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Posted (edited)

  On 10/16/2012 at 6:31 PM, Pete C said:

  On 10/16/2012 at 11:02 AM, Head Man said:

Maraccas

You'll miss out on a lot of great Machito recordings, then.

  On 10/16/2012 at 5:58 PM, Larry Kart said:

Soprano saxophones (with rare exceptions)

Bechet & Lacy? But yeah, after Trane it seemed that every tenor player felt he HAD to take up soprano, but without developing an instrument-specific approach, IMO. I can do without Shepp & Pharoah on soprano, for instance.

I have no instrument I'd rule out, though harpsichord and celesta are hard sells. Can't stand the sound of Kellaway's harpsichord on Ben's See You at the Fair.

I wouldn't care if Frank Wess and James Moody had never played flute, but jazz would be a poorer place if Rahsaan, Dolphy, Sam Rivers and a few others never did. And Nicole Mitchell & James Newton.

NICOLE IS A LOVELY ADORABLE YOUNG LADY AND GREAT MUSICIAN, BUT A LITTLE BIT OF HER FLUTING GOES A LONG WAY WITH ME.

JAZZ WHISTLERS AND HARMONICERS I CAN DO WITH OUT.

NAT ADDERLY'S ELECTRONIC CORNET SOUNDED JUST AWFUL TO ME.

EDDIE HARRIS ELECTRIC SAX WASN'T GOOD TO MY EARS.

Edited by alocispepraluger102
Posted

  On 10/16/2012 at 11:46 PM, rostasi said:

  On 10/16/2012 at 9:51 PM, Pete C said:

Who is Rick Holmes?

glf3c.jpg

Not just there, but on the Grant Green & Elvin Jones Lighthouse albums as well.

Time/place/etc.

Posted

  On 10/16/2012 at 9:17 PM, A Lark Ascending said:

In most cases, strings and orchestras. They are nearly always arranged like Tchaikovsky when jazz is better arranged like Stravinsky or Bartok.

Yep.

Posted

Screaming thru your horn, pretending you're saying something meaningful & profound when all you're doing is... well, screaming thru your horn...

Oh yeah, and bass solos....

Posted

Diving off the speaker stacks.

Crowd-surfing an audience of four.

  On 10/17/2012 at 6:37 AM, Jazzmoose said:

I can't think of a damned thing that I wouldn't rule out in any and all circumstances.

Did I hear you correctly...?

Heh heh.

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