Jump to content

Recommended Posts

Posted

83 today. I didn't see a dedicated thread on here, so here it is. What can you say? For my money, the greatest bassist who ever lived, Mingus included. Here's to many more years!

I'm particularly fond of his work on Out To Lunch, At the Five Spot, Point of Departure and, of course, Astral Weeks.

  • Replies 67
  • Created
  • Last Reply

Top Posters In This Topic

Posted

He's amazing: bop, pop, inside, outside, Stravinsky, Springsteen—he can do it all. A couple of not-so-well-known favourites: Lalo Schifrin's Marquis de Sade album and Carman Moore's Four Movements for a Fashionable Five-Toed Dragon (with Sam Rivers).

Posted (edited)

The liner notes and photos to his Reminisces CD are very interesting. I love the photo of Sun Ra as a young man sitting in Richard's family's living room. Richard grew up with, and played with, musicians of every style and era, from swing to bop to avant garde, from the beginning of his career. His discography is quite amazing and is set out on his website:

http://richarddavis.org/?page_id=42

Edited by Hot Ptah
Posted (edited)

Loved him on 'Astral Weeks' before I knew who he was and what Jazz was.

as well as sessions already mentioned I'm particularly fond of the duets with Walt Dickerson on Steeplechase

Edited by mjazzg
Posted

Judgment, Out to Lunch, Point of Departure, Dialogue... Richard is the greatest bassist of all time.

Happy Birthday, Mr. Davis!

Posted (edited)

Andrew Hill, too, called him the greatest bassist in existence after one Blue Note sessions. There are other great ones, but he sure belongs into the pantheon of the greatest jazz bass players, that is beyond dispute. That Jaki Byard/Richard Davis/Alan Dawson team on the Booker Ervin Prestige sessions is fantastic! Just as the Hanna/Davis/Lewis trio ...

Edited by mikeweil
Posted (edited)

"Lemme tell you a sideline story," says Richard Davis. "I was in my car about a year or two ago, and when I turned the radio on there was a jazz show. I remember [listening to] the bass player, and I said to myself, 'Good God, who is that? I hope I never run into that guy!' After the song was over, the DJ said, 'That was Andrew Hill with Richard Davis on bass.'" Davis erupts in a throaty laugh and says, "It was myself! I thought, 'Damn, I should get back to doing some of that.'"

JazzTimes, April 2005

Edited by v1p
Posted

^

Strong statement above that I'm not sure I agree with, but I'm glad he has made the music he's made, and hope he's healthy, happy, and with us for years to come.

I've not seen Richard Davis live but I have seen Dave Holland, Barry Guy and Mark Dresser among others so....

I like me some hyperbole as well but long live Mr. Davis

Posted

Those wishing to dig REALLY deep into Mr. Davis extensive and diverse discography might be interested to hear his work with Don Shirley...

Posted

I love listening to bassists, especially solo.

How about another Chicago bassist: Fred Hopkins? Oh, Ronnie Boykins!

Not to turn this thread into a list of bassists, but I think Henry Grimes is also in this league of bassists who played their part extremely well in many settings.

Yes to Richard Davis, and yes to double bass solos

Posted (edited)

Like many, I'm a fan of his work with Andrew Hill and elsewhere. It's also great to hear him with Cecil McBee on Burning Spirits. The most recent recordings I have with him are with Hank and Elvin Jones. Here's wishing a master many more years.

Edited by Justin V
Posted (edited)

I don't know who the "greatest bassist" is. Mr. Davis is certainly a very fine bassist/musician.

Happy to see that brownie mentioned the duo with Eric Dolphy.

edit: And a very happy birthday to Richard Davis.

Edited by paul secor
Posted

I feel that I've probably told this story here in some other context, but:

budd-johnson-ya-ya-20120611151137.jpg

Richard Davis contributed greatly to my becoming the person and musician I am. When I was 12 and had just taken up the saxophone, my mother gave me an album for Christmas - Budd Johnson's Ya! Ya! on Argo. She picked it from the cutout rack at a now-defunct department store called Treasure Island and chose it, I'm sure, because it was the only record there by a saxophonist.

I was pretty disappointed - I wanted a rock record like my older brother got. But I played the record, and liked half of the tunes right away, including one called "Exotique." My favorite part of that tune was Richard Davis' truly bizarre arco bass solo, which is full of microtones and dissonant double stops. It was a revelation to me - when I heard it, I thought, "Oh! You can do that."

I credit that solo with planting the seed that grew into my taste for the unusual and the avant-garde in music. And I still have that Budd Johnson album - but now I like the rest of the tunes, too.

Posted

His recordings with Booker Ervin are very important to me.

Furthermore, I really like his ferocious playĂ­ng on Hannibal Marvin Peterson`s Muse outing from 1972 titled "Epistropy&Now`s the Time". A friend of mine who witnessed subject concert mentioned that Richard Davis had his fingers bleeding after the gig.......

Posted

I have seen all of the big name bassists live from the late 1970s until now, and Richard Davis is without a doubt the overall best in live performance. When he plays everything he can play, when he goes down as deep as he can, he has no equal. His intensity, inspiration and creativity are quite amazing.

I echo Chuck Nessa's thoughts about him being a good guy. He was my jazz history professor in college. Many liberal arts students took the course to try to get an easy A, much like taking an introductory survey course in art history. I had a true interest in jazz but went into the class wondering how valuable it would really be. I encountered the single most inspiring teacher I had at any level of schooling, in any subject matter. He was funny, insightful, and made learning easy and fun. He demanded commitment and performance in his students, but gave back a lot.

Looking back on it now as an old adult, I can see how unusual it was. Richard treated the college students with friendliness and respect, was a valuable life mentor to many of them (including many non-music majors), and genuinely liked his students as people. He showed no ego with his students. Maybe that is why he held his professor position for over 35 years, while his predecessors in the position were only able to stay for 1 to 3 years.

An overlooked gem in his career as a recording leader is As One, on Muse. It is a live album of duets with pianist Jill McManus.

Some of the other albums which he recorded as a leader which I think are notable are Fancy Free (with Eddie Henderson, Joe Henderson and Billy Cobham), Philosophy of the Spiritual (reissued as With Understanding), Muses For Richard Davis, Persia My Dear, and Blue Monk (mentioned above, from 2008).

Posted

His recordings with Booker Ervin are very important to me.

Furthermore, I really like his ferocious playĂ­ng on Hannibal Marvin Peterson`s Muse outing from 1972 titled "Epistropy&Now`s the Time". A friend of mine who witnessed subject concert mentioned that Richard Davis had his fingers bleeding after the gig.......

I agree that "Epistrophy and Now's The Time" is a great album. Slight correction--while Hannibal Marvin Peterson plays on it, Richard Davis is the leader and the album is under his name.

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.

×
×
  • Create New...