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Posted

Not that this is news, but listening to this recording last night, in which Carmichael talk-sings as the "father" and Armstrong sings the responses of the "son," I was kind of stunned by the cosmic humor and (if you will) wisdom, plus the modernity, of Armstrong's responses -- this is 1929, but when he sings, it doesn't feel like 1929 but "now." And of course there's the great trumpet playing:

BTW, Armstrong's enigmatic and/or elliptical response to Carmichael's "I can't get from this cabin" has been tentatively deciphered by Michael Steinman as "What cabin? [You must be] joking?"

Posted

Cosmic (musical and visual) humor (musical and visual) from a parallel (perhaps) cosmos:

In the end, no matter from whence the beginning, freaks gonna freak, noregardsless.

Hello truth, hello AND beauty.

Posted

Cosmic (musical and visual) humor (musical and visual) from a parallel (perhaps) cosmos:

In the end, no matter from whence the beginning, freaks gonna freak, noregardsless.

Hello truth, hello AND beauty.

Whoa! Clark Burroughs, down boy! BTW, there probably were some good Chicago-based jazz guys in Marterie's band.

Also, I just found out that tall Bob Strasen was the best man at Clare Fischer's wedding.

Posted

What does he say that isn't in the script of the song?

Given that this was (I believe) only the second recording of the song, I don't believe that there was a sheet music "script" for the lyrics at this point (especially for the call-and-response passages).

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