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Posted

It's late, Amazon is no help, and dammit, it's time to hear this guy instead of only knowing about him b/c Dolphy wrote a dedication to him.

Where to go, please?

Posted

just checked my own files ... haven't started exploring it, but he's on several compositions on this:

41ZK1FVPHVL.jpg

50 Jahre Neue Musik in Darmstadt - Internationale Ferienkurse für Neue Musik 1946–1996 (4 CD, col legno)

few copies around, it seems:

http://www.amazon.de/50-Jahre-Neue-Musik-Darmstadt/dp/B000024ST8

full details:

http://www.internationales-musikinstitut.de/media/com_form2content/documents/c1/a442/f14/Darmstadt1996.pdf

Posted (edited)

Jim, keep your eye open for this collection on the Ermitage label:

$T2eC16ZHJF8E9nnC8GkcBQ!cC%28n8%28!~~60_

It's got Baroque through contemporary pieces, including Varese's "Density 21.5." A Canadian seller has it on Ebay right now - you might not want to pay that much, but this is one to look for.

The kind of thing that probably inspired Dolphy is on this 1960s Time/Mainstream album, which is excellent:

$_57.JPG

You're pretty good at sniffing out vinyl; go to it. I have both of these and recommend them.

Edited by jeffcrom
Posted

Have that Ermitage on order ... scratched used copy, but that was the only one going at a good price I could find - hope it works out and will be playable - but anyways, thanks Jeff!

Posted

Would anybody happen to know the CD disposition of that Victrola material, all three volumes of it? Either as a set or re-positioned?

Also, why did RCA go all "Victrola" for that instead of Red Seal?

Posted

They were budget reissues of material issued overseas first. Victrola was treated as the cheapie-bin classical label, whereas Red Seal was primarily new recordings in higher fidelity with better pressings. That's how I understand it anyway.

Posted

The kind of thing that probably inspired Dolphy is on this 1960s Time/Mainstream album, which is excellent:

$_57.JPG

You're pretty good at sniffing out vinyl; go to it. I have both of these and recommend them.

Just got a copy of the Time album (on Mainstream)...from an Amazon seller in Georgia...and my copy has that same Roulette sticker on it..how 'bout that! Not exactly cheap, but it's for items like this that letting those other $20 deal-breakers actually break the deal

The pressing is fairly clean as far as those things go/went, and I'm trying to imagine the impact his had amongst whoever was listening to it at the time in terms of hardcore flute playing.

Even today, damn. I have to think that this is important music, on several levels. Has ANY of the Time Series 200 material seen an reissue outside of those Mainstream LPs, legit or otherwise?

Posted

Would anybody happen to know the CD disposition of that Victrola material, all three volumes of it? Either as a set or re-positioned?

Also, why did RCA go all "Victrola" for that instead of Red Seal?

They were trying to compete with Nonesuch and Turnabout. Columbia was issuing Feldman, Carter, Boulez etc on Odyssey.

Posted

Did not know that about Odyssey...makes sense that RCA would offer a counterpart, I suppose.

Any idea what the current CD disposition is of that "The New Music" series?

  • 2 weeks later...
Posted (edited)

Backtracking for a moment to the recordings in the Domaine Musical box. The CD box is expensive and hard to find. But look for the old Vox Turnabout budget LP of one of the recordings therein, Boulez's 'le marteau sans maitre.' It's pretty easy to find in the used bins, and Gazzelloni is tearin' it up.

Edited by Spontooneous

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