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Posted

Capitol/Universal will release two 2-CD Beatles sets Nov. 11. Amazon is offering them for pre-order for $22.51 each.

The first is the remastered Live at the BBC. The second is On Air - Live at the BBC, vol. 2.

http://www.amazon.com/Live-At-The-BBC-Remastered/dp/B00F4BJ4M0/ref=pd_luc_wl_01_01_t_lh?ie=UTF8&psc=1

http://www.amazon.com/On-Air-Live-The-Volume/dp/B00F3VOL38/ref=pd_bxgy_m_text_y

Posted

I found the first set to be something of the holy grail, making much more explicit the tie between the Beatles and what had come before them. Not sure I'll spring for "remasters" of cruddy sounding BBC archive tapes, but I'll definitely be in for the second set.

Posted

This is the same set that was released in the mid-90s, I have to say the sound was pretty disappointing to me, not a patch on the David Bowie at the Beeb which was great.

There's also a new box-set of Big Country at the BBC which could be interesting.

Posted

Beatles CDs weren't remastered very well the first time round. I'm expecting the new version of the 90s set to be much better.

I can't get used to this being on Universal, though...

  • 3 weeks later...
  • 4 weeks later...
Posted

I ordered Volume 2, and Amazon emailed me tonight that it has shipped.

For whatever reason, they are promising that it will be delivered Monday the 11th rather than Tuesday the 12th. I thought all albums are released on Tuesdays.

I plan to save mine for under the Christmas tree.

  • 2 months later...
Posted (edited)

I have been listening to these and enjoying.

One thing I wanted to comment on and get your reactions. Listening to the BBC interviews with them at the end of each disc and in particular the interview with Lennon, the BBC interviewer keeps asking questions about how big Lennon's house is and how many rooms and establishing that he owns a Rolls-Royce... and goes on to comment about that he parked it in a no-parking zone and whether he feels that owning a Rolls entitles you to behave that way and then what sort of private school Lennon will send his son to etc.

My impression, perhaps wrong, is that the interviewer is not overtly but subtly hostile (maybe that is not the best word but I cannot think of another at the moment) and it is a bit surprising given they were media darlings by this time. I sort of wish Lennon had said something like "hey look at least I did not inherit this money, how did you get yours?"

Do others get that impression from these interviews?

Edited by skeith
Posted

I would no more presume to fully grasp the subtle/subliminal/whatever class implications of a Brit-on-Brit interview such as this as I would the subtle/subliminal/whatever sensory implications of a conversation between Jan Garbarek & Bobo Stenson about what makes for a really good cold-weather jacket.

Posted

I would no more presume to fully grasp the subtle/subliminal/whatever class implications of a Brit-on-Brit interview such as this as I would the subtle/subliminal/whatever sensory implications of a conversation between Jan Garbarek & Bobo Stenson about what makes for a really good cold-weather jacket.

Ok..;. so we need some Brits to comment!!!

Posted

Oh, I agree it seemed a little...aggressive, for whatever reason. But how much of it was simple Brit media-prickness, how much of it was Brit Class-Consciousness-Prodding/Snootiness, and how much of it might have been some of each and/or neither, well, I can't answer that. Some things you can only really figure when it's what you know from first-hand experience.

On a more certain note, though, I do dig this Volume 2. Very much!

Posted

Most of the people who interviewed pop musicians in the 60s had little interest or knowledge about music. It rarely went much beyond 'What is your favourite colour?'.

Pop/rock journalism in the UK didn't really start to take itself seriously until the 70s. Most of these interviews were carried out by journalists who might be covering the Ideal Home Exhibition the next day.

Posted

Most of the people who interviewed pop musicians in the 60s had little interest or knowledge about music. It rarely went much beyond 'What is your favourite colour?'.

Pop/rock journalism in the UK didn't really start to take itself seriously until the 70s. Most of these interviews were carried out by journalists who might be covering the Ideal Home Exhibition the next day.

Ok.,,,I get that this journalist may have known nothing about the music... but did you listen to the interview? It seems to me to really have an edge ....as if he wants to embarrass Lennon or expose him as not the working class type he claims to be. Just a vibe that I get from it.

Posted

Most of the people who interviewed pop musicians in the 60s had little interest or knowledge about music. It rarely went much beyond 'What is your favourite colour?'.

Pop/rock journalism in the UK didn't really start to take itself seriously until the 70s. Most of these interviews were carried out by journalists who might be covering the Ideal Home Exhibition the next day.

I'm left wondering which version of pop/rock journalism was worse. :)

Posted

My understanding is that all of the British Invasion groups were blue collar and prided themselves on being working class - which is ironic, because where I went to high school (New Orleans), and perhaps most everywhere in the US, it was the white collar kids who liked them, and the blue collar guys who didn't. The blue collar guys liked r&b.

Posted

My understanding is that all of the British Invasion groups were blue collar and prided themselves on being working class - which is ironic, because where I went to high school (New Orleans), and perhaps most everywhere in the US, it was the white collar kids who liked them, and the blue collar guys who didn't. The blue collar guys liked r&b.

I don't know how representative they were of the entire British Invasion, but Mick Jagger and Brian Jones were both born to middle class families.

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