

So, consider.

Posted

Sunenblick makes this claim, which I had never really considered before:

Unfortunately, no live recordings of a black vocal group's appearance has ever surfaced, except for a handful of tracks by the Ravens and while lots of "lost" jazz performances eventually are found, the same cannot be said of this genre.

First of all, what are these Ravens things (I love The Ravens), and is this to be taken as literally true, or is it one of those relative/appears to be so/AFAIK things?

Posted

THe Orioles recorded extensively for Jubilee. There was a LP boxed set on Murray Hill, and later a CD box on Bear Family. Their recordings were polished and professional, while the performance on this set is rather loose, and offers a more accurate example of how they really sounded.

Here are the original versions of two of their biggest hits:

Posted

Sunenblick makes this claim, which I had never really considered before:

Unfortunately, no live recordings of a black vocal group's appearance has ever surfaced, except for a handful of tracks by the Ravens and while lots of "lost" jazz performances eventually are found, the same cannot be said of this genre.

First of all, what are these Ravens things (I love The Ravens), and is this to be taken as literally true, or is it one of those relative/appears to be so/AFAIK things?

"black vocal groups" of the '50s, in the '50s, maybe...the earliest live recordings that pop into my head are early '60s BUT I'm not an expert here. Would love to hear a good live recording of the '5' Royales or the Clovers or the Flamingos, to name just a few.

Posted

I know that Bob Sunenblick has been searching for these recordings for over a decade and this is his first "strike". After his success finding jazz treasures, I suggest it is reasonable to accept his word on the groups search.

Posted

This has been on YouTube for a few months now...sounds like the Sullivan show, and represents just one part of what The Ravens could and did do. Still, seeing something like this and looking for simialar live footage (as opposed to Harlem Hit Parade type stuff) does drive home how only-partially-documented this scene has been.

Posted

This has been on YouTube for a few months now...sounds like the Sullivan show, and represents just one part of what The Ravens could and did do. Still, seeing something like this and looking for simialar live footage (as opposed to Harlem Hit Parade type stuff) does drive home how only-partially-documented this scene has been.

not live, but what a difference a decade made to the telling of the same (>or<) tail, I first heard the Yardbirds' version.

Posted

What I dig about the Ravens is that they could play it soft top and hard bottom with equal intensity. The whole yin/yang thing,

Soft top:

Hard bottom:

Those guys were just so damn musical. Them, the Orioles, and the Moonglows (and after, them, The Dells) hey, if that's all there was, I would be blissfully contented.

Posted

Flamingos...yeah, but I'm still not sure how much of that zone is just getting lost in the infinite reverb(s)...good place to be lost, though, and those tempos...yeah.

I think that anybody who played or otherwise hung out in African-American bars in the late-40s early 50s knew those Ravens' records. That would be like hanging out in a honky tonk in the 1960s and knowing George Jones records, it was something that just happened by osmosis, ya' know?

Posted

so are we saying the live gospel recordings don't count as live group recordings? I wanna be correct here, if for no other reason than to make Sunnenblck wrong.

call me petty, but call me right.

Posted

so are we saying the live gospel recordings don't count as live group recordings? I wanna be correct here, if for no other reason than to make Sunnenblck wrong.

call me petty, but call me right.

I imagine that the comment refers to secular groups before the 1960s. Otherwise, it makes no sense. There were not many live R&B recordings made in the 50s at all, official or unofficial. James Brown's Live at the Apollo was a revolution in that respect.

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