alocispepraluger102 Posted August 21, 2012 Report Posted August 21, 2012 (edited) charlie parker in 2012 forum Panelists: Jimmy Heath, Steve Coleman, Jaleel Shaw and Antonio Ciacca / Moderated by: Ashley Kahn An all-star panel of musicians and journalists discuss Parker’s enduring legacy, addressing how his music continues to be a required part of any jazz musician’s education, or jazz fan’s journey. Bird’s impact and genius will also be looked at in a contemporary context. FREE, but reservations required. RSVP to: CharlieParker20@SummerStage.org......... ------------------------------------- Tonight at 6:30pm, I will join a panel with the great tenor saxophonist Jimmy Heath and alto saxophonist Steve Coleman with journalist Ashley Kahn in NYC to discuss the music of Charlie Parker for the Charlie Parker Jazz Festival. Admission is FREE! Then at 10pm I will join guitarist Tom Guarna's Quintet ft. Luis Perdormo on Piano, Joe Martin on Bass, and E.J. Strickland on Drums at the 55bar downtown in the Village. Looking forward to it. Jaleel Shaw Edited August 21, 2012 by alocispepraluger102 Quote
BillF Posted August 21, 2012 Report Posted August 21, 2012 Fully agree that Bird is of continuing importance: http://www.jazz.com/jazz-blog/2008/7/15/is-bird-dead http://www.jazz.com/jazz-blog/2008/7/24/bird-dead-two Quote
alocispepraluger102 Posted August 21, 2012 Author Report Posted August 21, 2012 perhaps this item can grow into a wider discussion topic. i would love to read organissimo's fine minds expound with their wide perspectives. Quote
AllenLowe Posted August 21, 2012 Report Posted August 21, 2012 (edited) I LOVE BIRD. wide enough? Edited August 21, 2012 by AllenLowe Quote
alocispepraluger102 Posted August 22, 2012 Author Report Posted August 22, 2012 jaleel Shaw I had a great time and learned a lot about Charlie Parker on the panel with Jimmy Heath, Steve Coleman, Ashley Kahn, and Antonion Ciacca Today. Pics to come soon.. Quote
AllenLowe Posted August 22, 2012 Report Posted August 22, 2012 Charlie Parker was on the panel? He must smell bad by now. Quote
robertoart Posted August 22, 2012 Report Posted August 22, 2012 Charlie Parker was on the panel? He must smell bad by now. No, he's cleaned up. Quote
marcello Posted August 22, 2012 Report Posted August 22, 2012 jaleel Shaw I had a great time and learned a lot about Charlie Parker on the panel with Jimmy Heath, Steve Coleman, Ashley Kahn, and Antonion Ciacca Today. Pics to come soon.. Antonio had something relevant to say? AMAZING! Quote
Chuck Nessa Posted August 22, 2012 Report Posted August 22, 2012 Did we learn anything we didn't get from Koko? Quote
alocispepraluger102 Posted August 24, 2012 Author Report Posted August 24, 2012 http://revivalist.okayplayer.com/2012/08/07/bird-with-strings-with-miguel-atwood-ferguson-special-guests-steve-wilson-jaleel-shaw/ Quote
king ubu Posted August 24, 2012 Report Posted August 24, 2012 Charlie Parker was on the panel? He must smell bad by now. No, he's cleaned up. So who did the sanitized version? Phil "cap'n" Woods? Quote
fasstrack Posted August 27, 2012 Report Posted August 27, 2012 Geez, a little Phil Woods dissing going on now and again in these pages. I can only quote a story Mr. Woods tells about his old duet partner Gene Quill: a guy at a bar heckled Quill after a set: 'Gene Quill, all you do is play like Charlie Parker'. According to legend Quill handed the guy his horn. 'Here. Play like Charlie Parker'. Anyway, I hope the cats played. It would be a waste not to at least have Jimmy Heath play on a Bird tribute. Besides his own playing he's probably one of the few living people-they'd all have to be at least 80-to have either played with him or heard him live. And he ain't gonna be around forever... Quote
king ubu Posted August 28, 2012 Report Posted August 28, 2012 I know, I know - I enjoy me quite some Phil Woods, was just joking! But I do love that story, I've read it before! Quote
fasstrack Posted August 28, 2012 Report Posted August 28, 2012 Now for penance, youmg man, go to your room and learn a solo from Dr. Wu. Then come back and sing it for your mother and me. Or YOU'RE #@$%& GROUNDED!! (; Quote
king ubu Posted August 28, 2012 Report Posted August 28, 2012 Now for penance, youmg man, go to your room and learn a solo from Dr. Wu. Then come back and sing it for your mother and me. Or YOU'RE #@$%& GROUNDED!! (; Okay, I guess I'll remain grounded, then (I did learn some Cannonball solos once though ... but not from my transcriptions though I do have all the recordings in question ... and, and once I did transcribe a Getz solo, but a short and sweet one, "Insensatez" from "Jazz Bossa Encore", still my favorite of the Getz bossa albums). Quote
fasstrack Posted August 28, 2012 Report Posted August 28, 2012 You're way more perspicatious than me. I haven't transcribed off recordings-except for some Tom Harrell 20 years ago-since I was a jazz tadpole. The only problem was the needle arm on the Victrola was so damn heavy. And I slipped and dropped it in the stream a few times. Maybe that's why my transcription of Bix's solo on Davenport Blues has not only notes-but every few bars the word 'gurgle'... Quote
king ubu Posted August 28, 2012 Report Posted August 28, 2012 You're way more perspicatious than me. I haven't transcribed off recordings-except for some Tom Harrell 20 years ago-since I was a jazz tadpole. The only problem was the needle arm on the Victrola was so damn heavy. And I slipped and dropped it in the stream a few times. Maybe that's why my transcription of Bix's solo on Davenport Blues has not only notes-but every few bars the word 'gurgle'... It took me two hours to get that one darn Getz chorus written down (from the CD, so no slowing down). That part where he goes way up, hitting about the hightest notes possible on the tenor, and some some quick flurry of notes, I never got that down ... but even for a lacking amateur like me, it was a good exercice! Quote
fasstrack Posted August 28, 2012 Report Posted August 28, 2012 You're way more perspicatious than me. I haven't transcribed off recordings-except for some Tom Harrell 20 years ago-since I was a jazz tadpole. The only problem was the needle arm on the Victrola was so damn heavy. And I slipped and dropped it in the stream a few times. Maybe that's why my transcription of Bix's solo on Davenport Blues has not only notes-but every few bars the word 'gurgle'... It took me two hours to get that one darn Getz chorus written down (from the CD, so no slowing down). That part where he goes way up, hitting about the hightest notes possible on the tenor, and some some quick flurry of notes, I never got that down ... but even for a lacking amateur like me, it was a good exercice! You chose well. He was a master... Quote
Swinging Swede Posted December 29, 2012 Report Posted December 29, 2012 My god, how good he was already at that early stage. Sometimes I wonder why I listen to anything but Bird... Quote
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