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Posted

It's funny. While I wouldn't consider I Am The Walrus a beautiful melody, I can dig the lurching, grinding factor involved.

It's like sonic waves on the beach that just keep digging away in a rather sinister fashion.

See: Born On a Bayou.

Yeah, I enjoy all kinds of music, and have nothing in particular against "I Am The Walrus" (although between that and "Born On The Bayou", I'll take the latter). I also like chocolate, but that's not a beautiful melody either. :)
Posted

The verse of Stardust, which Carmichael composed years after he composed the familiar chorus.

Some of the most beautiful melodies depend, to me, on who played them and how. Several King Oliver and Jelly Roll Morton pieces, for example, or the At The Window version of a Jimmy Yancey blues - he also recorded it under two other titles.

Posted

Beatrice (Sam Rivers), Black Narcissus (Joe Henderson), and Little Wing (Hendrix) all immediately come to mind as examples of really great melodic beauty, with equally beautiful changes.

My first post (ever) from my iPhone - just upgraded from a 10 year old flip-phone.

Posted (edited)

The verse of Stardust, which Carmichael composed years after he composed the familiar chorus.

Some of the most beautiful melodies depend, to me, on who played them and how. Several King Oliver and Jelly Roll Morton pieces, for example, or the At The Window version of a Jimmy Yancey blues - he also recorded it under two other titles.

sinatra recorded just the verse around 1960 for reprise with a gorgeous don costa arrangement and huge orchestra on the album sinatra and strings . that version stopped me in my tracks when i heard it first in a bowling alley in 1961. it still does.

http://www.youtube.com/watch?feature=player_detailpage&v=yc0gVEdYEiE

Edited by alocispepraluger102
Posted (edited)

oh my goodness-------that line is so perfect and beautiful it hurts, bad. thank you!!!

The film music of David Raksin holds many great melodic treasures.

and those of john barry

https://www.youtube.com/watch?feature=player_detailpage&v=DANTmyx9mLs

Edited by alocispepraluger102
Posted (edited)

I use the word "changes" in the jazz sense to mean chord sequence.

I know - but many other musics rely on interesting chord sequences (maybe not Cuban!). Kern's tunes are famous for their intricate chord chains - one of the reasons they are used quite a bit in jazz. Is it the melody of 'All The Things You Are' that pleases the ear or the chord sequence?

Edited by A Lark Ascending
Posted

The Andante cantabile from Rachmaninoff's Rhapsody on a Theme of Paganini

The Intermezzo from Mascagni's Cavalleria rusticana

Meditation from Massenet's Thais

Richard Rodgers's You'll Never Walk Alone, Something Wonderful, This Nearly Was Mine, If I Loved You

George Gershwin's Someone to Watch Over Me, Isn't It a Pity?

Posted

I use the word "changes" in the jazz sense to mean chord sequence.

Is it the melody of 'All The Things You Are' that pleases the ear or the chord sequence?

It's the chord sequence that pleases me. Chop the melody statements off and the magic's still there.

Posted

Debussy's Clair de Lune

J.S. Bach's Sheep May Safely Graze

Richard Rodgers's My Romance, It Never Entered My Mind

Jerome Kern's Bill, They Didn't Believe Me, The Way You Look Tonight

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