Rabshakeh Posted October 29, 2023 Report Share Posted October 29, 2023 5 minutes ago, clifford_thornton said: Back in the day, mossy was kind of a catch-all for hippie stuff among friends and I. The plateau implies a restive horizontal field. I see. Got it! Quote Link to comment Share on other sites More sharing options...
clifford_thornton Posted October 29, 2023 Report Share Posted October 29, 2023 These are of course just my opinions. Quote Link to comment Share on other sites More sharing options...
JSngry Posted October 29, 2023 Report Share Posted October 29, 2023 Quote Link to comment Share on other sites More sharing options...
Rabshakeh Posted April 13 Report Share Posted April 13 I don't think that Ornette Coleman gets classes as "spiritual jazz", but here is an interesting article from the NYT back in the day where he enthuses about the spiritual properties of Southern Christian gospel and Ashkenazi chazonis: https://www.nytimes.com/2006/09/22/arts/music/22cole.html Quote Link to comment Share on other sites More sharing options...
sgcim Posted April 15 Report Share Posted April 15 There's the album "Much in Common" by Ray Brown and Milt Jackson, where they finally lured Marion Williams into the studio to make a jazz album. Maybe they should have spoken to her about it before the session, because when she got there, she refused to sing any of that "Devil's Music", so they did one Thomas Dorsey tune, and the other four were spirituals that everyone could get by on, because they were so popular. She later recorded an album for Atlantic, "Standin' Here, Wonderin' Which Way to Turn" that had a picture of a confused looking hippie on the cover, obviously in need of some direction, because the poor white boy was just standing there on the corner..LOL! The record had a bunch of upcoming jazz dudes like Joe Zawinul, Keith Jarrett, etc,,, trying to give her spirituals some type of 'contemporary' 60s groove. Probably because of her refusal to sing ANY secular songs, the album didn't expose the best living female gospel singer to the mainstream audience Atlantic wanted her to reach, and that was the last time she had anything to do with anything remotely jazz related. Quote Link to comment Share on other sites More sharing options...
sgcim Posted April 15 Report Share Posted April 15 (edited) She also appeared on the Wynton Marsalis 1994 album, In This House, On This Morning. The other album I mentioned was recorded in 1971. Edited April 15 by sgcim Quote Link to comment Share on other sites More sharing options...
Gheorghe Posted April 15 Report Share Posted April 15 On 4/13/2024 at 9:24 AM, Rabshakeh said: I don't think that Ornette Coleman gets classes as "spiritual jazz", but here is an interesting article from the NYT back in the day where he enthuses about the spiritual properties of Southern Christian gospel and Ashkenazi chazonis: https://www.nytimes.com/2006/09/22/arts/music/22cole.html For me, at least if I would exactly know what´s "spiritual" , Ornette Coleman sure is. Quote Link to comment Share on other sites More sharing options...
rostasi Posted April 15 Report Share Posted April 15 Seeking the Mystical Inside the Music Quote Link to comment Share on other sites More sharing options...
Jack Pine Posted April 15 Report Share Posted April 15 I was turned on to this recently by Tyler King's substack and have been quite taken with the record. Commissioned by a Catholic church, so I think it's well qualified to be called 'spiritual'. Quote Link to comment Share on other sites More sharing options...
mjazzg Posted April 15 Report Share Posted April 15 I discovered through the same source, good substack Quote Link to comment Share on other sites More sharing options...
Teasing the Korean Posted July 12 Report Share Posted July 12 Listening now to vol. 1 of a series of at least two CDs called Spiritual Jazz, and some of this stuff is very close to old-school exotica. Quote Link to comment Share on other sites More sharing options...
T.D. Posted July 12 Report Share Posted July 12 54 minutes ago, Teasing the Korean said: Listening now to vol. 1 of a series of at least two CDs called Spiritual Jazz, and some of this stuff is very close to old-school exotica. This one (or the LP equivalent)? I really enjoy it. But releases in this series (in CD at least) sell out and go oop quickly, so it's the only one I have. Quote Link to comment Share on other sites More sharing options...
rostasi Posted July 12 Report Share Posted July 12 Volume 16 of the "Spiritual Jazz" series was released earlier this year. Quote Link to comment Share on other sites More sharing options...
Teasing the Korean Posted July 12 Report Share Posted July 12 36 minutes ago, T.D. said: This one (or the LP equivalent)? I really enjoy it. But releases in this series (in CD at least)ell out and go oop quickly, so it's the only one I hav Yes, that one. I have volume 2 also. Quote Link to comment Share on other sites More sharing options...
Teasing the Korean Posted July 13 Report Share Posted July 13 Spinning volume 2. Possibly even more exotica content on here than on volume 1. Quote Link to comment Share on other sites More sharing options...
JSngry Posted July 13 Report Share Posted July 13 Please define "exotica" in this context. Quote Link to comment Share on other sites More sharing options...
clifford_thornton Posted July 13 Report Share Posted July 13 I assume non-western instrumentation, shorter tracks, and vamps. The term "exotica" is not one of my favorites either, but like "spiritual jazz" it's probably here to stay. Quote Link to comment Share on other sites More sharing options...
Teasing the Korean Posted July 13 Report Share Posted July 13 19 minutes ago, JSngry said: Please define "exotica" in this context. Capitol-E Exotica, as opposed to the generic lower-case descriptor, which I apparently used above. Quote Link to comment Share on other sites More sharing options...
JSngry Posted July 13 Report Share Posted July 13 I still wonder what you mean in the context of "Spiritual Jazz". Quote Link to comment Share on other sites More sharing options...
Teasing the Korean Posted July 13 Report Share Posted July 13 6 minutes ago, JSngry said: I still wonder what you mean in the context of "Spiritual Jazz". It's a broad, retroactively named genre. I'm talking about many of the selections on the first two volumes of this series. Quote Link to comment Share on other sites More sharing options...
JSngry Posted July 13 Report Share Posted July 13 Right. Just wondering where/what the "Exotica" is. Quote Link to comment Share on other sites More sharing options...
Teasing the Korean Posted July 13 Report Share Posted July 13 2 minutes ago, JSngry said: Right. Just wondering where/what the "Exotica" is. I'm hearing, in varying ratios from tune to tune, similarities in instrumentation, modes, harmonies, arrangement devices, etc. There have a been a couple of tracks which would seamlessly fit into an Exotica DJ set or playlist. Quote Link to comment Share on other sites More sharing options...
JSngry Posted July 13 Report Share Posted July 13 Can you name one track in particular? I'd like to check it out. Quote Link to comment Share on other sites More sharing options...
Mark Stryker Posted July 13 Report Share Posted July 13 (edited) On 4/15/2024 at 5:47 AM, Jack Pine said: I was turned on to this recently by Tyler King's substack and have been quite taken with the record. Commissioned by a Catholic church, so I think it's well qualified to be called 'spiritual'. I knew James well -- #JazzFromDetroit -- an earnest, super-positive spirit with a bit of the religious revivalist in his aura and an eccentric streak who would refer to himself in interviews in the third person. He would say things like: "I said, 'Tatum,' what you need to do is write a piece called "Rise Up Detroit!" Whenever I asked how he was doing, he might say something like, "Well, Tatum is 75 and still vibrating." He was a Southern transplant, who made his career as public school music teacher in Detroit but also also a jazz pianist and composer. He made things happen, most notably creating the James Tatum Foundation for the Arts in 1987, which would eventually grant some $500,000 in scholarships to roughly 500 Detroit-area students who went on to study music, dance, theater, etc. in college. The biggest annual fundraiser for the foundation was a sprawling concert he would produce at Orchestra Hall in Detroit. Often he would write a new large-scale piece for the performance. Not sure if this particular Mass was originally written for such an occasion, but but I do remember it being performed at one of the concerts I attended. He died in 2021 at the age of 90. Edited July 13 by Mark Stryker Quote Link to comment Share on other sites More sharing options...
Teasing the Korean Posted July 13 Report Share Posted July 13 1 hour ago, JSngry said: Can you name one track in particular? I'd like to check it out. Sure. I just got these two comps, and they were spinning while I was working. I will need to go back to find examples of what I'm talking about. Quote Link to comment Share on other sites More sharing options...
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